Feeds:
Posts
Comments

Archive for July, 2014


As the title says, I hate it when I’m not paying attention…

Last night, I went to see the Tower of Power, Steve Miller Band, and Journey concert at the Shoreline Amphitheater in Mountain View, CA. The show opened up with Tower of Power, one of my favorite bands growing up. Steve Miller, at 70, is still absolutely incredible. And Journey? What can I say? While I loved the Greg Rollie years, I preferred the music from the Steve Perry years. Whether you liked him or not, Steve Perry’s voice was what took that band out of just being a collection of great musicians into pop rock legends.

Despite that, why am I a bit pissed? Well, I wasn’t paying attention when Neal switched from playing Les Pauls and moved to custom PRS guitars last year. I normally keep up with that kind of stuff, and I completely missed it! So much to my surprise, when Neal came out on-stage with a guitar that had those familiar PRS bird inlays, I have to admit that I was a bit disappointed.

Neal Schon has been one of my Les Paul idols for many years, and to see him with a PRS… well, that just took getting used to. I also had to get used to the fatter tone. Neal’s tone wasn’t bad at all, but I felt that it lacked that top-end shimmer that you get from a Les Paul. I was expecting more bite from his tone, but what I got was just smooth. Like I said, it wasn’t bad, it was just different. He still sounded like Neal Schon, but I will admit it: that smooth PRS tone is not for me.

I’ve got to hand it to Paul Reed Smith. He has taken the electric guitar world by storm. So many artists play PRS guitars. I even have an SE model, which is great. But I still prefer the Les Paul bite.

 

 

Read Full Post »

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

 deacci_greenfaze

deacci_greenfaze_logo

Deacci Pure Legend “Green Faze” Humbuckers

Summary: This is a set of PAF-style ‘buckers with a reverse-wound neck pickup that captures that Peter Green out-of-phase sound. Whether or not they’re true to the original, these are game changers for me! They’re so clear and articulate – even with that “woman” tone in the neck position, I’m like… “Hey baby! Where ya been all my life?”

Pros: Absolutely articulate in any pickup position. Neck pickup is warm and deep-textured without losing that top-end bite. Bridge is bright and expressive, and that middle position… OMG! It’s going to give me countless tone-shaping possibilities!

Cons: None.

Price: $275.00 – $300.00 direct

Features:

  • Reverse-wound neck pickup to get that out-of-phase tone in the middle position.
  • Super responsive with an aggressive attack
  • Un-waxed potting
  • Available with nickel, chrome or gold plated covers – or unplated (all black, all creme, zebra-striped).

Tone Bone Rating: 5.0 ~ As I said, this is a game-changer for me. With my Les Pauls, I use either the Treble or the Rhythm pickup; rarely do I use the middle pickup. But the tonal possibilities this particular set of ‘pups offers in the middle position will ensure I’ll be using that position – A LOT. Rex Kroff, the luthier I had install the pickups and do my yearly setup, said the pickups made “Amber” suddenly wake up. To him – and me – the difference in tone between the Burst Buckers and these pickups was like night and day. Where the Burst Buckers sounded a little subdued and “wooly,” the Green Faze pickups made my guitar come to life!

At the end of May, I got contacted out of the blue by Declan Larkin, founder and builder of Deacci pickups. He asked me if I’d fancy a set of “the best humbuckers ever made.” He’d send me a set to review, and I could do with them as I pleased. I’m used to reviewing gear then eventually returning it after I’m done. As I’ve mentioned in my about page, I don’t like to be beholden to any manufacturer or appear that I’m doing a review because someone comped me some gear. So admittedly, I was a bit wary of this seemingly blind giveaway.

So I started doing a little research on Deacci. I found some forum posts in a couple of UK forums (Deacci is based in Norther Ireland) discussing the pickups, and I found some sound samples. The sound samples turned me on my ear! They sounded absolutely marvelous! Needless to say, I was intrigued. Plus, as an amusing aside, I found that the pickups are in a “Patent Applied For” state, and that Deacci pickups are PAF-style pickups, so PAF-PAF’s. 🙂

But seriously though, Declan also caught me at a good time, as I was considering swapping out the stock pickups in “Amber,” my ’58 Historic Les Paul. I was only using the bridge pickup on her because the neck pickup to me was just not clear enough. Even the neck didn’t have the “bite” that I was wanting. She had a gorgeous clean tone in the neck, but driven, the neck pickup was practically unusable; just way too muffled for my tastes. And having moved from a bluesy to a more straight-up rock sound, I needed brighter pickups.

