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Posts Tagged ‘prestige guitars’

I dig it when I read about companies that take the environment seriously. No, I’m not a tree hugger, but I realize that the better we take care of our environment today, the longer it’ll last and continue to provide a world for following generations. And I think we as consumers need to constantly evaluate our consumption and have a mind towards restoration and recycling.

So when Prestige Guitars contacted me about a reforestation initiative they’ve taken, I had to share it here. Here’s the press release:

Prestige Guitars Launches Reforestation Initiative

In an effort to recognize global reforestation needs, Prestige Guitars – the Vancouver based guitar manufacturer – is launching a unique reforestation initiative where a tree will be planted for every guitar manufactured.

Prestige Guitars is also taking further environmentally conscious measures to only use recycled paper stock for warranty registration cards, as well as shipping cartons that are from recycled cardboard – that are also 100% recyclable.

Reforestation is an economical solution to many tough environmental problems, including air and water pollution, climate change, wildlife protection, habitat restoration and more.

According to a recent report from the United Nations Food and Agriculture Organization; between 2000 and 2010, some 13 million hectares of forests were converted annually to other uses, such as agriculture, construction, or lost through natural causes; down from 16 million hectares annually during the 1990s – according to an assessment which surveyed 233 countries and areas. Ambitious tree planting programs in countries such as China, India, United States and Viet Nam – combined with natural expansion of forests in some regions – have added more than 7 million hectares of new forests annually. Despite the
recent downward trend, an area roughly the size of Costa Rica is still being destroyed each year.

“By launching our own reforestation initiative, we hope to do our part for the environment, and also persuade and motivate other companies in our industry to follow suit. Although trees play an integral part in manufacturing a guitar, it’s frightening to imagine the state of our environment and our industry in the near future if we don’t start taking action now” – Michael Kurkdjian, President of Prestige Guitars Ltd.

Way to go, Prestige! This is something of which to be extremely proud!

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Before I go into the specific company in question, my thought is if it plays and sounds great, and more importantly, it moves me enough to want it, then I’d probably let its questionable ancestry go and just buy the item.

Prestige Heritage Elite - Lite Sunburst

I did just that with my Prestige Guitars Heritage Elite. I bought my Heritage Elite, which is a fantastic guitar, actually before I knew of the controversy – so too late for me. These guitars are Les Paul-style guitars that the company say are cut and shaped in Korea, then accessorized in Vancouver, BC, Canada. Prestige also provides the woods. All that sounds well and good as Gibson does this with the Epiphone line, and PRS does it with its SE line.

But here’s where the controversy starts. These guitars are EXACTLY like this: http://www.unsung.co.kr/html/products/ulp523.html, which is a made by Un-Sung Musical Instrument Company, and this one: http://translate.google.com/translate?js=n&prev=_t&hl=en&ie=UTF-8&layout=2&eotf=1&sl=ru&tl=en&u=http%3A%2F%2Fjetguitars.ru%2Fshow_9104259 by Jet Guitars in Russia. The latter two share the same model number so the Jet is obviously a re-label of the Un-Sung. Plus, the Samick company in Korea makes something that is eerily similar to the Heritage Standard.

All that said, Prestige says they use two different manufacturers in Korea – the same foundries that produce Epiphones and another popular brand, and that Un-Sung makes copies of these, which are actually constructed in China.

Who knows what to believe? I do know that the tops of the Prestige guitars are full caps, not laminates (you can see the sandwich layers from the pot cavity). My Elite sounds and plays great, and though I don’t use it nearly as much as I used to as I now have real a Les Paul and a ’59 replica, it still gets play time because the Duncan ’59 and JB pickups sound absolutely sweet!

So, knowing what I know now, however uncorroborated, would I still have bought the guitar? Yes. I would have bought the guitar because all things being equal, this is just a great guitar, and you can still get them for a GREAT price on EBay from “acemate,” who sells lots of gear from Canadian manufacturers.

Mind you, it doesn’t have the sound of a Les Paul, but it does have a sound all its own, and that sound is actually quite aggressive. If I had to do it all over again, I’d probably buy the Heritage Standard, as the Elite is a bit too pretty, and I’m always concerned of getting it dinged up.

