I finally got some time to record a couple of clips of the absolutely wonderful KASHA Overdrive tonight, and I am just so blown away by how it sounds! This little box is like having 4 differently voiced amps in a little box! I’m not going to spend too much time praising it because I’ve already done that a couple of time here, so let’s get into the clips, shall we?
The first clip is slow, slow blues clip in Am. The chord progression is actually adapted from one of Chuck D’Aloia’s “Blues With Brains” video lessons. If you’re looking to get more into the blues, I highly recommend this set of lessons. It’s the best $40 bucks you’ll ever spend! In any case, I used the chord progression to test out the KASHA Overdrive, and to practice some of the concepts I learned tonight.
Anyway, there are two parts to the clip. The rhythm part was recorded with the KASHA Overdrive in Smooth with the gain set at 12 o’clock. This acts just like a clean boost, and at 12 o’clock it’s at unity gain. The first part features the Classic “channel,” and the second part features the Hot channel. Give it a listen:
The second clip has no backing track, and features the Melt channel with a simple chord riff. Excuse the sloppy playing, but instead, focus on the articulation of the notes. I had the Gain pushed up to about 3pm, which is almost all the way up. But even at a really high gain setting, you can still hear the individual notes. THIS IS AMAZING! And man, the touch sensitivity in this channel is to die for!
By the way, both clips were played through the clean channel of my Aracom VRX22, and recorded at conversation levels using the incredible Aracom PRX150-Pro attenuator. To me, this is the absolute king of attenuators. Oh! Almost forgot that I used my beloved Goldie to record the clips.
The KASHA Overdrive produces a lot real nice tone! I’m “GAS”ing for one.
Dude; Love that Kasha overdrive pedal. You are so right – the thing has such a great grind, yet the articulation of the notes is still there. I love that thing!
Phil