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Archive for the ‘guitarists’ Category

Where’s IG?

IG must be busy, because he hasn’t posted something since 8/15… Who’s IG? Why none other than Ignacio Gonzales: Guitarist, guitar writer, philosopher and teacher, and generally great guy.

IG, I NEED MY IGBLOG FIX!!! πŸ™‚

Funny how you get the in habit of visiting certain sites. IGBLOG has been a regular, daily stop of mine for quite some time, and I have to admit that I miss it when he doesn’t post new material. But, I totally understand how life can get in the way of our passions at times. That doesn’t mean I have to like it, though… πŸ™‚

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BOSS TU-2 Chromatic Tuner

BOSS TU-2 Chromatic Tuner

BOSS TU-2 Chromatic Tuner
Summary: Basic, no-frills chromatic tuner in a convenient stomp box that can also double as a power source.

Pros: Super-convenient stomp box makes on-stage tuning a breeze. Tuning mode automatically cuts off signal to the rest of your board for relatively “silent” tuning.

Cons: Only has 11 total LED’s, so fine adjustments aren’t possible.

Price: New $99 Street

Features (fr. BOSS site):

  • BOSS world-renowned TU-Series tuner accuracy in a convenient stompbox design
  • Mute/Bypass select for silent tuning with a single stomp
  • 11-point LED indicators and new “stream” meter display tuning discrepancy via speed and direction of LEDs (speed of LED movement gets slower as pitch becomes more accurate)
  • 7-segment LED displays string and note names, easily visible on dark stages
  • Seven easy tuning modes include Chromatic, Guitar Regular, Guitar Flat, Guitar Double Flat, Bass Regular, Bass Flat, Bass Double Flat
  • Tuning mode setting and display style choice stored in memory
  • Adjustable reference pitch from 438 to 445Hz
  • 8-octave tuning range–the widest in its class
  • Footswitchable Tuner Off mode preserves battery life by disabling LEDs

Let’s face it: Tuning is a fact of life when you play any musical instrument. And if you’re like most gigging musicians, you don’t have a guitar tech at your gigs to tune your guitars in between songs. For that, you need a tuner. For years, I used a cheap, hand-held analog tuner with a sweep meter for tuning. It was very accurate and did the job well, but as I started to gig more and more, having to turn the volume down on my amp to tune soon became irritating.

So I decided to get a stomp box tuner, and went down to Guitar Center and bought the TU-2. Now I will be the first to admit that I didn’t do much research before buying the TU-2. I’d recently read an interview with Joe Satriani and he had a TU-2. I figured if something’s good enough for Satch then it’s definitely good enough for me. It was a safe bet then, and it’s a safe bet now. The TU-2 is solid performer that’s fairly accurate, though no LED-based tuner could even possibly suss the accuracy of a strobe or analog tuner. But for what it does, I’m pretty satisfied with it.

Another nice feature about the TU-2 is that it can also act as a power source for up to either other pedals. I power up my board with a Dunlop DC Brick, but once I used up the 6 available 9V ports, I couldn’t add more
pedals without having to get another brick. For one or two pedals, that’s just not a good justification when you’re spending 100-bucks. The TU-2 comes with both a DC-in and a DC-out port. You can use a standard 9V cable to hook up another pedal, but it probably makes more sense to spendΒ  the $12.99 and buy the BOSS PCS-20A power cord, which will route power up to eight pedals. Caveat: The cable runs between connectors are short. BOSS assumes you’ll be using nothing but BOSS pedals, but with tone freaks, that’s rarely the case. But it is a cheap, convenient solution nonetheless.

So what’s my verdict? I wouldn’t have it if I didn’t think it was useful. It’s not in any way, shape, or form something to do cartwheels over, but it’s a solid pedal that gets the job done. At Harmony Central, when you write a review, they ask you what you’d do if it the gear you’re reviewing gets broken or lost. Were I to review this pedal there and answer that question, I’d probably take a serious look at the Korg stomp box tuner that sports more LED’s and is a bit more accurate than the TU-2. The only thing that would probably keep me from switching is the ability of the TU-2 to provide power to other pedals.

Rock on!!!

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http://www.icompositions.com/music/song.php?sid=94586

Had another song idea, but thought I’d share the main riff as a Jam Track. It’s a slow ballad in A. I actually had a lot of fun with this, working between an A major scale and a F#m pentatonic then adding some diatonic runs as well. With this tempo (mm=84), you can play your solo fast or slow. It’s about 5 1/2 minutes long. Have fun!

Equipment: PRS SE Soapbar II, plugged into Fender Champ 600 amp. I used a Nady RSM-200 ribbon mic set about 8 inches away from the center of the speaker. It’s amazing how big the sound is! πŸ™‚

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As you can see, I added a linked graphic to my right-hand pane that goes to an article I wrote about the SAINT Guitar Company. This is a mini-site that I’m creating to help get the word out about SAINT Guitars (and no, I’m not being compensated for this).

In any case, I know there are a couple of you who have either a Messenger or Benchmark, and I was wondering if you had any sound bites of either of these guitars you’d like to send me, so I can put them up on the mini-site. I’ll also forward them to Adam, so he can put them on his own site.

Any takers?

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Be Healthy; Play Guitar

A few months ago, I wrote an entry about how I was developing intermittent numbness in my hands, and imagining what it would be like to not be able to play guitar (I was already starting to have trouble). For those of you who happened to read the post, I will admit this: I WAS SCARED SHITLESS!!! But it scared me enough to turn my life around, so I thought I’d give an update about the changes I’ve made in my life:

  1. I cut down on the portions I eat at each meal. In fact, I started eating breakfast, so I wouldn’t have a voracious appetite at lunch; speaking of which, I’m still too lazy to bring lunch every day, so I eat out a lot at lunch, but I order far less now, and order things that have either a salad or are vegetarian. No fried foods, and very little red meat (that was a real tough one). In other words, I’m really eating healthy now.
  2. Went to see my cardiologist who just flat out said, “Your heart is fine, and the numbness you feel and your shortness of breath are because you’re out of shape and overweight. But you don’t have heart disease, so it’s your hands to correct your situation.” So I got back on my heart med (I have a genetic defect – minor problem), and cholesterol med. I’ve also been taking daily doses of fish oil pills.
  3. I’m now working out! I am the proud owner a gym-quality exercise bike that a friend gave to me, and I ride it least once a day 6 days a week, and twice a day 3 times a week. I’m also playing soccer once a week with my mates at work.

The net is that I’m feeling better than I have in 10 years. I’m not dozing off in the middle of the day due to inactivity, and I now have this constant overall feeling of well-being.

What does this have to do with my guitar playing? Well, I seem to have found my creative spark again, and am writing music. The numbness episodes are A LOT less frequent, and when I get them, it’s a signal for me to get on the bike or take a walk and be active to get my blood flowing.

I have to tell you that I’m totally jazzed! I feel as if I have a new lease on life, and maybe it’s me, but there seems to be a difference in how I’m approaching my music now. It took a scare to kick me in the ass, but I get it now.

Okay… time to hit the exercise bike and do my situps!

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http://www.icompositions.com/music/song.php?sid=93388

This is the first kind of risque song that I’ve ever written. The back story is that I went dancing last weekend and ended up dancing with this super-sexy 22 year old girl that danced like she was pole dancing. It was amazing to behold. Funny thing was that I sort of beside myself – I’m old enough to be her father – and observing what a 22 year self would do and think. This song is about that observation. πŸ™‚

Guitars: Gibson ES-333, PRS SE Soapbar I
Amp: Fender Hot Rod Deluxe

For mics, I used a Nady RSM-2 ribbon mic on the guitars, and a Senheiser 835 stage mic for the vocal (love that mic).

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Recently, my career as a web development engineer has taken a huge turn for the better. But it has also affected my ability to set aside some time to play guitar. Because of my weird schedule this past week (luckily it’s an anomaly), I haven’t picked up a guitar since Tuesday, and I’ve got serious emotional withdrawals going on!

My home office doubles as my studio, and I’ve gone in there to follow up on personal e-mails each night, and look longingly at my axes sitting pretty in their stands. But duty calls, plus the bed, since I’ve actually been too tired to play – can you imagine that?!!!

Oh well… such is life, and while I know from past experience that things go in cycles, it doesn’t mean I like it just the same…

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Just wrote this one today. While a love song, I wanted to be careful about the lyrics because it’s easy to get cheesy. πŸ™‚ But at the same time, I didn’t want to get really cerebral like Sting because I can’t do it as well – sounds way too formal and contrived, whereas Sting can almost always pull that stuff off.

For equipment I used:

Fender Stratocaster for main rhythm riff (set to middle/bridge position)
PRS SE Soapbar II for the solo (used the bridge pickup and ran it through my vibe pedal).

Mic’d my Fender Hot Rod Deluxe. I just love that amp!

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Whether or not you write songs, there are times you might be noodling on your or just plain thinking, and suddenly, out of nowhere, a riff, or a way to play a certain phrase pops in your mind. If you’re lucky, you’re nearby some recording equipment. But more likely than not, like me, you’re driving in your car, or doing something that is not guitar related.

This has happened to me so many times when I’m driving to or from work. When I can, I’ve pulled off the road, and work out and write down the riff. But oftentimes, when I finally get back to my notes and start playing the riff, it just doesn’t have the same vibe as when I originally wrote it down, and I have to spend quite a bit of time recapturing that feeling. If I only had a way to record the riff as a reference, then I’d be able to capture the chord progression or phrase, plus at least some or most the tonal subtleties.

It turns out, there are some pretty good ways to do this. I’ll cover a few here:

  1. Did you know that most cell phones, especially later models have the ability to record both audio and video? My LG Shine records both audio and video, and I’ve used it twice now to record a riff I came up with while driving down the road. The second time this happened, I pulled into a rest area, pulled out my guitar, got my phone out and started recording. Some passers-by thought I was on a video scavenger hunt… yeah, I admit, it was rather weird, but I didn’t want to lose the riff. It didn’t help that I was also trying to hum the melody, so I sounded like a retard making noise. But then again, like I said, I had to capture that riff… It actually turned into this song. For those of you who read the original article about the song, I talked about what triggered the song, but I didn’t mention how I actually captured it… πŸ™‚ In any case, I’ll admit that it’s not the most optimal alternative, but it certainly works in a pinch.
  2. Lots of digital point-and-shoot cameras also have both audio and video recording capabilities. I usually have my camera with me, so that is an alternative as well.
  3. Finally, the most optimal solution would be to have a digital stereo field recorder. There are lots of ’em on the market nowadays, and they aren’t very expensive, ranging from a couple of hundred to a few hundred for very nice units. The three that really stick out for me are:Tascam DR-1 Portable Digital Recorder ($299)
    Edirol R-09HR Hi-res Digitial Recorder ($399)

    There are lots more, but then we start getting into the $600+ range. Conceivably, you could also use just a mono recorder, and you can get those cheap – under $100!

Of course, if you’re by your Mac (if you have one), it’s a non-issue. Just open GarageBand, and record… but that’s another story…

Allan Holdsworth picture courtesy of InnerViews.org

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I just read a great article on Guitar Jam Daily by Carl Verheyen (this dude has a really smooth style!) about the art of layering guitar parts in a song. Essentially, the article covers using a variety of guitars, and approaches when recording a song. For instance, using clean to slightly distorted guitars for rhythm and then distorted guitars for leads. As Carl says,

…I believe the state of the art in guitar playing has more to do with layering and orchestrating and less to do with shredding and the blatant displaying one’s chops.

You may not have a huge collection of guitars at your fingertips, but you can orchestrate the tones and colors of the ones you do have. Getting these elements “on tape” and into a musical tapestry can be a very creative process…

That passage really spoke to me because as a working stiff with limited time and resources, I have to rely on the gear I have, and use them in combination to create the songs I record. From my own perspective and technical abilities on the guitar, I don’t really consider myself a good improv guy, so I try to make up for that by layering different guitars or rhythmic approaches to the guitars I use in my songs. If you listen to the individual guitars, the parts aren’t all that complex or sophisticated, but the result of “stitching” those parts together creates a really interesting tapestry of sound – at least to me. πŸ™‚

From the songwriting standpoint, it’s the components of the song that make the song, not the individual pieces. I highly suggest reading that article. The cool thing is that if you’re in a band, you can also take that approach. Not everyone has to be playing distorted. Myself, I like to be presented with musical complexity and sophistication. To me, the sound is so much richer

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