So I looked at the various models that Declan builds and found that the Green Faze pickups had the slightly lower impedance ratings that I felt would brighten up Amber just right. And it must’ve been kismet because as I was doing my research on Deacci, I was listening to “Oh well, ” so perhaps there was some subliminal stuff going on because I just love that song! In any case, I contacted Declan and asked if it would be okay to evaluate the Green Faze set, as I was sensitive to the fact that his was a brand-new company, and I didn’t want to take advantage. But he said it was all good, and he’d send them over once he’d wind up a new set. Frankly, I was blown away by this, and absolutely humbled. All Declan asked for was a honest review, and if I didn’t like them, I could return them.

Well they’re not going back. They’re staying in my guitar – forever! I’m not saying this because of the freebie, I’m saying this from the root of my heart. The sound my guitar now makes with the Green Faze pickups installed in it moves me practically beyond words.

What’s so special about them? I think a lot of that has to do with how they constructed and especially, how they’re wound. Declan uses a Fibonacci number to determine the number of winds of wire to apply to the pickups. He has also established what he says is a much more efficient and consistent way to hand wind the pickups as well. As far as the Fibonacci stuff is concerned, that could all be just techno-voodoo. But Fibonacci numbers are extremely important because they exist in nature. So applying them to a man-made artifact – at least to me – makes sense as the Fibonacci numbers represent balance.

How They Sound

I’m not going to spend much time singing the pickups’ praises. Suffice it to say that to me, these pickups sound so good, they leave me short of words to describe them. In lieu of that, I recorded several clips. All clips were recorded with my Aracom VRX22 into a custom Aracom 1 X 12 with a Jensen Jet Falcon speaker in it. I also recorded the clips at bedroom level by running my amp into the wonderful Aracom DRX attenuator. Note also that absolutely no EQ was added in production, and I turned off all compression. So what you’ll be hearing, save for the lead break for “The Hit” is the guitar’s natural tone as picked up by my microphone.

Bloom

I played my guitar clean in the shop and was taken by the gorgeous overtones the pickups were producing, so I couldn’t wait to get home to see if I could get that classic Les Paul bloom. For this clip, I played the neck pickup, with the tone control turned all the way down to get that “woman” tone. I’m just picking single notes in an Am pentatonic.

Slow Blues – Fingerpicked – Neck Pickup

Putting the Bloom to Work

The next clip uses the fingerpicked clip above with a simple lead using the woman tone. Oh my…

After recording that, I wanted to see what the guitar would sound like on one of my more engineered songs. This is the lead break from my song “The Hit.” The first half features the “woman” tone, then I switch over to the bridge pickup to finish the solo.

Crunchy Tones

Here I’m playing the same riff for all three positions. The volume knobs are dimed, and my amp is set at the edge of breakup. These pickups through a lot of signal at the front-end of the amp forcing my pre-amp tubes to compress. It’s most evident with the Neck pickup.

Neck

Middle

Bridge

Clean Funk

I just love the fast attack of these pickups. The clean tones are right in your face, but not off-putting at all.

Neck

Middle

Bridge

Clean – Fingerpicked

The overtones that the pickups produce combined with the natural sustain of a solid body Les Paul, make for a rich, complex tone that makes me want squeeze every bit of tonal goodness out of what I’m playing.

Neck

Middle

Bridge

Oh Well…

Of course, I couldn’t do a review of Peter Green-style pickups without doing at least one Peter Green riff. Here’s “Oh well” (at least as close to what my ham-handedness could produce):

Overall Impression

Need I say more? I love these pickups. It’s past midnight and I’ve been writing this review since 8pm. It has been a stop and go affair as I’ve taken breaks to play my guitar. 🙂 I don’t give 5 Tone Bones often. What I do give 5 Tone Bones are game-changers. The Deacci Green Faze pickups are game-changers for me without a doubt!

For more information on Deacci pickups, go to the Deacci site!

Read Full Post »