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Archive for the ‘inspiration’ Category

Epiphany in Modal Scale Theory

Posted in guitar instruction, guitar theory, Guitars, improvisation, inspiration, instruction, learn guitar, modes, music theory, scales, tagged , , , , , , , , , , , , , , on January 5, 2009| 16 Comments »

modesfig2

Note: This isn’t going to be an instructional piece… just a sharing piece… mostly…

I’ve been playing guitar for over 35 years, but it hasn’t been until the last couple of years – actually the last few months – that I’ve really started focusing on scales and modal theory. Chord theory I had down cold, but I really didn’t focus on the scales part of the equation. I figured that if I could get some lead patterns and tricks down, I’d be in pretty good shape; and for awhile, that worked just fine.

But then I realized that in many of my recordings, I was using the same patterns and tricks, albeit in different keys and in different combinations, but the same stuff nonetheless. This prompted me to rethink how I approached playing solos, so I started out by learning major and minor scale patterns. I got a couple of books to help me along, and I proceeded to practice them.

But in the back of my mind was this idea of modes. I’d heard them bandied about for years, and pretty much ignored them partially out of the thought that as a rhythm player, they weren’t too important; though that really masked an innate fear that modes were WAY beyond my ability to grasp. But during this past weekend’s study/practice session, I realized that modes are not difficult at all! The names of the modes just scared the livin’ crap out of me! 🙂

Think about it: The mode names are all in Greek: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. From my previous life as a bio-sciences major, terminology in Greek or Latin would evoke feelings of anxiety similar to, “Oh shit! More frickin’ terms to memorize just to regurgitate later on.” 🙂 Such was the case when faced with modes.

I now feel a little foolish about my anxiety with modes. Once you understand what they represent, they’re totally easy to play!

Here’s my explanation in a nutshell, just in case you too have the same anxiety about modes as I did:

  1. Modes are simply starting points within the scale of a particular key.
  2. For instance, if you’re playing in the key of C and want to play in the Mixolydian mode, you’d start and end on the 5th degree of the C scale which is G.
  3. Now don’t get confused here: You don’t play a G scale. You merely start at G, and play the notes of the C scale, so: G A B C D E F G

So what’s the big deal? Lots of players don’t give a whit about this stuff. For me as a teacher, this stuff is pretty important. But from a player’s standpoint, it gives you a much deeper understanding of the fretboard, and also, playing in a mode gives you a different tonal center to play from, which actually has an effect on how a solo sounds and feels.

I found that a great example of this is to play the Lydian mode. The Lydian mode starts on the 4th degree of a scale. Going back to the C scale, this means that the Lydian will be F. If you’re familiar with chord theory, a chord with an added 4th is notated as Csus4. The sound of this particular chord connotes a feeling that the chord must be resolved – it’s not something you’d finish with; you’d typically use a “sus4” chord before either the major root chord or minor root chord. In our case of a C chord, we’d do something like: Csus4 – C. In playing in the Lydian mode, you’ll evoke a sense that you have to resolve your scale somehow. After all, starting and ending on the 4th creates a feeling that your phrase is unfinished. The point of all this is that where you start will have a huge effect on the general coloring of what you’re playing.

Note that this discussion only brushes the surface of modal theory. For a much deeper discussion, check out Guitar Noise or this excellent article that I found on Modes of the Major Scale.

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Review: Red Bear Picks

Posted in buying gear, GAS, gear, gear reviews, guitar, guitar gear, guitar lifestyle, guitar picks, guitarists, Guitars, inspiration, Music, musicians, picks, plectrum, style, Tone, tagged , , , , , , , , , , on December 30, 2008| 3 Comments »

Red Bear Style B Heavy with Speed Bevel

Red Bear Style B Heavy with Speed Bevel

Does a pick really make a difference? For years, I’ve read about guitarists using custom picks made from tortoise shell or other special materials, seen all the ads from handmade pick manufacturers, and eschewed even the thought of getting one of them because I just couldn’t justify spending up to $40 for a freakin’ guitar pick! For instance, when I’d see an ad for one of these, I’d ask myself, Who in their right f’-in mind would get one of these? It’s just a gimmick – it’s all bull! It don’t make a damn bit of difference.

I couldn’t be more wrong. Playing with a great, handmade pick makes a difference; a HUGE difference in how you play and how you sound.

For the last 30 years, I’ve been using medium Dunlop Tortex picks – the orange ones. They’re cheap, and they get the job done. They’re strewn all over my studio, in my pockets, in my laundry – all over the place. And I don’t care if they break, scratch or if I lose them. They’re replaceable and of little consequence. Not any longer. Once I started playing with a Red Bear pick, I’m never going back to cheap picks unless it’s absolutely necessary (for instance, if I happen to break a good pick and need to get another).

So what’s the story? A good friend of mine was so very kind, and gave me a gift certificate for Christmas to a great guitar store in Palo Alto, CA called Gryphon Stringed Instruments. It’s a shop that specializes in acoustic guitars, but has all sorts of stuff, like parts. It just so happened that I needed to replace the pickup selector switch on my Epiphone Explorer, and as luck would have it, Gryphon had the switch in stock – what better way to spend at least part of my gift certificate?!! So I drove down to Gryphon, got the switch, then started looking at other stuff to spend on my gift certificate.