Would I recommend it? Absolutely. If you’re looking for a LP-style guitar but don’t want to pay the price, and don’t want an Epiphone, Prestige Guitars are a great lower-cost alternative!

For more information, go to the Prestige Guitars website!

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Why? Because every time I satisfy my GAS, they come out with new stuff that gets me GAS-ing all over again, dammit! 🙂 Here I was innocently reading my e-mail this morning when I got Prestige’s latest newsletter that said they were about to release a line of acoustic guitars! Knowing the fantastic stuff they produce, and given that they didn’t release anything more than announcement that they were releasing a new line, I had to give them a call to get more information. I shouldn’t’ve done that. I’m now GAS-ing so damn bad that it’s killing me!

But I got the scoop on these guitars, and before you start thinking, “Yeah, here we go, another import guitar… How good could it be?” Well, let me just say that a major publication already reviewed it and gave their top-of-the-line model a very – excuse the pun – prestigious award. And after I heard the details of these guitars, it’s not a surprise that even before their official release, they already won an award. So here’s at least some preliminary information that I found out…

They will have three guitars in various price ranges. I didn’t get model names, but I did get the makes of each model:

  • The top-of-the-line model has a koa body and koa top
  • The intermediate features a rosewood body and Adirondack spruce top
  • The lowest tier (and only by materials) features a mahogany body and Adirondack spruce top

Though not set, the guitars will range in price from about $1000 to $2100 street, so even the lowest-tier model isn’t anything to shake a stick at; and before you balk at the price, there’s a good reason for the pricing. Prestige didn’t skimp on the features that all three models share:

  • Adirondack spruce X-bracing designed in partnership with Balaz Prohaszka, a well-known European luthier
  • 12″ radius
  • 25.35″ scale length
  • 1 3/4″ nut width
  • D-shape neck
  • Split Bridge Saddles
  • Bone nut, Bone Saddles
  • Ebony Fingerboard, Ebony Bridge, Ebony Bridge Pins, Ebony Strap Pin.
  • Ebony Headstock face
  • Satin Mahogany Neck, Laser Etched Logo and Serial Number behind the headstock.
  • Beveled Cutaway with Paduck inlay, Mother of Pearl Logo, Mother of
  • Pearl Eclipse Fingerboard Inlay, Abalone Rosette
  • Gotoh 501 21:1 Tuners with Ebony Buttons.
  • Paduck/Abalone Body Binding, Paduck/Maple fingerboard binding.

An option for each guitar is the Fishman Ellipse Matrix Blend pickup system. This is a very non-invasive soundhole pickup system that combines an undersaddle pickup with a gooseneck condenser mic. I’ve heard one of these installed in a Taylor acoustic, and it sounds marvelous!

So the pricing is really a reflection in the difference in tone woods used; otherwise, they’re all the same. That is incredibly COOL!

I’d be remiss if I didn’t have pictures, so here are a couple of the Koa/Koa model. These aren’t the pro pics as you can see the reflections of background objects – that’s how glossy the bodies are! Freakin’ awesome!!!

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These are serious guitars, folks. Can’t you just DIG that beveled cutaway? Damn! I dig little things like that, and the outer bracing is absolutely superb! And another nice touch is the satin finish on the neck. I always prefer that because it allows me to polish it with my own body oils after time. For me, the ebony fretboard is a HUGE selling item! There is absolutely nothing like the feel of ebony; it’s smooth as silk and feels so nice to the touch!

I can’t wait to get a demo into my studio to give it a whirl! I TOTALLY DIG the Koa/Koa! Now do you see why I hate Prestige Guitars?!!! 🙂

For more information, please go to the Prestige Guitar web site!

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As you may know, I own a Prestige Guitars axe – actually one they no longer have in their current model lineup (though they list it in their models area) – the Heritage Elite, which I call “Sugar” because she actually smells sweet in addition to sounding sweet. The Heritage Elite is a very ornate take on a Les Paul copy; a lot of people actually don’t like how busy all the decorations are, which might account for why it’s not on their current model lineup. But the tone and sustain are wonderful, so that guitar is a keeper for sure. But I suppose in an effort to be a bit more “true to form,” Prestige has come out with a new axe, called the “Classic,” that I am sure will turn heads.

