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Radial Engineering ProDI Direct Box
Summary: Need to plug your acoustic guitar or bass directly into your mixer or DAW? Don’t do it without one of these units. Pros: Completely passive DI, requires no internal or external power sources. Super-transparent, the ProDI adds no artifacts to your tone. Used with an acoustic guitar, it makes your guitar come alive! Cons: None Features (from the Radial web site):
Price: $99 street Tone Bone Score: 5.0 ~ Talk about having my acoustic guitar just come alive! If you’re not using a DI when plugging into a board, you need to get this! |
For my solo acoustic gigs, I’ve been using my DigiTech Vocalist Live 4 for the last couple of years, and it has been terrific. But back when my Ovation got damaged (which I’ve since fixed with a little wood glue), I’ve been using my Fender Stratacoustic with the Vocalist. Unfortunately, the Vocalist doesn’t like input gain of the Stratacoustic, and driving hard on the strings would cause the Vocalist to overdrive, and cause a pop in the PA system. Not good. Luckily, the Vocalist Live has a Guitar Thru jack, so I could route the signal to another channel on the board.
But that meant that I was going to be plugging direct, and I knew that plugging an acoustic directly into a board doesn’t sound very good at all. Not only is the sound muddy with way too much midrange “goop,” there’s also a huge loss in dynamics, ultimately making the guitar tone flat and lifeless. While I don’t completely understand the electronics, the problem apparently lies in the impedance mismatch between guitar and board; and if I’ve learned anything impedance mismatches from working with attenuators, impedance mismatch is a big culprit for loss of tone and transparency. Enter the DI, or direct input box.
The main purpose of a DI box is to take one type of electronic signal, convert it to a magnetic signal, then convert it back to an electronic signal again. The device used for this is a transformer. With a DI, the unbalanced, high-impedance signal coming from the guitar goes into the transformer, which “transforms” the signal into a balanced, low-impedance signal on the other end. The net result is that impedances are properly matched on both ends, theoretically retaining your tone. Now, enter the Radial ProDI.
I knew I had to get a DI, but wasn’t sure about which one to get, as there are many to choose from. But a quick call to Jordan at Gelb Music got me on track right away. I’ve been buying gear from him for years, and he knows my rig. So when I explained what I wanted to do, he had an immediate recommendation: The Radial Engineering ProDI.
Jordan told me, “I just recorded some acoustic tracks directly into a board, and used the ProDI. I was blown away by the tone. It totally made my guitar come to life – even plugged in! And at $99, it’s totally worth it.”
That was enough of an endorsement for me. Yeah, you could say it’s just another sales guy trying to make a sale, but I’ve been dealing with Jordan for awhile, and not only is he knowledgeable, everything he recommends, he plays. That’s Gelb’s shtick. They have an unsaid policy that their sales guys can’t make recommendations on anything they haven’t played, so you can be assured that their recommendations are reliable. I’ve been buying gear from them for years, so I’ve experienced that first-hand, AND benefited from that policy!
How It Sounds
I put together a couple of quick audio clips to demonstrate the difference between going direct into my DAW vs going through the ProDI.
Guitar straight into the DAW
Guitar into the ProID then into the DAW
One of the reasons I chose the Stratacoustic was because of the fantastic Fishman pre-amp and dual pickup system it uses. Plugged in, it sounds incredible. But even plugged in, there’s a detectable (at least to my ears) muffling of the tone, whereas with the ProDI, the guitar sounds richer.
I realize that with these recordings the differences are subtle at best. However, the difference was far greater plugged into the board at the restaurant I played at on Friday. I did an A/B test during sound check, and I couldn’t believe the difference in clarity between going direct into the board, and going through the ProDI first.
Overall Impressions
This is yet another piece of gear that I cannot live without for going direct. It’s a simple box for sure, but at $99, what it brings to the table is so much! For more information, check out the Radial Engineering ProDI page!
Good stuff, I think the Radial DI boxes are also great, never heard / seen it with an acoustic but its good to hear it works well thanks.
I use a Radial JDX, it sits transparently inbetween the amp head and a speaker cabinet. It passes through the hot speaker signal so you amp still sounds but then also strips off a mic level DI signal for you.
It doest load the speakers but its real handy for recording when combined with a THD hotplate as a fake load. You can drive or crank your amp to get it singing but with the fake speaker load it is obviously silent. Sticking the JDX inbetween the head and the hotplate, you get a nice DI signal that benefits from being after the amp, i.e. you get the amps tone / effect on your sound, although its obv missing the cabinet.
Its the only way I have managed to get a believable distortion when DI, with all these pedals (Tech 21 for example) I find you get a harsh fizzyness.
Jon, that is a TOTALLY COOL application. This is the first Radial product I’ve purchased, and if their switches are as good, I’ll probably be taking a good, long look at those.