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Posts Tagged ‘prestige’

Why? Because every time I satisfy my GAS, they come out with new stuff that gets me GAS-ing all over again, dammit! 🙂 Here I was innocently reading my e-mail this morning when I got Prestige’s latest newsletter that said they were about to release a line of acoustic guitars! Knowing the fantastic stuff they produce, and given that they didn’t release anything more than announcement that they were releasing a new line, I had to give them a call to get more information. I shouldn’t’ve done that. I’m now GAS-ing so damn bad that it’s killing me!

But I got the scoop on these guitars, and before you start thinking, “Yeah, here we go, another import guitar… How good could it be?” Well, let me just say that a major publication already reviewed it and gave their top-of-the-line model a very – excuse the pun – prestigious award. And after I heard the details of these guitars, it’s not a surprise that even before their official release, they already won an award. So here’s at least some preliminary information that I found out…

They will have three guitars in various price ranges. I didn’t get model names, but I did get the makes of each model:

  • The top-of-the-line model has a koa body and koa top
  • The intermediate features a rosewood body and Adirondack spruce top
  • The lowest tier (and only by materials) features a mahogany body and Adirondack spruce top

Though not set, the guitars will range in price from about $1000 to $2100 street, so even the lowest-tier model isn’t anything to shake a stick at; and before you balk at the price, there’s a good reason for the pricing. Prestige didn’t skimp on the features that all three models share:

  • Adirondack spruce X-bracing designed in partnership with Balaz Prohaszka, a well-known European luthier
  • 12″ radius
  • 25.35″ scale length
  • 1 3/4″ nut width
  • D-shape neck
  • Split Bridge Saddles
  • Bone nut, Bone Saddles
  • Ebony Fingerboard, Ebony Bridge, Ebony Bridge Pins, Ebony Strap Pin.
  • Ebony Headstock face
  • Satin Mahogany Neck, Laser Etched Logo and Serial Number behind the headstock.
  • Beveled Cutaway with Paduck inlay, Mother of Pearl Logo, Mother of
  • Pearl Eclipse Fingerboard Inlay, Abalone Rosette
  • Gotoh 501 21:1 Tuners with Ebony Buttons.
  • Paduck/Abalone Body Binding, Paduck/Maple fingerboard binding.

An option for each guitar is the Fishman Ellipse Matrix Blend pickup system. This is a very non-invasive soundhole pickup system that combines an undersaddle pickup with a gooseneck condenser mic. I’ve heard one of these installed in a Taylor acoustic, and it sounds marvelous!

So the pricing is really a reflection in the difference in tone woods used; otherwise, they’re all the same. That is incredibly COOL!

I’d be remiss if I didn’t have pictures, so here are a couple of the Koa/Koa model. These aren’t the pro pics as you can see the reflections of background objects – that’s how glossy the bodies are! Freakin’ awesome!!!

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These are serious guitars, folks. Can’t you just DIG that beveled cutaway? Damn! I dig little things like that, and the outer bracing is absolutely superb! And another nice touch is the satin finish on the neck. I always prefer that because it allows me to polish it with my own body oils after time. For me, the ebony fretboard is a HUGE selling item! There is absolutely nothing like the feel of ebony; it’s smooth as silk and feels so nice to the touch!

I can’t wait to get a demo into my studio to give it a whirl! I TOTALLY DIG the Koa/Koa! Now do you see why I hate Prestige Guitars?!!! 🙂

For more information, please go to the Prestige Guitar web site!

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Prestige Heritage Elite - Lite Sunburst

Prestige Heritage Elite - Lite Sunburst

Pictured to the left is “Sugar,” my beloved Prestige Heritage Elite. It lists for $1800 Canadian (~$1450 US). But amazingly enough, you can get this guitar for $700-$800 on EBay!!! Click on this link to see items up for sale on EBay.

I’m absolutely amazed by this pricing! This is a guitar that has workmanship and features, not to mention sound and playability that rival boutique guitars five times its price! I’m so blown away by the prices that these are going for on the street, and it’s another reason to consider getting one of these guitars! Here are some sample clips:

Clean or dirty, this guitar sounds amazing!

Prestige Amps

Prestige also carries two tube amps, the VT-10 and VT-30. Here’s an EBay link to a VT-10 for $160!!! That’s absolutely ridiculous! Based on the price alone, I’m going to pick one of these up!!!

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runningaway

Ever been in one of those situations where you have to face up to something you’d said or done, but avoid it all costs because it gives you this feeling of impending doom? I was recently in a situation like this, and it wasn’t at all comfortable going through the emotional and psychic turmoil leading up to the conversation the ultimately resulted in – nothing. No slap on the wrist, no punishment. Just a good conversation where everyone involved learned from the experience.

Anyway, last night I was noodling on my guitar; my eyes were closed, letting my emotions drive my playing. Then I remembered that situation, and came up with the rhythm track for the song. It’s all instrumental – it’s not something I would ever want to put to words, but I did want to convey the emotions. Give it a listen let me know what you think:

Gear Used:

Rhythm Guitars: Strat and Prestige Heritage Elite
Lead: Prestige Heritage Elite
Amps: Hot Rod Deluxe (Strat); Aracom VRX22 (Heritage)

For the rhythm parts, the Strat/Hot Rod is panned to the left of the mix, and the Heritage/VRX22 (clean channel) is panned to the right. The lead part sits dead center.