The Classic is a very nice take on a classic Les Paul design. It features a AAA flame maple top, on a super-light, carved, mahogany body and mahogany neck with a rosewood fretboard. As with the Heritage, it sports the classic Seymour Duncan 59/JB Neck/Bridge pickup combination, independent volume and tone knobs, and a 3-way selector switch. Not sure what the bridge is, but when I last spoke with Prestige, they were moving away from Gotoh Tone-o-matic to GraphTech. Sure looks like a Gotoh to me, but I’d have to see it up close to tell.

When I look at the picture, if it weren’t for the lower horn, I’d swear this was a Les Paul! I dig the mother of pearl inlays on the fretboard, and the graceful lines of the body; speaking of which, the back is contoured, so in addition to being light, it is apparently incredibly comfortable as well. Great combination!

Here are specs from the Prestige Site:

  • 24 3/4” scale length
  • 1 11/16” nut width
  • Carved mahogany, maple bound body
  • AAA Grade flame maple top
  • Mahogany neck
  • Bound rosewood fingerboard
  • Mother of pearl trapeze fingerboard inlay
  • Mother of pearl prestige logo & decal
  • Seymour Duncan SH1-59 (neck) SH4-JB (bridge) humbucker pickups
  • 2 Vol. / 2 Tone / 3-way toggle controls
  • Grover tuners
  • Tune-o-matic bridge & Stop Bar
  • All chrome hardware
  • Available in natural sunburst finish

And to top it of, here’s a Guitar World video demo of the Classic:

Even with the low quality video, you can hear how that guitar just sings. It has a sweet sound, but can also get really aggressive. That’s one of the reasons I love playing my Sugar, which is a great guitar. But I might just have to get me one of these classics to gig with… OMG! More GAS!!!!

For more information, check out the Prestige Guitars product page!

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My friend Jeff Aragaki, of Aracom Amps is an incredible inventor. Today he brought over a new unit that among other things, allows me to re-amp my amplified signal into another amp. I’ve heard of this being done before – it’s not new. I just never had the means to do it until today. The clip I recorded – and excuse me for the sometimes sloppy areas – is my Prestige Heritage Elite plugged into my Aracom VRX22 into Jeff’s new invention, then out to my little 1 X 12 cabinet and re-amped through my Fender Hot Rod Deluxe. Re-amping through the Hot Rod allowed me to take advantage of its reverb, but with two amps going at the same time, it totally fattened up my sound without making it murky. Freakin’ incredible. Anyway, give it a listen!

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Prestige Heritage Elite - Lite Sunburst

Prestige Heritage Elite - Lite Sunburst

Pictured to the left is “Sugar,” my beloved Prestige Heritage Elite. It lists for $1800 Canadian (~$1450 US). But amazingly enough, you can get this guitar for $700-$800 on EBay!!! Click on this link to see items up for sale on EBay.

I’m absolutely amazed by this pricing! This is a guitar that has workmanship and features, not to mention sound and playability that rival boutique guitars five times its price! I’m so blown away by the prices that these are going for on the street, and it’s another reason to consider getting one of these guitars! Here are some sample clips:

Clean or dirty, this guitar sounds amazing!

Prestige Amps

Prestige also carries two tube amps, the VT-10 and VT-30. Here’s an EBay link to a VT-10 for $160!!! That’s absolutely ridiculous! Based on the price alone, I’m going to pick one of these up!!!

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I admit it: I’m an incurable GEAR SLUT! I jones for vintage and vintage style gear, as the music I play leans toward the blues and classic rock. And to satisfy that never-ending craving, I pore over the Internet and various magazines in search of all sorts of gear; hence, the existence of GuitarGear.org where I share with you, dear reader, the things that I come across.

Now in my search for gear, I occasionally buy things. They tend to be vintage-style modern gear because I just don’t have the money to buy real vintage gear; and that usually means I gravitate towards boutique gear; but not just any boutique gear. Remember, I don’t usually have all that much money to afford the real high-end stuff, so I spend a lot of my scouring my information resources to find boutique gear that I can afford. That’s what gravitated me towards Aracom Amps.

