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Archive for the ‘gear find’ Category

Pointless Picks

I got a Twitter notification today of someone now following GuitarGear, so I checked Twitter to see who it was, and was intrigued by their website URL: http://www.pointlesspicks.com. Curious, I clicked on their link and was taken to their site. Sure enough, it was a product site dedicated to picks that were – as the name implies – pointless.

These are perfectly round picks, made of a polymer called Acetal. Acetal is a thermoplastic and apparently one of the stiffest and most durable plastics in the thermoplastic family. It has a variety of uses, and often competes with nylon for the same applications, according to the Plastics Web, such as the production of plectrums.

These picks are very interesting to me at first blush. As they’re round, there’s not a “wrong” way to hold them. And if you’re the type of player that almost always rounds off their points or plays with the fat end of a standard pick, then this pick may be appealing to you. It’s certainly a novel idea, and apparently they’ve got a lot of retailers selling them. They won a “Best in Show” at Summer NAMM last year, so obviously these picks made an impact on the judging panel.

Unfortunately, there aren’t many reviews of them, and the few that I found were pretty much copies from a single review, which was fairly short. I only found one video on YouTube that mentions Pointless Picks, and it wasn’t a review, though the guitar playing was pretty good, but you can’t see the dude using the pick!

Personally, I’m not sure how I feel about these. I love big fat picks, and these come in 1mm at their thickest. But if they’re really stiff, I may just like them. But it makes me wonder how to do fast alternate picking with them. I’m not a particularly fast player, but I hold my pick at about a 45 degree angle when I’m picking individual notes. It would seem to me that at that angle, the pick would just slide over the string. Maybe there’s some inherent friction…. Guess I’ll have to try them out to see what they’re like. But hey! Best in Show at NAMM is nothing to shake a stick at, so I’m game!

Anyway, for more information, check out the the Pointless Picks web site for more information.

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stagetrix_riserOne of the things that completely pisses me off when I’m gigging is when I reach my foot out to activate a pedal in the back row of my board, and I end up also activating a pedal in the front row. Aiiiyeeee!!! This happened to me recently at a church gig. I was playing a nice, sweet, clean solo, and want to texture my sound a bit by adding some reverb.

To give some background, my reverb pedal (Hardwire RV-7) is the last pedal in my chain and it sits right above my Holy Fire overdrive. Instead of a toggle switch, the RV-7 has a switch plate, and the travel before it actually activates is enough so that I have to really point my toe so I don’t brush my Holy Fire’s knobs or accidentally activate it. Well, in this instance, I did both: I somehow completely dimed the overdrive knob AND activated the pedal. The next note I struck not only startled me, but also startled the prayerful assembly – enough so that some people actually squeaked! Yikes! No doubt, it was a bit embarrassing…

Then today, I got a Twitter alert that a new user called StageTrix was following me, so I went to Twitter to do an exchange follow, and on StageTrix’s site, I saw a Twitter reply from Premiere Guitar. Intrigued, I checked out their site, and was greeted with a solution to my problem: An 18-gauge steel pedal riser that you can use to prop up the second row of your board to make your back row of pedals more easily accessible! What a great freakin’ idea! It’s one of those ideas where you slap your forehead and say, “Now why didn’t I think of that?” πŸ™‚

I had the opportunity to chat with one of the StageTrix guys a few minutes ago to discuss StageTrix’s invention. They’ve apparently been developing it for about a year and a half, and doing prototypes with various musicians. And their reason for building it? Exactly for what I was lamenting just above!

Here are some details from their site:

  • Raises the second row of pedals to the perfect height.
  • Front, back and side openings enable effective cable routing.
  • Premium 18-gauge steel.
  • Attaches to board via heavy duty hook-and-loop fastener on base, which holds firm up to 200Β°F.
  • Designed to withstand temperatures of up to 200F without melting, so leaving your pedal board in your vehicle on a summer day won’t result in a gooey mess with all the Velcro peeling off.
  • Works with most pedalboards. To be sure, check that you have an extra 1″ of clearance when case is closed. The vast majority do.