I’m particularly pleased with the Hot Rod’s tone. The clean tone with that awesome spring reverb is to die for (though I had the reverb down pretty low on it to give the Strat more presence). I’m also diggin’ the Prestige Heritage Elite; especially after I set it up. In particular, I adjusted the pickup heights to smooth out the treble pickup, and to get less boom from the rhythm pickup. It’s now very balanced; and played through the VRX22, it sounds just awesome. I played the lead part through the drive channel of the amp, and set the volume so that it was just on the edge of breakup, so if I dug in a bit, I’d get just a touch of overdrive. I wanted to create an effect of subdued aggression, and the VRX22 is so dynamic, I can achieve that easily.

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Over the weekend, and after a few years of owning it, I finally replaced the original speaker on my Hot Rod Deluxe with an Eminence Red Coat “The Governor.” I had already replaced the original tubes and had some other mods done to the amp to smooth out the drive channel, but there was always something missing, and that turned out to be the speaker. What a difference that has made! I feel like my Hot Rod is now no longer a Padawan but a true Jedi. 🙂

The Hot Rod was my very first tube amp, and when I bought it, I just loved the sound, but as time wore on and as I played some really great amps, my love for the amp faded, and while I’d use it for some applications, it just didn’t have a sound that I considered to be first class. With the new speaker, it is now – in my opinion – a first class sounding amp. The cleans are gorgeous and the overdrive tone is nice and open, but well-defined, with no flabby bottom end. I’m in love again! Now with my Aracom VRX22, I’ve got two great amps!

Here’s a clip I put together while playing around this evening that demonstrates how gorgeous the clean tones are:

I used my Strat for the rhythm part – amazingly in the middle pickup, which I’m really starting to love – and did the simple solo with my Prestige Guitars Heritage Elite with both pickups with about 60/40 mix of bridge and neck, respectively. The reverb you hear in the solo is the spring reverb in the Hot Rod. I have to say that Fender does reverb right. 🙂

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Prestige Heritage Elite - Lite Sunburst

Prestige Heritage Elite - Lite Sunburst

It’s one thing to test gear in a controlled environment, it’s an entirely different matter to use it for a gig. After receiving the Prestige Heritage Elite, I took it through its paces in my home studio, and it performed quite well; so well that I gave it very high marks, reflecting the excellent build quality as well as how it sounds, which was awesome in the studio. The operative word here is “studio.”

As I mentioned above, it’s an entirely different matter of testing gear in a gig situation. After all, during a gig, you don’t have the luxury to stop to make corrections on the fly. Furthermore, during a gig, an instrument’s tone interacts and reacts completely differently to the environment than in the studio.

Hope that little section above doesn’t make you nervous about how the Heritage Elite performed 🙂 because it worked great! I played the guitar at my weekly church gig with a full band. Now before you dismiss this venue, let me say that playing in a church is one of the most sonically challenging environments to play in because you don’t have the luxury to crank it up, and churches have pretty high ceilings so dealing with sound bouncing around a big space makes it even more challenging. In light of that, you have to rely a lot on the natural tone of the gear you’re playing. Especially with something like a guitar, it has to sound great at lower volumes, and have voicing that won’t get lost in the ambient.

In this, the Heritage Elite really excels. Surprisingly enough, it doesn’t have the deep ballsy voicing you’d expect from a Les Paul-type of guitar. In fact, the voicing is much brighter, but from the standpoint of playing live, that’s a good thing, and something for which I’ve always praised Saint Guitars. But like a Les Paul, it has that distinctive chirp – that kind of hard to describe, subtle sound. It’s very pleasing to the ears – I dig it!

The other great thing about playing at my church is that I can play a variety of musical styles throughout the course of the service. I played some hard driving rock as well as some soft, finger-style music. Whatever the style of music I played, the Heritage Elite performed great. I especially dug its clean tone while finger-picking.

I also forgot how fun it is to play with independent volume and tone controls. I usually peg the tone controls, then use varying amounts of gain between the neck and bridge pickups to dial in just the right tone for a song. I actually played most of the service in the middle position so I could take advantage of both volume controls, though I used the treble position for leads – the SH-4 JB in the bridge position rocks!

So, whether you use it in the studio or on the stage, the Prestige Guitars Heritage Elite will do the job handily!

By the way, I found out why these boutique-like guitars come in at such a low price point compared to their more expensive counterparts: The guitars are cut, built and finished in Korea, then shipped to Canada to have hardware added and set up. For people who care about build location, this might be an issue. But PRS does _everything_ in Korea for their SE guitars, and they sound and play great! And I guess that’s the point I’m trying to make. Who the hell cares where Prestige guitars cut and constructed? All I know is that the guitar I’ve reviewed has no finish flaws, and more importantly, it sounds and plays great! I’ve even lent it to my close friend, and he’s diggin’ it! He’s amazed at how well it plays and sounds! That’s the most important thing with any instrument.

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