I’m at once sad and amazed right now. Sad because I’m retiring my TS-808 Tube Screamer (sort of – I’ll get into that later), but amazed that I actually replaced it with a $50 pedal, the Bad Monkey from DigiTech. This pedal was originally touted as a Tube Screamer-like pedal, but as I’ve found, it’s way, way more than that. I tested this with three different amps: A Roland Keyboard Amp for dry output to establish a baseline, a Fender VibroVerb, and of course, my Fender Hot Rod. For guitars, I used Pearl, my blizzard Strat with ’57 TexMex pickups, and my Epiphone ’58 Korina Explorer Reissue. Here are my impressions:
- The very first thing I noticed was that the distortion that the Bad Monkey produces is very smooth. In fact, it’s A LOT smoother than the Tube Screamer.
- The distortion is also a bit more subtle in the Bad Monkey than the Tube Screamer. With the TS, even at lower gain and drive levels, it has a lot of obvious grit and grind, and I think a lot of that has to do with the huge mid-range hump that the TS is known for. I think what helps balance that in the Bad Monkey is the fact that you can dial in a bit more lows to fill out the bottom end – something you can’t do with the TS.
- Speaking of the lows, where many overdrive pedals have one tone control knob, the Bad Monkey has a low and high EQ; that’s right, EQ. This is the feature that really turns me on about this pedal because I can dial in just the right amount of tonal balance to suit my needs for a particular tune. It makes for a very versatile pedal. Mind you, you won’t get that real fat sound if you crank the lows. That has a lot to do with the amp as well.
- Surprisingly, the Bad Monkey is built like a tank! I’ve had DigiTech pedals in the past, and they just did not measure up to the build quality of Monkey.
But… DigiTech?
I know, that’s EXACTLY what I said! I’ve had DigiTech pedals in the past, and their sounds were mediocre at best and their build quality wasn’t quite there. But the Bad Monkey really blows me away in both areas. Not only does it sound tres excellente, like I said above, it’s built like a tank! Kudos to DigiTech!
Field Test
I actually started writing this blog post a couple of days ago, when I first started playing with the Bad Monkey. But I decided to wait because I knew I was going to be doing three gigs this weekend (it’s now Sunday, 2/10), and I knew I’d get a chance to really work with this pedal. All I can say is that I’m very tickled after playing it this weekend. I used it in all three gigs, and came away smiling from how nice it sounded. What really impresses me the most about this pedal is it’s sensitivity to attack and volume and tone knobs. With my Tube Screamer, there was always growl, no matter how far you turned the drive knob down. That’s useful for a lot of situations, but it’s not quite as versatile. With the Bad Monkey, you can go from clean to raging simply by rolling your volume knob and adjusting your pick attack. To take full advantage of this, I simply set the Gain knob at 12 o’clock. Set my volume knob at about 5 or 6, then adjusted my amp’s volume for the room I was playing. Doing nothing else, all I had to do was play little lighter to get nice ringing clean tones, then dig in to get some growl. If I need more distortion, it was a simple matter of dialing in more gain from my guitar.
Another thing that I noted about the Bad Monkey is that it adds a nice touch of sustain, even at lower gain levels, which was very pleasing to my ears as that helped to thicken up my tone; especially with my single-coil Strat.
Okay, what about the Tube Screamer?
Well, I don’t think I’m quite done with it, so it really hasn’t left my board just yet. For grinding blues, the Tube Screamer/OCD combo just can’t be beat, and the midrange hump is what sold me on the TS-808 in the first place. I just love it, so it’ll always have a place on my board. But I’ll have to admit that I’m going to be relegating a lot more of the general “drive” duties to the Bad Monkey simply because of how versatile it is.
Where can you buy one?
The major online retailers are all selling it for $49.95. But I looked on eBay and found a couple for under $40.00. I got mine at a local gear consignment shop for $30.00! I really lucked out there. In any case, the price point is such that there’s no excuse to NOT check this pedal out. Like me, you’ll be pleasantly surprised!
Finally, the DigiTech Bad Monkey is yet another example of getting good tone without paying a hefty price. Granted, in the bargain arena, you have to dig pretty deep to find the gems, but if you’re patient and, of course, willing to dig a bit, you’ll find some gems among the waff and chattle.
Guitar Gear 