If you go to their site, they’re doing a promotion by putting several of these units up for bid on EBay, with a starting bid at a $1.00. These pedals list for $23.99 on their site, so it’s possible that if you get the winning bid, you could get one for significantly less…

Right now, they’re only available through StageTrix, but they should soon be available in stores. I will be getting a review unit within the next week or so, and will do a review.

Check out the StageTrix site now!

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large-relay-1

How ’bout a completely different take on an overdrive pedal? Well KASHA is at it yet again, teaming up with Tone Box, Inc., with the brand-new Skull Crusher Drive! Utilizing KASHA’s RockMod technology, the Skull Crusher sports four voicings and a tone and gain knob. Plus with a 10db boost, you have 8 different analog overdrive possibilities in a single pedal!

Sounds hauntingly similar to the KASHA overdrive pedal I just tested last week. It is a bit different, as it has a Tone knob, which is different from the KASHA overdrive. But I can personally attest to the quality of the tone of the KASHA overdrive, so you can bet the Skull Crusher will have that same sweet tone itself!

BTW, my KASHA OD is in production and on its way. I got lucky, and will be getting one of the signed models with a handwritten serial number… Oh goody! Might be able to sell one of these for a grand in 30 years! HA!

In any case, I’ve never seen a pedal like the Skull Crusher before! This is a totally new approach to pedals, adding a visual as well as tonal touch to an effect. The pedal will be distributed by Tone Box, Inc. and will retail for $399.

As for the physical appearance of the box, each pedal is hand-sculpted stainless steel, and comes in four finishes: gun metal, stainless steel, aged and ancient. According to KASHA, there will also be 24K gold and Sterling Silver models as well. Damn! Imagine having a stomp box that’s worth more than your guitar! HAHAHAHAHA!!! I LOVE IT!

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arkDid I ever say, “I love my job?” Well… GuitarGear.org isn’t exactly a job, but even it were, I’d still love it because I get to sniff around the Internet for different kinds of gear. Recently, through The Gear Page forums, I ran across this great amp company called Ark Amps. I had heard the name in passing but didn’t know much about them. Still don’t, but they make some gorgeous amps! The designs are really out of this world with incredible woodwork! And from what I can gather from the audio clips, these are nice-sounding amps as well.

To give you an idea of just how awesome these designs are check out these pictures! Talk about combining art with function! I’ve never seen amp cabinet designs like this – ever! Check ’em out for yourself at Ark Amps!

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Kasha KA-ODP-A

Awhile ago, I was perusing a forum where one of the members mentioned in a reply that it’s a good time to be a guitarist. There’s so much varied gear out there that guitarists have all sorts of options to choose from. One area of guitar gear that certainly seems to get regular entries is the overdrive pedal.

The OD pedal is something of which I never tire. There are so many great ones out there – I just can’t get enough of ’em. One such pedal that has just recently caught my eye is the KA-ODP-A 4-Channel Overdrive Pedal from Kasha amps. This pedal promises to be something special. Check out its features:

– 4 channels with separate voicing and gain structure
– Analog design
– 10 dB clear boost
– True bypass switching
– Very low power consumption (3mA and runs on a single 9V battery)
– No tone change, only enhances sound
– Compact standard aluminum chassis (4 3/8″x2 1/4″ x 1 1/4″)
– AC power jack (uses standard Boss DC power supplies)
– High gloss mirror black powder coat
– Hand made in the USA
– Low noise
– Crystal Blue LED (high intensity)
– Weight: 1.5lb

Built By an Amp Builder

There’s something about gear that’s built by an amp builder, especially when it comes to pedals or other peripheral devices. Amp builders have an innate understanding of the electronics behind tone, and how peripheral devices interact with their amps. A great example of this is Jeff Aragaki from Aracom Amps and his brand-new attenuatore, the Power Rox PRX150-Pro. Jeff totally gets it with how an amp interacts with a speaker, and the Power Rox is a testament to that. The same may be said of the Kasha overdrive in front of an amp. I had a chance to speak with John (Kasha’s owner and builder) this afternoon about the pedal, and it was clear from our conversation that this guy really understands the interplay between effects and an amp – especially with respect to overdrive.

