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	<title>Comments on: Review: G&#38;L Guitars Comanche</title>
	<atom:link href="http://guitargear.org/2008/02/15/review-gl-guitars-comanche/feed/" rel="self" type="application/rss+xml" />
	<link>http://guitargear.org/2008/02/15/review-gl-guitars-comanche/</link>
	<description>Guitars, Gear and Beyond</description>
	<pubDate>Wed, 19 Nov 2008 11:47:09 +0000</pubDate>
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		<title>By: goofydawg</title>
		<link>http://guitargear.org/2008/02/15/review-gl-guitars-comanche/#comment-2027</link>
		<dc:creator>goofydawg</dc:creator>
		<pubDate>Thu, 24 Jul 2008 03:16:47 +0000</pubDate>
		<guid isPermaLink="false">http://guitargear.wordpress.com/?p=164#comment-2027</guid>
		<description>One thing you might consider doing to take the edge off your tone is to get a compressor pedal. To thicken up my tone with my Strat that has really bright '57 Re-issue Tex Mex pickups, I run my signal through a Maxon CP9 Pro + compressor. I usually just do about 2.5/3.0 to 1 compression ratio, and that fattens up my signal just the right amount, without changing the tonal characteristics.

I reviewed a lot of compressors before I chose the Maxon, and I found it to be the most transparent out of the lot.</description>
		<content:encoded><![CDATA[<p>One thing you might consider doing to take the edge off your tone is to get a compressor pedal. To thicken up my tone with my Strat that has really bright &#8216;57 Re-issue Tex Mex pickups, I run my signal through a Maxon CP9 Pro + compressor. I usually just do about 2.5/3.0 to 1 compression ratio, and that fattens up my signal just the right amount, without changing the tonal characteristics.</p>
<p>I reviewed a lot of compressors before I chose the Maxon, and I found it to be the most transparent out of the lot.</p>
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		<title>By: Al Knight</title>
		<link>http://guitargear.org/2008/02/15/review-gl-guitars-comanche/#comment-2026</link>
		<dc:creator>Al Knight</dc:creator>
		<pubDate>Wed, 23 Jul 2008 17:34:34 +0000</pubDate>
		<guid isPermaLink="false">http://guitargear.wordpress.com/?p=164#comment-2026</guid>
		<description>It took me a while, (a few years really) to warm up to my Comanche. I have a very unusual Comanche, in transparent Mary Kay white with a rosewood board and white mother-of-toilet seat. I have always found the bridge pickup to be a little too bright even by comparison to a Strat. Lately I have taken to rolling back the tone about 20 to 30% and getting a nice, fatter than single coil tone there. I recently played three gigs with it. I always bring a Strat and a Gibson style guitar, and I'm finally enjoying the G&#38;L. I've been using an Orange tube amp that is somewhat darker than my usual Vox. This also warms it up a bit. I get some really good Robin Trower tones on the neck PU because the tone hangs in there when the Univibe sound is on. I came close to selling it a few times, but now I'm glad I didn't. I do wish there were some after market pickup options tho. 
Al K.</description>
		<content:encoded><![CDATA[<p>It took me a while, (a few years really) to warm up to my Comanche. I have a very unusual Comanche, in transparent Mary Kay white with a rosewood board and white mother-of-toilet seat. I have always found the bridge pickup to be a little too bright even by comparison to a Strat. Lately I have taken to rolling back the tone about 20 to 30% and getting a nice, fatter than single coil tone there. I recently played three gigs with it. I always bring a Strat and a Gibson style guitar, and I&#8217;m finally enjoying the G&amp;L. I&#8217;ve been using an Orange tube amp that is somewhat darker than my usual Vox. This also warms it up a bit. I get some really good Robin Trower tones on the neck PU because the tone hangs in there when the Univibe sound is on. I came close to selling it a few times, but now I&#8217;m glad I didn&#8217;t. I do wish there were some after market pickup options tho.<br />
Al K.</p>
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