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Archive for June, 2019

Over the years, I’ve heard many cringe-worthy horror stories of damaged guitars, from cracked tops to delaminated nitro to broken head stocks, etc., etc..

In some cases, the damage couldn’t be avoided; for instance, due to flooding. But in a majority of the cases I’ve heard about (and experienced myself as I’m not immune to my own past stupidity), the damage could’ve been avoided by just following a few simple things. And the funny thing is that they aren’t exotic suggestions like placing your instrument(s) in a temperature or humidity controlled isolation booth. No, these are slap your forehead, common sense things, where you say, “DUH!”

Extreme Cold = Bad. Extreme Heat = Very Very Bad

Any extreme temperature is bad for a guitar, but heat, especially from letting your guitar sit in direct sunlight for too long is really bad. I know a guy who was playing a gig in a park on a hot day and put his backup guitar – a Les Paul – on a stand behind him that was exposed to direct sunlight. It didn’t take long for the guitar to heat up so much that its neck warped. So avoid exposing your guitar to temperature extremes… Which bring me to the next point…

If You’re Not Using Your Guitar, Put It In Its Case – Preferably Its Hard Shell Case

I woke up one morning, padded to my kitchen to make some coffee and yelped in shock to see my acoustic guitar lying face-down on the floor. I guessed that it was my cat that knocked it over. But that was totally my bad for leaving it on its stand overnight. Lucky for me, the guitar was okay and got just a simple scratch. But it could have been much, much worse! From that point on, as soon as I finish playing a guitar, I put it back into its case. If I know I will be playing it soon, it goes into a padded gig bag, but if it’s going to sit for awhile, I put it back into its hard shell case. This goes for all my guitars, electric and acoustic.

Also, after I get home from a gig, I immediately transfer the guitars I use from their gig bags to their hard shell cases. Yeah, it’s a bit anal-retentive, but better than the alternative of having damaged instruments.

At Home, Stand Up Your Guitar(s) In Low-Traffic Areas

I had to learn this the hard way; especially when I still had little kids in the house. Now lucky for me, none of my kids ever knocked over one of my guitars, but they came close a few times; enough to make sure that when I put a guitar down on its stand – even though its temporary – it’s out of the way of traffic. If it means that I have to physically drag my ass out of my chair to place it, I will do it.

Climate Matters

I live in a fairly temperate climate in Northern California, but in areas where it’s extremely humid or extremely dry, you need to take measures to control the humidity. Here’s an excellent article from Premier Guitar that discusses this very subject. Other than Las Vegas, NV, I’ve never lived in an extreme climate. And even in Las Vegas, I always had the air conditioning on during the hot months, plus used a room humidifier to add some moisture. The tips given in that article are very useful, especially the in-case humidity control units.

Strap Locks. Hello?

After I dropped my Les Paul during a gig while I was jumping around on stage – luckily the body landed on my foot, so all I experienced was a severely bruised foot and not a dented or broken guitar – I went out the very next day and got strap locks for every one of my electric guitars. Strap locks are your friend. Get some.

There are definitely a lot of other things, but these are at the top of my list to help mitigate damage to my guitars; especially putting the guitars in their hard cases. These are difficult to follow, and in some cases are marginally inconvenient, but the safety they bring will help you avoid a lot of heartache!

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In all the years I’ve been playing and collecting gear, there have been just a few things that have truly annoyed me. One was the Ultimate Attenuator that I felt threw a blanket over my tone. But lately, the pedal that has the same effect as nails scratching on a blackboard for me is the TC Electronic 3rd Dimension Chorus.

Two of the guitarists in my praise and worship band use it, and every time they switch it on, I tell them to turn it off – immediately. This past Sunday, I essentially banned it from the band forever. If my guys want to use a chorus, they’re going to have to invest in something that has much more adjustability.

I’m not sure why it gives me the creeps so much, but it really does. I hear it, and just want to pull my hair out. It actually sounds like a cheap imitation. It’s modeled after the Roland Dimension C Chorus, but to me, it does a very poor job of it. Where the Dimension C is rich and lush, the 3rd Dimension is thick and syrupy.

I realize that the pedal is part of the TC Electronic’s affordable pedal line, but the lack of sound quality in this pedal is surprising. I use a Corona Chorus and love it. But maybe that’s why the pedal is only $52.99. It’s just not meant to provide a quality sound.

It’s disappointing to see this from TC Electronic. Definitely a big thumbs down on this pedal.

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What Do You Need?

I asked myself that question yesterday after I set up my rig at church. I thought about it and to be honest I have all the gear I actually need. So now, I’m at the point where most gear I buy is a want as opposed to a need; though I can technically justify my new Gibson J-45 as a business need.

I never intended my treasured Simon & Patrick PRO to be gigged with this much after I received it as a gift from my dear friend Libby. And though its monetary value isn’t as much as the J-45 and it certainly doesn’t have the projection of the J-45, it holds a lot of sentimental value for me. Plus, I have to admit that it sounds damn good on a recording, so I’ll continue to use it in the studio.

But other than that, the only things I technically need are consumables like strings and picks. But those are very periodic. And with strings, I normally only replace one string at a time, so I don’t go through sets very often. Given that, it’s really hard for me to justify getting any gear that’s not a consumable.

That doesn’t mean I don’t eschew new gear altogether. It’s just that I’m not nearly as susceptible to GAS attacks like I used to be. Add to the fact that I found my own sound, and the motivation to try and buy new gear just isn’t as strong as it used to be. Don’t get me wrong. That urge is there still but it is overpowered by my general feeling of completeness with my rig.

But here’s the cool thing about asking myself that question: I’m now at the point where I can answer, “I really don’t know what I need. I’ve got the sounds that I like that satisfy the music I play. Anything new will simply be icing on the cake.”

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