Kasha has been around awhile, having been building the famous ROCKMOD line of amps since the 80’s, so they know something about amps, and their tone is well-known. Guitarists such as George Lynch and Davey Johnstone (Elton John), and tons of session guitarists have been playing ROCKMODS for years. So when John decided to build an overdrive pedal, he didn’t want to model it off of traditional circuits, so he created his own. The result is the 4-Channel Kasha Overdrive.

What’s very intriguing about this pedal is that it doesn’t have an EQ. John designed the pedal in such a way that it preserves the tone going in and outputs it with some OD “flavor” as John puts it. The thinking is that you don’t need an EQ if you’re not doing anything to the EQ of the signal. Smart.

The Kasha overdrive is a lesson in simplicity, having only two knobs: An overdrive selection knob to choose from one of the four different overdrives, and a gain knob. Very simple. But it also sports a “Turbo” switch at the top which will add a 10db clean boost to slam your pre-amp tubes with even more gain. But despite all that, this thing operates on 3 milliamps and only requires a standard 9V power source! That is incredible! My beloved Holy Fire requires a special 48V power supply! So what John has created is definitely special.

I’m going to be trying this pedal out in the next coming weeks, and I’m excited! I’ll keep you posted!

For more information, go to the Kasha product page (scroll down to the end to see the overdrive)

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Sweetwood Guitar Company Ever since I started this blog back in 2007, I’m always tickled by how I sometimes just stumble upon gear manufacturers. With Tone Freak Effects, I happened to do a search on “tone freaks” to see if there were any interesting site out there. I found Red Bear Trading picks at a local guitar shop, and bought a couple after trying them out as I was curious what a $20 pick would play like (it was wonderful, of course). In other cases like Saint Guitar Company, a visitor to GuitarGear.org happened to mention that he had just got one in a comment. I at first thought the comment was spam, but decided to do some research. I’m glad I did because I’m going to soon take delivery of my first custom Saint Guitar Company Goldtop Messenger!

A couple of days ago, I was viewing a video of Tonic Amps, and noticed a guitar that I had never seen before (click on the video link, and you’ll see it at about 1:50). It was gorgeous! Birdeye maple top, solid maple body and neck from a company I had never heard of before called Sweetwood Guitar Company. Of course, The Dawg rarely passes up the opportunity to sniff out new gear to activate his GAS, so I did a search and found the Sweetwood Guitars site. These are VERY NICE guitars! Very simple and straight-forward in their design, with a real vintage vibe going on.

Not wanting to stop at just looking at pictures, I went to the contact page, and was blown away! Sweetwood Guitars is local to me! In fact, they’re only about 15 minutes away from my house! Shit! I’m in trouble! πŸ™‚ But it’s a good trouble!

Anyway, I gave Glenn, Sweetwood Guitars’ owner and luthier a call, and will soon be doing a test run on a couple of his guitars. When I called him, he was on the road traveling back up to the Silicon Valley from LA, where he has the finishes done, and he was bring back a bunch of guitars! I can’t wait to hook up with him and try out these beauties!

For more information, check out the Sweetwood Guitar Company web site!

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Tonic AmpsFane

I love living in the Silicon Valley. While it might not be considered a “destination” for music and culture like San Francisco, New York, Nashville, and Saint Louis, it is a destination for technology, and for decades has led the world in many of the technological advancements we enjoy today. Having lived in the Silicon Valley all my life, and watching it transform from a largely agrarian economy to the mecca of high-tech and venture capital, one thing has remained the same: The Silicon Valley has a certain magic about it that inspires innovation and invention.

So it is no surprise that there are several boutique amp manufacturers in the area. I’ve written about a couple in the past, namely Aracom Amps and King Amplification, but recently, I hooked up with Tonic Amps, located in Mountain View; less than 10 minutes from my home!

Darin Ellingson contacted meΒ  last week, and invited me to come to his shop. While I knew he built amps, what I didn’t know until I did a bit of research is that Darin is Fane International’s North American distributor for Fane speakers! That got me really interested in Tonic – especially Darin’s cabs. Over the years, I’ve heard so much about Fane speakers, but have never had the chance to hear how they sound. And what great fortune that the North American distributor is 10 minutes away from my house!

