First, a little history…
My very first tube amp was a Fender Hot Rod Deluxe. I got it based on a conversation I’d had with Noel at Tone Merchants in Orange, CA back in 2007; soon after I created this blog. In fact, my Hot Rod Deluxe was the reason I created this blog in the first place! It started making me think about gear combinations, and thus GuitarGear.org was born in January of 2007.
I remember the conversation. It was sometime around November 2006. At the time, I was playing an earlier model Line 6 and a Roland Cube 60. Both amps served me well for playing with my church band, and from 2001 through 2006, I just played those two amps (also, I’d occasionally use a Roland JC120).
But as I started getting the gear bug (I had already started to acquire a few guitars and a bunch of pedals), I realized that where I was lacking was in the amp department. So I started going on the gear boards, and I saw a reference to Tone Merchants and gave them a call. Noel answered the phone, and we must’ve chatted for at least a half-hour. He explained how tube amps worked and how they respond to various inputs and how different types of tube configurations produce different sounds. I remember telling him that my head was spinning.
He laughed and said that the trick with tube amps is that you have to play a bunch until you find the right sound for you. This is where he made the distinction between Marshall and Fender tones, and until I knew what I liked, he recommended I don’t buy a boutique amp right away. Instead, he said that I should get a Fender Hot Rod Deluxe. It was a great platform with which to start out. I could learn about swapping tubes and replacing speakers. And then once I’d gotten the hang of a tube amp, I could start looking at other amps. So I got a Hot Rod Deluxe II. Then over the next few years acquired a bunch more amps, all in search of that elusive unicorn of tone.
Now I’ve come full circle. I’m back in a band that plays mostly 60’s – 70’s classic rock, but I’ve also made a foray into writing and playing reggae. Clean is the name of the game with almost everything I’m playing right now, and if I need some dirt, I just switch on an overdrive or distortion pedal. And since I’m gigging with the band, I’ve been wanting to use a simpler combo as opposed to my separate heads and cabs. Those give me a lot of versatility, but the fewer pieces to lug, the better.
Fixing my amp
With respect to the Hot Rod, it worked for a long time and though I didn’t use as much, I still played it. But about a year ago, I was recording a new reggae song, and it just started cutting out after a few minutes. And being in a rush to lay down a track, I just switched amps, not wanting to deal with my failed amp. So I covered up the Hot Rod and put it back on its shelf, where it stayed until this morning.
I recently wrote a blog post about the Fender Ultra Chorus and said I wanted to get one. But I thought to myself this morning that rather than getting yet another amp, let me see if all that was wrong with the Hot Rod was a bad power tube. Luckily I had a matched set of spare JJ 6L6GCs in my tube drawer.
So I pulled my amp off the shelf, I plugged the power tubes in, and let the amp run for several minutes in standby mode. Then I started playing and found absolutely nothing wrong. Damn! There was that Fender clean tone! And with the scooped tone of the Eminence Red Coat “The Governor” speaker that I installed years ago, it was simply audio honey!
I love it when a fix goes this easy! Especially for me, deathly afraid of electronics, swapping out tubes is about the most I will do. But more importantly, I now my gigging amp! I never thought I’d use my Hot Rod Deluxe again, but as they say, needs must.