At my church gig yesterday, I chose a set that guaranteed that I’d get to play LOTS of guitar. Normally, I have to split my time between piano and guitar, especially when we don’t have a drummer or bass. Thus, for the past few weeks, since either our drummer or bassist has been out of town, I’ve only been bringing an acoustic guitar, and playing it for only a couple of tunes.
However, yesterday was different. Not only did we have a bassist, we had a guest drummer, which meant that I could stay on guitar most of the time since we also had another rhythm guitar.
I debated with myself on what amp/guitar combo I’d bring. Normally it would be my DV Mark Little 40 which is VERY versatile, but after looking at the set list, I figured I needed a bright, vintage Marshall sound. So I took my trusty Aracom VRX22 off the shelf, packed up my rig in my car, and set off to church.
Once I had everything set up, I strummed a power chord and was greeted with a sound that only a Les Paul Standard and a Marshall amp (or Marshall-style in my case), can make. There’s a high-Mid emphasis with a gorgeous, open overdrive. It’s a sound I’ve come to love over the years, and it immediately tells me it’s “rock and roll.”
My particular VRX22 has been modded a bit by Jeff Aragaki with a channel switch, and he also slightly upped the voltage to my vintage circa-1959 6V6’s, plus adjusted the drive channel to have a bit more output. So when I crank the amp, it sounds A LOT bigger than its 22 Watts would lead to you to believe. 🙂
But thinking back on the set, no other amp would’ve done – even my DV Mark Little 40. The music demanded a Marshall-esque sound. While my DV Mark can get close, there’s a certain inexplicable quality that I was after that would be difficult to capture with another amp.
That said, when I’m doing a mixed-bag set, I go for versatility, and the DV Mark is perfectly suited for that. But for a specific sound, I’ll go to the source: Either a Fender or a Marshall. Sometimes nothing else will do…