In a nutshell, I played through three types of Fanes in 2 X 12 and 4 X 14 cabs: Studio 12L, AXA12, and Medusa 150. Plus, I got a sneak peak at some prototype Fanes Darin is having specially made. Through Tonic cabs, the Fanes sound drop-dead gorgeous! I hooked up three different amps to various Tonic Amps: A Reason Bambino, Aracom VRX18 (tube rectified), and a Tonic Torpedo. No matter what amp I played through, the Fanes sounded crisp, articulate and incredibly dynamic. Folks, this is the way to evaluate speakers. Frequency response charts are useful, but until you’ve got the speakers loaded into a cab, you will never know how they truly perform. Tonic cabinets are absolutely top-notch, and if you’re in the market for a great cabinet, you can’t go wrong with these. They’re all solid wood (no pressboard here), and the dimensions Darin has specified really bring out the best character of the Fane speakers.

What was my favorite? It’s a toss-up between the Medusa 150 and Darin’s prototype that he will hopefully bring into production soon. I love the scooped tones of the Medusa and the mid-ranginess of the prototype. Hmmm… can you say 2 X 12 cab with these in it? HAHAHAHAHAHA!!! Dammit! Gave myself GAS again! It’s probably a good thing I can’t afford them right now – I will have to save my pennies. The speakers and cabinets don’t come cheap, but for this tonal quality, it’s worth every penny. You wouldn’t put a great speaker in a cheap cabinet… maybe… No, I won’t even get into that debate… πŸ™‚

Torpedoes Away

Based upon the classic Trainwreck circuitry, the Torpedo is a pedal lover’s wet dream! I played the 50 Watt version, which is powered by a pair of EL-34’s! Folks, we’re talking clean headroom with this amp, with minimal breakup at the top end of the volume sweep. The tone is thick and rich and very well-balanced. I didn’t notice an overabundance in any part of the EQ range… well… it did have just the slightest amount of midrange, but that’s good though, because this amp’s tone will play nicely in a mix.

At any volume level, the amp sounds great, but its true character comes out when you dime the volume and play it through a 4 X 12 cabinet. Throw a couple of pedals in front of it (we used the British Ball Breaker and a prototype GeekDriver/GeekRanger pedal in front of the amp), and the amp’s tone combined with the 4 X 12 will knock you across the fuckin’ room! Can you say wicked overdrive that makes the hairs on the back of your neck stand up? It was amazing to witness!!!

The “Torpedo” moniker is totally appropriate for this amp. It is meant to fire out a shot of gorgeous tone, blow you out of the water, and knock you into tone heaven! Even at the volumes we were playing at, this tone isn’t a face-peeling raucous. Granted, a lot of that quality had to do with the Fane speakers we were playing through, but just as with you not putting great speakers in a shitty cabinet well, you don’t play a great amp with shitty speakers either.

If you live in the Silicon Valley, I encourage you to contact Darin and check out his workshop. It’s set up for jamming, so bring an axe or two! Darin’s even got beer! Though next time I go to his shop, I’ll bring a 12 pack. BTW, he like Tecate. πŸ™‚Β  For more information, check out the Tonic Amps web site! To get a reference for how great Tonic Amps sound, check out Darin’s YouTube site at: http://www.youtube.com/user/MrTonicAmps.

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GeekMacDaddy British Ball Breaker

I had such a great evening tonight! Darin from Tonic Amps invited me over to his shop to try some amps through his excellent speaker cabinets (be on the lookout for a review in the next day or so). He has a very cool workshop that he also shares with “GeekMacDaddy,” who makes some absolutely KICK-ASS pedals! I got to try out a few of them tonight, and absolutely fell in love with the British Ball Breaker, which GeekMacDaddy touts as a classic Marshall Plexi in a box. He’s not kidding, either. This is a helluva pedal, with rich, thick, overdriven Marshall tone. Just set your amp on clean, crank the master volume, engage the British Ball Breaker, and you’ll be rewarded with gorgeous Marshall-esque overdrive!!! YOWEE!!!

You gotta check out these pedals! They just rock! In addition, GeekMacDaddy is just about to release another freakin’ fantastic pedal called the GeekDriver that is a totally awesome take on a drive pedal. It sounds awesome by itself, but this pedal was built to be stacked, providing the foundation tone, then driving another fuzz or overdrive pedal. Rockin’!!!

