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Archive for September, 2008


A few months back, I had heard some buzz about Joe Satriani teaming with Vox to come up with some new pedals, and just recently caught wind of the first pedal from this partnership called the “Satchurator.” When I first read about it, I was thinking to myself, “Now this is cool…” I’ve known about Satch being a pedal freak for awhile, so I figured that having his input into a new pedal would be worth a look; and based on my few hours of research, and listening to samples and watching videos (I’ll insert a couple below), this pedal is worth more than just a look. It looks like I’m gonna get it!

Okay, just what I need… yet another drive/distortion pedal. But there’s something very very cool about the sound that this pedal produces, and from my perspective, it has nothing to do with trying to sound like Satch (even though people say that this is Joe’s tone in a box). For instance, I’d rarely, if ever crank the gain full. My stuff is more on the bluesy side of things, and the distortion this pedal produces can be really thick at higher gain levels from what I’ve heard. Nah, this is a different brand of distortion altogether. It’s not as mid-rangy as a Tube Screamer, but it’s also a little thicker than an OCD – it’s kind of hard to describe.

Of course, I’ll have to do a test drive before I actually buy it, but it sure looks like a winner to me. Let’s look at the features (from Vox):

  • Analog distortion pedal designed under the complete supervision of Joe Satriani
    Controls for Gain, Tone and Volume
  • ‘More’ gain boost switch enables two footswitchable distortion sounds in one pedal. This gain boost is dramatic when gain knob is set low, and is a subtle solo boost when gain knob is set to maximum.
  • ‘Pad’ switch pads down input to allow for high gain pedals (such as modern wahs) placed before Satchurator. Up is pad ‘ON’. Down is pad ‘OFF’ for full Satchurator effect.
  • High gain, low noise design provides vintage to modern distortion sounds
  • Dynamic circuit is highly responsive to rolling off the guitar’s volume and preserves the guitar’s high end when the volume is rolled off. (NOTE: This means it cleans up nicely when you lower your guitar’s volume – SLICK)
  • Cream chicken-head knobs for precise positioning and high visibility on dark stages

Now get this: THIS BOX IS STREET PRICED AT $129.00!!! Holy Simolians, Batman! That’s incredibly affordable! I am totally blown away by the price of this pedal! I’d kind of come to expect paying a steep price for something from Vox (can you say “Virage?”), but this just blows me away. Anyway, here a couple of videos I found while surfing:

Guitar World Review

Vox Demo

And from Joe himself…

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Peavey Windsor Studio

Peavey Windsor Studio

At-A-Glance: 15-20 Watt Class A tube amp, 12″ speaker, balanced XLR out with mic simulator.

Price: $399.00 (street)

Features:

  • Class A Power Amp can use various octal power tubes including EL34 (stock), 6L6GC, 6550, 6CA7, KT88, KT66, or any variation on these types
  • Two 12AX7/ECC83 Preamp tubes
  • 15-20W (rms) into 4, 8, or 16 Ohms with “Power Sponge” output power attenuator
  • No negative feedback in Power Amp
  • High & Low Gain Inputs
  • Preamp Volume
  • Low, Mid, and High EQ
  • Footswitchable Boost function
  • Footswitchable Effects Loop
  • Spring Reverb
  • Transformer balanced XLR Recording Output w/passive mic simulator
  • XLR Ground Lift switch
  • Dual Speaker Outputs
  • Impedance Selector
  • 1/4″ TRS footswitch jack for Boost and Loop defeat
  • 12″ Blue Marvel Speaker

I’ve never been much of a Peavey fan, but there’s something VERY cool about this little amp. For starters, I dig the fact that you can use different pentodes with it – and you can switch them with out re-biasing! Imagine getting that glassy sound with a 6L6GC (standard in Fender deluxes), then switching over to a KT88 for a more compressed overdrive sound. That feature alone makes it really attractive. But on top of that it also has a built-in attenuator!

This ain’t a giggin’ amp – least not for anything more than a small venue. As the name implies, it’s made for the studio, and with its included features, it’s clear that that is what it’s made for. For home recording stiffs like me, this amp seems like an ideal amp to have in my home studio. I used to be really dubious about low-power amps, but for low volume applications, you just can’t go wrong with a low power amp. Why? Simply because you can get low wattage amps into breakup at a much lower volume than with higher output amp. And with the right mic placement, in many cases you can’t tell just how little that low wattage amp really is. 🙂

But here’s the real kicker for me: It costs $399 retail. You can find it on EBay for even less! That alone is worth a look. Now I know that you might be thinking that this is just a cheap amp. Maybe it is, but based upon the demo below, I think this amp may deliver WAY more value than for what it’s selling. Check it out:

I’m going to have hit a Guitar Center or another local shop that carries one to try it out. If you’ve got or played one, I’d love to hear your insights!

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