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Archive for October, 2018

Thoughts on Gear: Does It Work for YOU?

Posted in Guitars on October 2, 2018| Leave a Comment »

Amazing. I’ve posted more in the last two days than in past several months… Oh well, being sick and at home allows me to do some catching up… 🙂

As you know, I just purchased the BOSS Katana 50 amp, and yes, I’m very excited about it. Despite feeling like crap, I played the amp late into the night. And no, I wasn’t tweaking it. I was just playing whatever came into my head for the pure enjoyment of playing and hearing – to me, at least – great sound. And for those of you who lurk the online forums, no, I actually didn’t read the forums for others’ opinions before I went and made my purchase. In fact, it didn’t even occur to me to look there.

But I did peruse the forums this morning and ran across several threads about the Katana. As expected, opinions on the amp were a split-decision. But one comment made me think:

I’ve been a weekend warrior gigger of tube amps for 50 years too and have tried every solid state amp that crossed my path hoping one would come along to make guitar amp ownership better without sacrificing that tube tone & feel we all love. And, after trying many solid state amps along the way, the Katana 100w combo finally crossed my threshold of acceptance. No, I can’t say it’s perfect or better than my tube amps but, all things considered, I can now justify moving out my tube amps. The Katana’s tone & feel under the fingers are very good and there are no reliability and tube maintenance issues. Gigging has enough headaches and taking fragile, unpredictable tubes out of the picture is one less headache.

–courtesy of The Gear Page
https://www.thegearpage.net/board/index.php?threads/boss-katana-50-unbelievable.1820274/

Unlike this guy, I won’t be moving out my tube amps. They’ve become trusted, lifelong friends whom I’ll keep around till I die. But the salient point that he made was the phrase “finally crossed my threshold of acceptance.” To me, in other words, he was saying the amp worked for his needs.

And that’s the point with getting ANY gear. A for me, after literally spending tens of thousands of dollars on gear and selling off a bunch of stuff, I’ve learned one important lesson about gear purchases: Whatever I consider buying has to work for ME.

I used to get all hyped up about this or that new thing that people were buzzing about. I’d get so excited that I’d place an order, get the gear, only to find out when I played it that it just didn’t work for me. And that could be – and actually was – a fairly expensive endeavor.

Now with my much more limited budget, I’ve had to control those urges and first form a very good picture in my mind of how I’d use the gear in question; and be completely honest with myself and take the time to evaluate just how I’d use it, and perhaps more importantly, just HOW MUCH I would use it.

Take, for example, a flanger pedal. I love that sound. I even have an old BOSS flanger. But it has never had a permanent, much less a regular slot on my board. I’ve run across some very nice boutique flangers, but I won’t get one any time soon because for what I play on a regular basis, it would never get used.

Back to the Katana 50, I could’ve easily walked away without the amp if the sound and dynamics didn’t fit my tastes. And no, I didn’t really get into the higher gain modes of the amp because what I’ve been looking for specifically is a clean headroom platform in a combo for my pedals. So I made my decision to buy it based on what I could achieve clean. So the eval was quick. When I got home, I plugged my pedal board into the amp, tweaked the EQ and voila! It worked perfectly for my intended application!

So cheap or not, this was a great purchase for me and I couldn’t be happier. But I also have several drawers full of pedals that serve as a reminder of what doesn’t work. 🙂

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Gear Review: BOSS Katana 50

Posted in Guitars on October 1, 2018| 6 Comments »

Summary: The littlest brother of the BOSS Katana line of amps, this amp packs heaps of tone and dynamics comparable to a valve amp. But instead of trying to cop the sound and feel of a tube amp platform, the Katana has a sound all its own, providing the characteristics one would expect from a tube amp.

Pros: Lots of praise to pile on. Use it as a clean platform – it takes pedals incredibly well. There’s access to over 50 built-in BOSS effects. The EQ is super-usable as well. Though listed as a 2-channel amp, with a second bank on each channel to set sounds, it’s effectively a 4-channel amp. The built-in acoustic preamp is not just usable, it sounds killer. Finally, with power attenuation of 50W, 25W, and all the way down to 0.5W, this amp will perform in any kind of venue. And though the smallest of the Katana line, this comes equipped with a more than capable 1 X 12. 

Cons: The ONLY disappointment I have with the amp is that it doesn’t have a line out which is included with the 100 Watt models. But this is simply my nitpicking. I figured that BOSS included some really cool stuff, why not a line out? But no matter, this is still a great amp.

