I’ve gotten to the point in my playing where I’ve pretty much established my base tone, so I’m extremely sensitive about the pedals I add to my rig; especially modulation effects. To me, they should only enhance my tone, and not define it. I should still sound like me whether I have a particular modulation effect on or off. In other words, if the effect is off, I shouldn’t feel as if something is missing from my tone. There are, of course exceptions to this rule of thumb, like my Boss CE-2, where I actually want my tone altered, but in general, I want my modulation effects to simply “fit” with my tone.
Such is the case with TC Electronic Corona Chorus. It simply “fits” with my rig. I’ve been playing with it for the last hour or so, and the more I get to know it, the more I absolutely love it. And all this for $129? This is a winner. In any case, I’ve recorded a couple of clips to demonstrate the pedal. Mind you, all these were done in the standard chorus mode. I haven’t started playing with the TonePrint or TriChorus much yet.
The first clip has me playing clean fingerstyle with a short song. I do the song first without the pedal engaged, then play the song over with the pedal engaged, just adding some subtle chorus. The result is simply amazing:
In the next clip, I do sort of a funky rhythm with a syncopated bass line. Here I’ve turned the FX Level to past 2pm, the Depth to 2pm and Rate to noon. What I get is a real liquid tone:
In this final clip, I add a little more depth and FX Level, then get into the dirty channel of my Hot Rod Deluxe. The result is a flange-like swirling tone. The interaction with the distortion of the amp is totally cool – at least to me: