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Archive for the ‘recording’ Category

I wrote this song about three years ago, and finally got around to doing a recording of it that I liked. My original recording was only a piano and an acoustic guitar, but I always wanted to do more with it, and also arrange it a bit differently than I originally wrote it, which was quite mellow. With this rendition, the tempo is just a little bit faster, and I added bass and acoustic guitars, plus a couple of harmonies. I like it much better. You can listen to it here:

Gathered As One Body

For you liturgical musicians, feel free to download the sheet music here.

The entire recording was done in GarageBand, which I continue to have a love affair with. I still use ProTools, but for spec stuff like this, GB offers me close to production quality – plus it’s so easy to use, it really allows me to be creative.

Instruments: Piano (MIDI), MIDI Drum loop from GarageBand, Bass, Acoustic Guitar.

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Talk about putting a product through its paces! My Mac fatally crashed yet again! Yikes! When that happened, I didn’t panic because based upon Boyd Jarvis’ input in my previous article on my Mac crashing, I went down to my local Apple store, and purchased a copy of Disk Warrior. I also talked to a few of the folks about Disk Warrior, and they said that’s the utility to get, so I also wasn’t bothered by spending the $99 I spent on it (it would also come in handy as I have another Mac at home that I purchased used with a corrupted drive).

Anyway, I got home all excited to repair my disk and be up and running. I opened up the box, inserted the disk in the drive, and patiently watched it do its thing. I watched in horror as Disk Warrior report that my drive was so messed up, it couldn’t be fully recovered. Looks like I have a real bad sector on my disk. So with a shrug, I opened up disk utility, re-partitioned my drive; this time making two: One really small one to isolate the bad sectors at the beginning of the drive, and another large partition. But I still wasn’t too worried because I had my data backed up with Time Machine.

To make a long story short, near the end of the installation, Installer asked me if I wanted to transfer information from a variety of sources. One source was Time Machine. Cool! I though to myself, I’ll have my data ready to go and not have to worry about finding it in the vault! That was a plus, though I was dreading having to install my applications again. Was I in for a surprise!

I let out a huge WHOOP when the restoration process not only restored my data, but also restored all my applications!!! I just simply had to let it do its thing! Now I’m back in business. No smell. No mess. No spending hours installing, and I didn’t lose any of the latest songs I recently recorded in GarageBand! YIPEE!!!

Now that I think about it, it’s a bit creepy that my last article turned out to be self-fulfilling prophecy…  Well, at least I know now that with Time Machine, I can replace my drive and get everything back. Talk about being stoked!!!

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Actually, this goes for any Mac user: BACK UP YOUR MACHINE!!! Spend $100 on a decent FireWire drive, and save your life!
I was going to go into the horror story first, but I decided to just come out with the point of this article  instead. About a month ago, my iMac started acting up, running real slow. So I closed all my running programs, and shut down and restarted my machine. To my horror, when the machine tried to boot up, I just got a folder icon with a flashing “?” onscreen. I didn’t panic. I opened my software file cabinet, got my install disks, and ran the disk utility, only to find that my disk was unrepairable. My only option was to reformat the drive and re-install the operating system.

What was the result? Though I had backups of completed GarageBand songs made, I lost ALL my GarageBand project files! That’s hours and hours of work that is simply gone. While I’m happy with the quality of the finished stuff (for demo purposes), I’m in no way happy with the fact that I don’t have the source files in order to make tweaks. After that experience, I saved a bit of money to buy a backup drive, and upgrade OSX to Leopard.

Among Leopards fine virtues is a no-brainer backup utility called “Time Machine.” Just plug in an external drive. Finder will pop-up a Time Machine dialog box asking you if you’d like to use the new drive as a backup. Select “Yes,” and that’s all you have to do! No thinking, no complex setup. Time Machine does it all for you. I won’t go into a lot of technical or usage details about it, though I did learn that you should let Time Machine run its initial imaging overnight. It takes several hours, and if you’re using your machine while it’s running, it’ll take longer. But once it’s done, Time Machine works automagically, continuously checking for changes to existing files and backing up new files – all in the background! With this ease-of-use, you’d be a fool to not go out right away and get a decent drive.

Myself, I got a Maxtor One-Touch III 320GB FireWire drive at my local electronics store for $99.00. It’s a decent drive with middle of the road performance. I didn’t need a 10K rpm drive. I just needed something that would back up my files – especially my GarageBand files! To test this, I created a new GB project and saved it immediately. After that, I opened up Time Machine and was pleasantly relieved to see that the file got backed up immediately! What a wonderful utility.

Even if you don’t have Leopard – get a backup drive anyway. Most drives,  like my One-Touch, come with backup management software. They’re not as easy to use as Time Machine as they require a bit of configuration, but doing regular backups can save you hours or days of work!

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Title: If Today (Psalm 95)

Description:
I wrote this song for the Catholic Mass (though it could easily be used in both Episcopal and Lutheran services) as a sung Psalm response. It’s lively and upbeat, and a departure from the more meditative songs you normally hear during this part of the service.

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In my latest GarageBand project, I just finished recording a song that I wrote back in 2004, but never managed to record it until now. The song is called “I Will Sing (of Your Salvation).

While the song is very special to me, the recording was actually a bit of an experiment as I wanted to see if I could replace my synthesizer using only vocals. As far as the whole album of which this song is part, I wanted to take a very minimalistic approach to instrumentation to see how full a sound I could achieve with as few instruments as possible.

As always, I welcome your comments!

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Last night, I finally finished re-recorded a solo for a song I’ve been working on releasing (Great God). The original solo was actually pretty good, but because of some errant picking on my part, there some distracting “extras” that I could easily wave edit away. So I decided to re-do the solo entirely. But that’s not the painful part. The painful part is actually physical. I ended up doing over 200 takes over the past couple of nights to get the solo just right. It’s still not perfect, but it’ll do for now… I need to rest my fingers a spell…

With my first set of takes, I duplicated the original solo. This only took a few takes to get it right. But then, I had a bit more complicated of a solo in my head, and it just wouldn’t let me settle. The only problem was that I had to learn how to play it! If you listen to the solo, it’s not a very difficult solo for anyone with the technique. I could actually play it myself from a technical standpoint, but the challenge for me was to play it entirely clean, without any added “touches.” It’s amazing how playing in overdrive masks out those little mistakes! A brush with the pick here, a mis-fingering there, and it just messes up the phrase, not to mention bending strings to just the right pitch. Playing clean, you can’t hide behind any kind of signal breakup.

So I used this recording session as much for recording as I did for a practicing clean technique; and this is where the pleasure kicks part kicks in. I still need to re-record the solo because I missed some pitch bends, but I’ve now learned some new technique that I can employ in other songs…

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I finally got a couple of songs to a mostly finished state though I have to tweak the vocal volumes on one of the songs.

You Stir My Soul
Great God

For the past week, I’ve been ever so tickled by the ease of recording that GarageBand provides. But no matter how easy the recording process has become, it’s still a very tedious process. In fact, the easy part is actually laying down the tracks. What takes the longest time is the post-production stuff that gets my songs to a finished state. I probably spend at least 4 to 5 times more time tweaking what I’ve recorded than actually recording.

But that’s the beauty of music production. The artistry is not just in the recording or the song. There’s also an incredible amount of artistry in how your sound is ultimately presented to your audience. The original recording is much like a line drawing or a pencil sketch on a canvas. That forms the basis of the picture. Then like using paints, you apply color and shading to the raw sketch to make it come to life, resplendent with colors that give the picture a “mood” of sorts. A touch of reverb here, some delay there, perhaps some pitch shifting, or time correction. It’s all part of the “painting” process.

So why all this focus on recording in this series? Well, I haven’t mentioned it distinctly, but I’m working on creating an album of the religious music I’ve written for the Catholic Mass. The album is entitled “You Stir My Soul.” You can listen to the title track here. Note that this is not in a finished state. I have to bring down the lead vocal volume a touch because it totally steps on the instrumentation. I put this out on my band’s website so my cohort Dave could see what I did with the harmony, and how I slightly restructured the song from its original form. I also laid down a groovin’ song called “Great God” that is mostly finished, though I have to re-record the guitar solo because of some bad string plucks on my part. 🙂

To tell the truth, I’ve been working on this album project for a couple of years. My wife has been bugging me to get my music out, and I’ve just given her the excuse that I’m so busy that it’s hard to find the time to record. But that’s not really the truth. The real truth is that I purchased much more advanced equipment than I actually needed to create spec recordings. I mean, it was total overkill, and on top of that, I’ve spent tons of time just learning how to operate the softaware! Don’t get me wrong: I love ProTools, but it’s so much more software than I need right now. For specs, you want to get your songs to a good enough state so that when you submit them to a music publisher, they have a good idea of what you’re after in your music. And as I’m doing this myself, ease-of-use and a short time-to-production are absolutely key!

This is where GarageBand is literally a God-send. Most of the hard sound engineering stuff like EQ and mixdown is either done automagically, or is incredibly easy to tweak. It has allowed me to concentrate on producing my music rather than spending inordinate amounts of time learning how to use the recording software. The net result is that where it used to take me a couple of weeks to get a song close to a finished state, it now takes a couple of days; or in the case of You Stir My Soul, I produced the mostly-finished recording in a matter of hours! I can finally see the end of the tunnel to create my spec recordings and get my demo album out!

I used to scoff at GarageBand as not being “real” recording software. But the the sheer quality of the recordings it produces rivals any recording software I’ve used in the past. It may not be as full-featured as “Pro” recording packages, but for what it offers and what it can produced, you’d be hard-pressed to find a better solution for home recording.

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All I can say is WOW! GarageBand is absolutely OFF THE HOOK!

As I mentioned in a previous post, I was going to be using GarageBand to create song foundations for performing live. But to get myself more familiarized with the application, I decided to lay down a groove for a worship song that I wrote to see how easy it would be. I was not at all disappointed. I first auditioned a bunch of drum loops (BTW, I went out and purchased both iLife ’08 and the Rhythm Section Jam Pack today), found a fill, then inserted the loop into a new track. I then found a decent bass line, and dropped that in as well.

Software instruments such as the bass in GarageBand are actually software MIDI instruments. GarageBand makes it so easy to work with software instruments by providing a MIDI grid to adjust note pitches, duration, velocity, etc.. So once I selected a bassline, I could move notes around to fit to my song. Then it was a simple copy/cut/paste affair to get the bass “measures” into their proper places.

Once I had those two things laid down, I recorded my Strat for the rhythm track. Now here is where things got interesting. For my home recording studio, I use a DigiDesign MBox 2. It turns out that DigiDesign provides a Mac driver for the MBox 2 that you can download from their site. So now, I have my trusty MBox 2 hooked up to my iMac through a USB port, and I can switch from guitar to vocals or add some keyboard tracks with ease.

A totally cool new feature in GarageBand is the ability to loop record; that is, selecting a region in a song, then play several takes while looping over the same region. This is an awesome feature that I’ve appreciated in ProTools, but it’s here in GarageBand! With multi-take loop recording, you can dial in a section until you have it perfect. This saves so much time in the recording process because you don’t have to get to a spot, record, then splice the end. You just keep on playing that section over and over again until you’ve got it right. It also allows you to approach a particular phrase in different ways.

I’m really jazzed right now because I’ve finally found a music production tool that is incredibly easy to use. It’s so easy, it’s almost scary.

BTW, I need to put in a plug for GarageBand ’08. If you’re already a GarageBand user, YOU NEED TO GET iLife ’08 now! It is head and shoulders far more powerful and feature complete than the previous versions of the software. For a mere $79.00, it’s a cheap investment.

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I’ve been a gigging musician for several years, playing in all sorts of venues. 90% of my gigs are just me singing and accompanying myself with a single guitar and keyboard, which has worked for me for a long time. But as of late, the artist in me has yearned to stretch his wings and produce a more sophisticated sound when I’m solo. It’s frustrating to play songs that have a lead in the middle of the song, and I’ve just got to strum along, or if it’s on the piano, I’ve just got to stick with the chart (I can’t improvise very well on the keys). So what to do?

Since I’ve made the switch to the Mac, I’ve discovered a wonderful little program called GarageBand that allows you to record music on your Mac. But interestingly enough, it also includes audio loops of all sorts of instruments, so you can literally create a song using just loops. The ramifications are clear: I finally have a way of easily creating song foundations for when I play solo. All I have to do is move the songs to my iPod! So begins my latest journey of creating song foundations. It’s very exciting to me because it’ll allow me to arrange songs for a wider genre of music than I’ve been playing. Talk about having a “band in the box.”

What inspired me to start doing this was seeing a guy at Downtown Disney a few months ago using an Akai MPC1000 Music Production Center for his background stuff, and playing guitar on top of his laid down tracks. I don’t have an extra $1000 to spend on something like that so it has been difficult getting started down this road. But with GarageBand, I should be able to lay down tracks really easily. Oooh I’m excited!

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For those of you who’ve known me for a long time, I’ve been a PC devotee for as long as I can remember, and used to scoff at the Mac as being a toy. But a few months ago, I decided to try out a MacBook Pro at my previous job, and what I thought would never happen happened. I fell in love with the Mac. I have to say that it really boils down to falling in love with OSX, which is an incredibly usable operating system. Anything before that, I’d still be scoffing at the Mac as being a toy. There were lots problems with OS9, and I just didn’t like the interface. But with the new version of the OS, it’s just incredible! But I digress…

To make a long story short, my former company closed its doors 3 months after I arrived – yikes! But the fortunate thing for me was that I had to opportunity to get some equipment in the company’s fire sale. I ended up with two G5 iMacs, and real nice Dell laser printer.  Included with my iMacs is a nice little music composition program called Garage Band. I’ve been playing around with it for a couple of days, and I just love it! It doesn’t have the features of my ProTools, but for spec’ing out songs, it is incredible!

Central to Garage Band is the ability to drag and drop loops onto the workspace to create the foundation for a song. It’s a very easy process. You can drop guitar loops, organ loops, percussion and bass loops – there’s lots to choose from, and within minutes you can have a full song constructed on your workspace. Then you can add your own instruments by plugging direct into your Mac, or using the built-in microphone (not really recommended as it’s a very sensitive condenser mic and it picks up EVERYTHING).

For instance, this evening, I got an idea for a new song. I browsed around the loops till I found an acoustic guitar, bass, and percussion loops that I liked, dropped them onto my workspace, and arranged pitch and tempo as needed. Then I plugged my ES-335 directly into my iMac using a 1/4″ to 1/8″ adapter cable. Now here’s the cool thing about plugging directly into your Mac: Garage Band comes with built-in amp modelers and effects such as a noise gate, reverb and even delay. There’s even two manual slots available to add distortion and specific types of amp models. As to the amp models, they’re not all that good, but they get the general idea across. I wanted to get kind of a Tube Screamer effect on top of a clean amp, and with a couple of clicks, I had it.

The great thing about Garage Band for me is that I now spend less time getting the foundations of a song laid down, and can concentrate on my compositional ideas. Looks like I’m going to have lots of late night dates with my iMac… 🙂

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