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Archive for the ‘attenuator’ Category

When you’ve got a guy like Lance Keltner singing the praises of your equipment and calling you a genius to boot, you must be doing something right. Jeff Aragaki of Aracom Amps is someone I’ve been praising for quite awhile, and I’m glad he’s finally getting the recognition he deserves. As far as the DAG [...]

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This is a hotly debated topic, and there are great arguments for or against using one. I’m of the former group and have used attenuators to great success over the years. To demonstrate how useful an attenuator can be, I put together a quick video. Here you go: I wanted to be as non-technical about [...]

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or… Doc Brown in Back to the Future saying, “I finally invented something that works!” Speaking in reference to the Flux Capacitor. Nah, it’s nothing of the sort, but it is by no means less cool. The Flux Density Modulation Speakers are a new approach to attenuation where the attenuation happens right at the speaker! [...]

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I’ve been working on a new instrumental for over a month now, called “Strutter.” I think I’ve probably made 50+ recordings of the song, and even though I dig the melody I’ve come up with, I’ve always thought it needed something… more… Couldn’t put my finger on it, but none of my recordings of the [...]

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There’s an unspoken battle raging on The Gear Page forum about which is the best “popular” attenuator on the market. Yeah, everyone claims theirs is the most transparent, and frankly, that’s true for very low levels of attenuation. But for really cranking down on the volume, my money, of course, is on the Aracom PRX150-Pro. [...]

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I walked into my garage/studio this morning and looked over to my gear – there’s a lot (though probably not as much as I’ve seen from other gear sluts’ pictures). Peering over my collection, the thought struck me: What if I could only have one of each type of gear… What would I choose? What [...]

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When I first reviewed the Fane Medusa 150, though I gave it a pretty good rating at 4.5 Tone Bones, I wasn’t really blown away by its tone because of its big bottom end, and recommended that the speaker be put into a 2 X 12 balanced out by a speaker with more top-end sparkle. [...]

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Ever since I started this blog, I’ve talked about attenuators, and how they’ve enabled me to get tones out of my amp at reasonable volume levels that I could only previously get at super-high volumes. But before I get into the discussion part of this article, take a listen to this clip (it’s the same [...]

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Conventional tube-amp wisdom states that you get the most bang for your buck by replacing your pre-amp tubes. I’ve been a believer of this for quite awhile, and have tried out all sorts of pre-amp tubes in my amps over the years. A couple of days ago, I wrote that I had installed a new [...]

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For a long time, I’ve had this thing for getting a big guitar sound in my recordings. I’ve done a bunch of different things like doubling, overdubbing, signal splitting between two amps, and the like. But recently, I got a couple of pieces of gear that is allowing me to explore yet another way to [...]

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