Tone Bone Score: 5 
Maybe it’s my initial infatuation talking with this amp, but I’m loving it! Yes, I just got it, but I’ve played countless combinations of gear over the years, and I know what I like, and I absolutely love this amp!

Street Price: $219.99 ~ Yes, you read that correctly… 

Swallowing my pride…

If you’ve been reading this blog for awhile, you know that I am of the mind that if it sounds good, it is good. But when it has come to amps, I have – up until recently – been of the mind that no solid state amp could even come close to the sound and performance of a tube amp. Even when I reviewed the Fender Ultra Chorus, while I loved the absolutely inspirational clean tones that amp produced, it was still fairly one-dimensional in what it could offer. But all that has changed with the Katana 50.

I’m still scratching my head, thinking how could a literally inexpensive, solid state amplifier perform on par with a tube amp with similar tonal charm and dynamic response. It’s uncanny, but it’s true. Of course, I realize that this is my own truth speaking. Someone else might think it’s crap. But I’ve spent the last 5 or so hours playing a variety of guitars through the amp – both electric and acoustic – and after dialing in the EQ for each guitar, I just haven’t found a bad sound yet.

And get this: I haven’t even begun to use the onboard effects to any extent other than just experimenting because I wanted to use this as a clean platform for my pedals. The only effect I’ve used with any regularity thus far is the very nice reverb, of which you can use three different kinds. But admittedly, I’ve only used this sparingly because for some reason, the reverb is tied into the delay, so you always get a bit of delay. It’s actually not that bad, but if you just want pure reverb, by default you won’t get it. You’ll have to go into the software to program it out. Not a big deal.

This is a real pride-swallower for me. When I got the amp, I did something that I never do when I evaluate gear. I actually tried to make it suck. Granted, you can make anything sound like crap by adjusting to the extremes. I’m more fair than that. But I threw every guitar in my usable arsenal at it, threw several kinds of pedals in front of it, but with only a few simple tweaks of the EQ, I not only got usable tones from the amp, but most were also damn good!

Not to mention the dynamics of the amp. BOSS somehow figured out how to effectively cop a voltage sag in the amp, so there’s lots of sustain which is very apparent when playing clean. With the acoustic preamp channel, this “sag” has a very nice overtone effect. My acoustic sounds gorgeous through the amp. So… hat in hand, I just can’t find anything bad about the performance of this amp.

Did I also say it’s LOUD? Typically when you’re talking tube amps, 50 Watts is searingly hot. Traditionally with solid state amps, those wattage numbers mean practically nothing. But this amp is capable of being very, very, very loud. Luckily though, the amp has built-in ouput power attenuation. You can set it to 50W for maximum clean headroom – and volume – switch it down to 25W to get some great gain at a lower volume, or 0.5W to use for bedroom practice.

Now some have commented that the attenuator is a little redundant and doesn’t make much sense since the amp has a Master volume. It’s a solid state/digital amp after all. But the Master volume acts as a variable regulator relative to the power setting, so you can’t exceed the output at that setting. This makes it very useful, at least to me.

My Original Introduction to the Amp

My first exposure to the amp was in a local Guitar Center the other day. I was checking out a Roland JC-40 and another guy was playing a Katana 100. The dude was freaking incredible, having set up the amp tone to sound like Eric Johnson. It was amazing, and the dude could play! As a test, I started playing some riffs and chord progressions to give the guy a canvas to play over, and we did an impromptu jam session. I have to say that I was quite impressed with the Katana. And to be perfectly honest, up until I played it in the shop, I knew very little about it, having dismissed it as a simple practice amp. Boy, was I wrong!

Fit and Finish

Some people have complained about the black on black color scheme. Me? I actually kind of dig it. It’s very understated. The amp also has a little kickstand underneath to tilt it back. Very nice touch. The cabinet is made of MDM board, not solid wood, but it’s thick and sturdy. But the kicker is that the amp only weighs 25 lbs. Very luggable. 

How It Sounds

I’ve heaped on the praise of how the amp sounds, and I will provide a sound test entry in the next few days. But the notable thing that really stands out for me is the voicing of the amp. The open back really helps the lows resonate without dampening the tone into mush. My past experience with solid state amps is that the lows are flabby and if you turn them up to any degree, it’s like throwing a blanket over the cabinet. Not so with this amp.

And speaking of EQ, this is yet another impressive feature of the amp. The EQ is highly responsive with what seems like a very wide range for each of the three sections. Want a scooped tone? No problem! Want a midrange hump? Very easy to dial in, which makes it super-easy to get a great tone for whatever guitar you place in front of it.

