Ig wrote a great article last week, and challenged his readers to write letters to themselves that they’d read some time in the future; a lot like Marty did for Doc in “Back to the Future.” So I’m going to take a crack at this.
Hey!
Looks like you’ve come a long way. I know you were thinking about giving up playing, but knowing you, you just couldn’t keep away from your passion. Hopefully, you’ve kept driving towards incorporating different kinds of styles into your playing. I know you started a bit late with improvisation on the guitar, but I’m hopeful that you are now a master of it; or short of that, can work your way around the fretboard instinctively, switching modes to suit the musical phrasing.
Speaking of musical phrasing, you must have written a few hundred songs by now. I wonder what style of music you’re writing? It’s a good bet that rock and roll is still your staple, but I hope you haven’t given up your dream of finishing your concerto. I can only imaging what it would be like to combine a full orchestra with a rock band, and a huge choir. While I know that you originally thought that you’d hire a big name to play lead guitar, at the rate you’re going, I hope you decided to play that role yourself.
You’re probably not a shredder – that’s not something that you ever aspired to being. Though I know that learning various techniques to incorporate into your playing have always been one of the earmarks of your learning experience on the guitar. Never forget though, you always need to sound like yourself, be it on guitar, or vocally.
I know it has been a rough road to get to where you are. But what’s life without struggle? How can you learn without making mistakes? But just keep doing what you’re doing. Keep pushing the envelope with your skills. Be happy with all you’ve accomplished, but don’t settle with where you are. Complacency leads to boredom, both inside and out; and you are far from being boring.
Cheers!
When it comes to chorus sounds, Roland/BOSS is pretty much the standard for the last twenty or so years. The CE-2 has especially been very sought-after used pedal 1) for its simplicity and; 2) for it’s analog design. I owned a CE-2 back in the 80’s, and have since kicked myself since I traded it for other hardware – that I don’t use at all anymore! Since then, BOSS has gone through a couple of renditions with the Chorus Ensemble line, and now offers the CE-5 Chorus Ensemble. A pedal that even though digital, sounds pretty darn good.
…when you learn a new lick or technique?
Talk about getting a “clean” tone, and invariably, some Fender amp will be mentioned, especially the models from the 50’s like the Twin. By far, “Fender clean” is the clean tone that has been emulated for decades by amp manufacturers the world over. Unfortunately, if you want that clean tone from the 50’s, you’ll have to get a used Fender amp from a vintage shop – and they’re not cheap. Enter 
The last review I wrote was on the Demeter Opto Compulator, a great compressor that I had the chance to A/B a couple of weeks ago. In the review, I said that that was the comp I was going to buy, but that was until I did a side-by-side comparison with the Maxon CP-9 Pro+ today. Now it looks like the winner of my search for a good, transparent compressor is the Maxon CP-9 Pro+. But I’ll have to admit, I’m very torn between the two.
I was at a casino last weekend, sitting in a bar with a couple of friends and listening to this great duo play classic rock hits. During one of their breaks between sets, I went to the stage to talk to the guitarist (he had a cool name: Buford) and checked out his gear. He had a fairly simple setup: Just two effect boxes going into a Vox amp modeler that then went straight into his mixing console. What caught my eye though were his two effect pedals, both by Demeter (pronounced Deh’ meh tur) Amplification. One was Demeter’s 
Guitar Gear 