When I saw the price of a VRX series amp, my jaw dropped! Here was a hand-wired, vintage-style tube amp for $895!!! When I finally hooked up with Jeff Aragaki (founder of Aracom), and got a chance to play the VRX18, he shared that one of the ways he was able to keep the cost down was by using a solid-state sag simulating rectifier circuit. When I heard the words “solid-state,” the purist in me started reeling a bit. But then that amp sounded so freakin’ good that I didn’t give a flying you-know-what about the rectifier!

And that’s the point of this article. When you’re looking for and buying gear, don’t let yourself be swayed by an instrument’s or equipment’s pedigree or “all-tubeness” or lack thereof. LISTEN to the fuckin’ thing, and see if it turns you on! If it sounds good, and it works for YOU, then that’s all that matters, in my not so humble opinion on the subject. 🙂 If I had let the purist in me take over, I would’ve never ended up with my VRX22! And for the record, I’ve listened to many, many, many amps, with and without tube rectifiers, and the circuit that Jeff Aragaki employs in the VRX series simulates the sag of a rectifier tube so well, I can’t tell the difference. And if there is one, it’s probably so minute that it doesn’t matter anyway. I’ll put that amp up against any other boutique amp in the same wattage range, and it’ll sound just as good, if not better. And I paid less than half the price of a similarly configured amp!

Give the following clip a listen. I’m playing my Strat plugged straight into the clean channel of the VRX22. In some sections you could swear that the amp has a reverb, but that’s the solid-state rectifier simulating the sag of a tube rectifier. Also, this is the raw recording of the amp: No EQ, no filtering. The master volume was flat out, with the gain control around midway. My mic was about about 10″ away pointed directly at the center of the speaker cone.

I originally recorded that clip with my Prestige Heritage Elite. But that guitar has so much inherent sustain, it would’ve been cheating. 🙂 A Strat on the other hand doesn’t have that much sustain, so it brings out the sustaining quality of the amp much better. The result is just amazing.

And as to the tube vs. solid state rectifier issue, at least in the Aracom VRX series, it doesn’t make one whit of difference, especially when you’re playing live at gig levels. When I’m gigging, I almost never use reverb unless it’s a song where I can really isolate my guitar. Sag gives the effect of reverb, but at loud gig levels, you’ll never hear it.

Another great example of buying what sounds good to you is my friend Vinni Smith of V-Picks. That dude is one of the best guitarists I’ve ever known, and he gigs all the time! You know what he plays through? A freakin’ Roland Cube 30 cranked all the way up and miked into the PA. When he told me that, I almost flipped. Here was a true pro guitarist,  playing through a $200 amp!

So don’t be taken in by pedigree. Buy what sounds good to you, and what you can make sound good. After all, 90% of your tone is in your hands.

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depression

Lindsay Buckingham of Fleetwood Mac once said (paraphrasing), “Ask any songwriter how music comes to them, and they’ll probably say, ‘I don’t know.'” This tune came to me several years ago during one of the darkest and bleakest points in my life. The market collapsed and I was out of a job, and couldn’t find one; I had been bitten by a poisonous spider that left me bedridden for months; my relationship with my wife was tepid at best. Then on top of that, I had a bad case of sleep apnea that hadn’t been diagnosed at that point. The net effect was that I was suicidal; or short of that, wishing my life would end.

In a particularly bleak moment, where I was contemplating ending my life, this tune came into my head, accompanied by a mental slideshow of images from my entire life: Growing up, my own family. It was if someone out there was using the tune and the images to show me what really mattered in life. Since I first heard the song in my head, it has never left. It pops up now and then, though the pictures have changed as I have changed and my kids are getting older. It’s both a reminder of how bad it was for me, but also a reminder of how good my life has been and still is.