And make no mistake. This amp isn’t trying to be a Fender or Marshall, and this is what endears it to me so much. It sings in its own voice, and that voice is very pleasing to me. Like I said, others may find that it’s crap, but I’m never going to be one of those people. This is a solid amp that I will be using with regularity going forward.

When I finally had a chance to play this amp where it generated lots of SPL, I was BLOWN AWAY! I played this amp on a weekend youth retreat with a full band consisting of two guitars, a keyboard, bass and drums. And I have to say that when this amp is putting out sound, it’s big and three-dimensional. Hey! It sounds fantastic at low volume, but I think it shines best when it’s pushed hard!

How It Plays

This is definitely where I fell in love with the Katana. The dynamics are absolutely incredible, responding to attack and volume changes with ease. And as far as the dirt that the amp produces. Damn! I didn’t think solid-state breakup could sound this good. But then again, dirt pedals are solid-state and they achieve their clipping with chips. BOSS definitely got it right with this!

Is the Katana a Modeling Amp?

Several reviews out there have called the Katana a modeling amp, probably because of the built-in effects and gain settings which seem to mimic a modeler. But even with my limited experience with this amp, those gain settings seem more like voicing rather than models trying to copy an amp. Unfortunately, they call their highest gain setting “Brown Sound.” But to me, it mimics the amp and power settings EVH used rather than a model of his original Marshall.  Like I said, the amp has a sound all its own, so at least to me, it’s more an amp with different voicings rather than a modeling amp.

Yes, the amp uses COS-M models that – if you ever played a Roland Cube – have been at the heart of Roland’s amps for years. But it seems that these have been done in such a way that they’re not trying to mimic a particular platform. But then the question really is: Does it really matter if it’s a modeling amp or not if it sounds and performs this well? I’m convinced it doesn’t matter, but I’d encourage you to check it out for yourself.

Real World Performance (2/6/2019)

I normally save this discussion for a Gig Report article, but I thought it would be helpful since this review gets a lot of traffic. I’ve now been playing the Katana regularly for the past 4 months. The speaker is nicely broken in, and as with any new speaker, the brittleness of the speaker cone has been completely smoothed out.

My regular usage has been at weekly church services, and it has performed remarkably well in that venue. The great thing about playing at church is that the musical styles vary – a lot. My particular band doesn’t just stick to the country-infused Contemporary Christian stuff. We play reggae-inspired music as well as guitar-centric classic rock style music and, of course, soft, inspirational music thrown into the mix. No matter what style I’ve played through the Katana, I’ve not yet been left thinking that this amp isn’t enough.

I’ve also played a few larger (as in louder) venues as well, and I do have to say that when the Katana’s speaker is pushing some serious SPL, the sound is absolutely magical. I played a weekend retreat a month ago where I was able to set the amp to its full 50 Watts. At that venue, I was all about maximum clean headroom. I hit the front-end of the amp hard with an overdrive pedal (specifically, the Tone Freak Abunai 2) and the amp just SCREAMED! The cabinet is extremely resonant, and the sound that issued from the amp was lush and rich. At several points over the weekend, I just closed my eyes and let my fingers do the talking through the amp!

Overall Impression

What more is there to say? I love this amp! And no, it’s not because it was cheap. That’s definitely something to giggle about. But even if it wasn’t this cheap, the tone and dynamics alone make this an incredible amp irrespective of the price.

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G7th Performance 2 Capo: Is a Capo Just a Capo?

Posted in Guitars, tagged , on October 1, 2018| Leave a Comment »

0000935_performance-2-steel-string-silver_600Conceivably, all capos operate pretty much the same way: Place the capo at a fret position and go. I’ve played with many capos over the years, starting out with the traditional folk guitar, elastic strap capo, then moving to Shubb then most recently, Kyser capos, of which I have several.

But recently, and especially since I got my Simon and Patrick acoustic, I’ve been less than enthusiastic with the Kyser, especially when using the capo above the 5th fret. I’d have to spend some time positioning it so it wouldn’t put my strings out of tune and, more importantly, wouldn’t buzz if I hit the strings too hard.

So I went on a quest to find a new one. I could go back to Shubb, but I didn’t really like the lever action, and though adjustable, I’d get frustrated when moving the capo up and down the neck and having to readjust the tension. There are other spring-loaded types, but having tried those, and especially the ones with the levers on the back of the neck, meh, they got in the way. So I wanted a low-profile design that wouldn’t get in the way of my fretting hand.