Damn! Two freakin’ awesome pedals that I will have to get – as if I need more! But hey! You know me and overdrive pedals! I just can’t get enough of them!

Here’s a great demo video of both the British Ball Breaker and the GeekDriver from PremierGuitar:

Notice that GeekMacDaddy’s playing through a Tonic Amp! Those amps just rock as well! However, I’m getting ahead of myself!

For more information, go to the GeekMacDaddy site!

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Effectrode has long been known for its tube-driven effects such as the Tube Vibe. But they’ve just released a new overdrive pedal with three tubes that give you up to six gain stages of drive! OMG! Talk about saturation city! Note that this pedal ain’t cheap at $399, but if it delivers on what appears to be very promising features, I might be hard-pressed not to take a serious look at this pedal. It’ll be interesting what people say about this pedal.

Here’s the description of from the Effectrode site:


The Tube Drive, pure class-A tube overdrive pedal featuring three triode vacuum tubes for a total of six gain stages. The drive knob simultaneously controls the gain of all cascaded stages so that they progressively clip allowing the Tube Drive to respond empathically to your pick attack with a graceful breakup characteristic. At lower gain settings this pedal excels at producing authentic blues and mild break-up to add some “dirt” to playing whilst always sounding smooth and musical. Pushing the drive a little higher produces the classic 70’s overdriven tube amp tone and at even higher gains the sound becomes rich in harmonic content without masking the the natural sound of your guitar and amplifier. The Tube Drive allows you to effortlessly climb the gain curve to create sustaining, super-saturated lead tones, inspire you and power your solos beyond escape velocity, through the stratocastersphere soaring into high energy orbit!

Features

  • All Tube gain circuitry: 100% analog, class-A, clipping circuitry based on three cascaded tubes. No silicon in the signal path – guaranteed. This topology gives the Tube Drive fine control over a wide range of gain characteristics from mild breakup to creamy saturation.
  • Bax-Stack “active” tube tone control: The Tube Drive is the only overdrive with an active tube tone control. The Bax-Stack is a real treble boost (and cut) circuit with zero insertion loss, unlike passive tone stacks which can only remove frequency content (“tone-sucking”). The tone range is optimized to work over important frequencies essential for mellow jazz tones to some serious crunch.
  • Low-end coutour switch: Active low boost for a warmer, richer sound. Especially useful with single coil pickups to thicken the sound or when playing at low volumes to compensate for loudness.
  • Orange L.E.D.: Indicates when pedal is engaged.

Very cool! But even cooler are the sound samples. Check ’em out!!!

335 solo

Strat Solo

YYZ solo

Crunch

Saturation

Mild Breakup

Strat Drive

Crunch Too!

Red Barchetta

Sustain

Description and sound clips courtesy of Effectrode Pedals.

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Tonic Amps

As you know, the Dawg spends a lot of time sniffing around to find gear, but sometimes, manufacturers find me. Recently Tonic Amps contacted me, and I checked out their offerings. Tonic builds some nice reissue amps with their own twists, but they are also the North American distributor for Fane Speakers, the noted UK amp speaker manufacturer.

As you’d expect, if they sell speakers, Tonic probably builds cabs as well, and that is definitely the case. Darin (owner/builder of Tonic), has some very nice custom cabs in a variety of configurations and woods, all solid board cabinets: no pressed sawdust here, my friends. Tonic also offers custom cabs in a variety of hardwoods (though of course, you’re going to pay a premium for these, but hey! they’re available).

In any case, Premier Guitar has run a couple of videos that demonstrate Tonic Amps. You can check them out below:

From the 2009 New York Amp Show:

From the LA Amp Show:

These are some nice-sounding amps with some nice features! One thing that’s totally awesome for me is that Tonic Amps is literally ten minutes away from where I live! I can’t wait to try out Tonic’s amps and cabs!

Another cool thing is that Darin shares a shop with GeekMacDaddy, who makes a line of very cool pedals. Maybe I’ll get a chance to give ’em a whirl, in particular, his British Ball Breaker, which is touted as a Marshal stack-in-a-box. Yummy!

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