At this past Sunday night’s Mass, I got the rare opportunity to crank my Aracom VRX18 AND play it loud. This only happens if the church is packed (which it was), and we break out the full trap set (which only happens when both our drummer and bassist are present). So, knowing that both were going to be there, I planned out a much more lively set than usual. Based upon the plan, I decided to go with a classic Plexi/Les Paul combination; specifically my Aracom VRX18 Plexi clone and “Amber,” my R8 Les Paul.
Invariably, I use this particular combination because it has “bite.” At least, that’s what I call it. “Bite” to me is a bright tonal character when overdriving an amp; the highs are certainly present, but not so over the top that they’re like icepicks. They’re at that level where they provide the clarity and note separation yet are still balanced with the overall sound. But on top of that, “bite” ensures you break through the mix. There’s nothing like muddy tone to get you lost in a mix. With bite, you’ll never get lost in the mix.
I can achieve that bite with just about any guitar I have, but there’s a certain magic that happens when I crank the VRX18 and play a Les Paul through it. And while that amp/guitar combination sounds fantastic, when you throw the incredible Jensen Jet Falcon speaker into the fray and combine its breakup characteristics into the output, the result is absolutely magical.
So in this case, biting is good!
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