The two that I considered were the Thalia and the G7th. They both seemed to operate similarly, though I was really leaning towards the ratchet design of the G7th. As for the Thalia, while it seemed to have the characteristics that I liked, the extra “form” with the inlays – which are totally cool, by the way – kind of red-flagged it as a fashion statement for me, though no doubt based on the reviews I read it was probably more than functional.

But in the end, I decided to go with the G7th. This is a great capo! Squeezing it on was a little unsettling at first because I didn’t know whether or not it would work. But it works great! I’ve thus far put it on all my electric guitars and my acoustic and it works pretty much flawlessly with no string buzz or bending my strings out of tune on all of them.

For my acoustic, I had to find just the right place to get the best performance, but I was expecting that because the action on my acoustic is just a tad high. But once I found the spot, it has worked great.

Now the question is: Do I have buyer’s remorse for spending $50 on it? And for those who are considering getting one of these, a good question would be: Do I think it’s worth it?

That’s complicated. No, I don’t have buyer’s remorse because it just works incredibly well and it’s obvious a lot of time and effort has gone into designing this capo. But on the other hand, it is rather expensive for such a utilitarian, pedestrian accessory. At least for me, it solved the string buzz issue I was having with my Kysers, so from that perspective, yes, for me, it was a good purchase. But for those considering getting one, the question you have to ask yourself is are you getting this because it’s cool, or does it really solve a problem?

“Cool” is certainly a reason to go get something like this. For us gear sluts, that’s a given. But I also have a very practical side so I tend to ignore the cool factor and try to focus on function. As I mentioned above, this capo has solved a real problem for me, so I’m happy with the purchase. And yes, I’d recommend getting it. The design is great and really unobtrusive.

But I will say this: If you’re happy with what you’re using now and it works for you, this isn’t something I’d rush to the store to get. It’s certainly a nice-to-have, that’s for sure.

 

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BOSS Katana 50: Rethinking the Whole Tube Amp Thing…

Posted in amplifiers, Guitars, tagged , , , , on October 1, 2018| 2 Comments »

IMG_20181001_112403Or… this could be called Confessions of a Tube Amp Snob…

For the past decade or so, I’ve been a complete devotee of the tube amp. I’ve literally got 10 of them, and believe it or not, I still use most of them. In my mind, there has really been nothing like the feel and dynamics of a tube amp. And solid state amps? No way could that feel be duplicated.

Ten years ago, that might have been true – though admittedly, it was probably also drinking quite a bit of Koolaid – now though, that line between what separates tube amps and solid state amps is so narrow as to be almost imperceptible. WTF? Part of me is beside myself scratching my head and asking, “How could this be?”

Technology, of course, progresses. And luckily, amp manufacturers – specifically, solid state amp manufacturers – have listened to their customers over the years to create amps that have similar dynamics to valve amps.

I just bought a BOSS Katana 50 and I can describe it in two words: IT ROCKS! I can’t even begin to tell you how good it is. It not only sounds great with the deep, 3-dimensional sound I’ve come to love about tube amps, but the feel and dynamics of the amp are right on par with my tube amps. And I only paid $219.99 for the freakin’ thing!

Most solid state amps of old were fairly flat sounding and uninspiring hunks of junk (though I need to leave the Roland JC series out of that). But today? It’s a completely different story. Within the first few notes of playing with the Katana in the shop, I knew I was playing something special. I was expecting kind of a “toy” sound out of it. But what issued from the amp was simply magic. #blownaway

Even when I played the amp completely dry, the deep quality of the sound still remained. It didn’t become flat and lifeless. The sound still resonated and I was playing in a carpeted room with a low f-in’ ceiling! Look, I’ve been around gear for years and have literally reviewed thousands of guitars, amps, effects, and accessories in all sorts of different combinations. I’m not easily blown away because frankly, I’ve become quite jaded. But this amp completely changes my mind about solid state amps being inferior in both sound and dynamics compared to tube amps.

Am I going to scrap my tube amps? Absolutely not. Each amp has a particular voice that I may need when I record. So they will still be set up and still be used. I’ll even still gig with them.

But as far as voicing is concerned, what I like about the Katana is that at least to me, it seems that it isn’t an amp that was designed to emulate a tube amp platform like a Marshall or Fender. It has a sound all its own. What’s most important to me is that it possesses the tonal and dynamic characteristics I’ve come to expect out of a “good” amp. And I will just say it: This amp isn’t just “good enough;” it’s not a compromise. It’s just plain good.

Over the years, I’ve mellowed my perspective about gear. In my mind, if it sounds good and feels good, it is good, and the Katana fits that perfectly.

Here’s a Chappers demo of the amp:

I will be gigging with the amp in the coming week, and will follow this up with a full review!

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