Putting this song down – and mind you, it’s pre-pre-production right now – was very difficult because of the emotions that came with it. But I thought I’d finally lay it down to share it. Someone suggested adding words, but I think the only thing I’ll add is a clean guitar solo on top. By the way, the background sounds you hear on this version are from my three-year-old playing floor hockey in my garage/studio. 🙂 Without further ado, here’s the song:

Equipment Used:
Electric Piano
Prestige Guitars Heritage Elite (sounds acoustic on this song!)
Fender Hot Rod Deluxe (left)
Aracom VRX22 (right)

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For the last couple of years, I’ve had a serious case of GAS – not that I pulled the trigger and bought a bunch of stuff during that time – I did get a couple of pedals here and there to slake my appetite, but no major purchases until recently. Now I can say I’m gassed out – at least for now. If you’ve followed my blog for any amount of time, you’ll know what I’ve purchased, but I’ll recap the major purchases I’ve made in the last couple of months.

Aracom VRX22 Head with a custom Aracom 1 X 12 cabinet with a Jensen P12N

What an amp! I’ve shared with Jeff Aragaki, founder and designer of Aracom Amps, that the VRX22 is the perfect amp – at least to me. It’s a low power amp that packs a HUGE punch; both in tone and volume. It’s something I can use either in my home studio, or gigging. No matter what volume level I’m playing at, the VRX22 simply sounds awesome, never getting flabby in the low-end, and sporting what I consider to be the best Master Volume in the business.

For more information, check out the Aracom Amps web site.

Prestige Guitars Heritage Elite

The more I play this guitar, the more I fall in love with it. When I first got the guitar to evaluate it, I felt that all the adornments were a bit over the top. I’m a fairly uncomplicated guy, and I appreciate beauty in simplicity. But as time wore on, and I got to know this beauty queen better, the more she grew on me. So I decided to keep the guitar. Her new name is “Sugar” because amazingly enough, not only does she sound and play sweet, she actually smells like bubbling brown sugar! Could be because of the maple, but when I opened up the case for the first time, I was overtaken by the sweet smell of this guitar! So that’s how she got her name. She’s an incredibly expressive guitar, capable of producing gorgeous, ringing cleans to heavy grit. Brightly voiced, her tone just cuts through a mix like butter. I am really enjoying this guitar! Here’s a clip of both the VRX22 and the Heritage Elite:

For more information, go to the Prestige Guitars web site.

Saint Guitars Goldtop Messenger

In answer to my wife’s latest question, “Honey, how many guitars do you need?” I use the standard answer, “Just one more…” This was the exchange we had when I told her I was having Adam Hernandez, a close friend and founder of Saint Guitar Company, build me a guitar. It’s a Goldtop with a twist: Instead of the classic single cut body, I’m having the goldtop done on a double-cut. The body back is solid walnut with a maple top, and rock maple neck topped with an ebony fretboard. I wanted to go for a totally non-standard mix of woods that would produce a very bright tone. The bright tone, combined with the super sustain of Saint guitars in general, promises to be one sweet sounding tone machine. Of course, time will only tell, but I have high hopes for this guitar!

This isn’t even mentioning the smaller things I’ve purchased, but at least for now, I’m GASSED out – I’m also broke – again. 🙂

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Over the weekend, and after a few years of owning it, I finally replaced the original speaker on my Hot Rod Deluxe with an Eminence Red Coat “The Governor.” I had already replaced the original tubes and had some other mods done to the amp to smooth out the drive channel, but there was always something missing, and that turned out to be the speaker. What a difference that has made! I feel like my Hot Rod is now no longer a Padawan but a true Jedi. 🙂

The Hot Rod was my very first tube amp, and when I bought it, I just loved the sound, but as time wore on and as I played some really great amps, my love for the amp faded, and while I’d use it for some applications, it just didn’t have a sound that I considered to be first class. With the new speaker, it is now – in my opinion – a first class sounding amp. The cleans are gorgeous and the overdrive tone is nice and open, but well-defined, with no flabby bottom end. I’m in love again! Now with my Aracom VRX22, I’ve got two great amps!

Here’s a clip I put together while playing around this evening that demonstrates how gorgeous the clean tones are:

I used my Strat for the rhythm part – amazingly in the middle pickup, which I’m really starting to love – and did the simple solo with my Prestige Guitars Heritage Elite with both pickups with about 60/40 mix of bridge and neck, respectively. The reverb you hear in the solo is the spring reverb in the Hot Rod. I have to say that Fender does reverb right. 🙂

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