I got a few packs of strings for both electric and acoustic, and started looking at picks. It then occurred to me that they might have handmade picks. So I asked the fellow behind the counter if they had any, and he said they carried Red Bear picks. Then I asked the operative question, “I’ve read about handmade picks in the guitar rags, but like most people, don’t see what’s so special about them. So what’s so special?” He simply replied, “Once you play with a great pick, you won’t want to play with the cheap ones any longer. It’s hard to explain. They feel so much better, and you just play better with a great pick.”

Folks, that wasn’t a selling job. The look on the guy’s face said it all. But still, I was a bit incredulous, and he must’ve seen the look of disbelief on my face, so he said, “You’re welcome to try one out on any of our guitars. You’ll see the difference.” So I picked out a shape and bevel that I liked, grabbed mid-range Martin off the rack, sat down on a stool, and went through an instant transformation to complete and utter bliss! The pick felt so great in my fingers, and it glided smoothly over the strings. The sound that was produced was so milky smooth, I couldn’t believe my ears!

I thought it had a lot to do with the guitar – it was a nice one. But, being the good guitar gear tester and gear freakomaniac, I always have picks in my pocket, so I did an A/B test. With my standard Tortex, the guitar still sounded good, but not nearly as good with the Red Bear striking its strings. It was uncanny, to say the least! I was dumbfounded, and completely awestruck that a pick – a pick, for God’s sake – could make a guitar sound so good! I must’ve been grinning when I returned to the counter because the guy just said, “See what I mean?” I replied, “Oh yeah… I knew this was something special when strummed with the pick the first time. And doing those lead riffs was effortless.” The sales guy just grinned…

Needless to say, I had to have one, so I bought two, at $20 apiece. It was so well worth it! I had a gig last night and was able to use my new Red Bear, and was in heaven ALL NIGHT LONG! I was so enamored with how my acoustic sounded, that I played as many songs as I could with the pick, and played with the pick on songs I’d normally fingerpick.

So let me attempt to describe what it’s like to play with a great pick. First of all, it just feels great. It doesn’t slip. Next, handmade picks are thick. They don’t flex at all, but they glide over the strings so easily that it makes it easy to play – almost too easy. And because of their thickness, they force you to hold them lightly, and the expression you can get in your playing dynamics by holding the pick looser or tighter is nothing short of amazing. A great pick also makes the strings ring much better.

But the most important thing is that all those things together make it inspiring to play, bringing you into that other-worldly state of pure expression. It’s amazing that a pick can do that, but I’m now a believer. I won’t be going back to cheap picks – EVER.

Check out the Red Bear site for more information!

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

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Gear for the Home Studio

Posted in amplifiers, amps, buying gear, GarageBand, GAS, gear, guitar, guitar gear, Guitars, Home Studio, inspiration, instruction, mac, Music, musicians, recording, songwriting, tagged , , , , , , , , , , , , on December 28, 2008| 2 Comments »

Home Studio There are different schools of thought around this subject, but I thought I’d throw in some of my own thoughts, since I’ve been at it awhile. Note that I won’t be talking about techniques necessarily, though I will include some tips and tricks… So without further ado…

First, let’s establish something here: You don’t need to buy super-expensive gear to sound good, and you don’t need a lot of equipment. I’ve found that in a lot of cases, while more expensive gear will afford you convenience features, and a better sound quality, for the home studio enthusiast, a lot of times this gear is overkill. I’ll go into some details below, but in my opinion, recording technique is far more important. So with that said, let’s start talking about what I think are essential pieces of equipment:

Computer Equipment/Software

You probably already have a computer, but it should be configured to handle digital recording. While drive speed is important, it isn’t necessarily critical. My MacBook Pro’s hard drive spins at 5400 rpm, and I have no problems recording stuff. But what you do need is space. I’d recommend getting two hard drives: one for programs, and the other dedicated to saving data. It’s just a cleanliness thing. Also, get as much RAM as your machine can handle. I’ve got 4GB on my machine. That’s even more important than a hard drive. You don’t need a super-poweful machine either, but dual-core machines really work well.

Okay, Mac or PC? Go with what you’re comfortable with. There are lots of programs out there; among them is a neat little program that works great on both PC and Mac called Audacity – it’s free! Todd Rundgren recorded a lot of his latest album using Audacity, so it’s definitely doable.

What about ProTools?

I’ve got it. It’s great. But the learning curve is super steep. In fact, when I first started recording, I spent more time learning how to use the damn software than getting my ideas down and that just frustrated me to no end; so much so, that I lost my taste for recording for several months – I just didn’t want to mess around with the software! I just wanted to get my freakin’ ideas down! I’m not saying it’s bad, but it’s complicated, and you’ll have to spend a lot of time learning the ins and outs of the program. With the home studio, what you’re after is getting your ideas down with reasonable quality – and fast. That, at least, is my opinion. In light of that, I use GarageBand to get all my ideas down. It has built-in rhythm loops so I don’t have to use a click track, and there are lots of add-ons, both free and affordable, that you can use in GB. The sound quality is excellent, and it even has some mastering presets that work amazingly well!

Digital Interface

There are lots out there. I happen to use the DigiDesign MBox 2, which has two analog inputs, MIDI, and a couple of others I don’t use. Very handy little box. But there are lots of solutions out there in the $300-$400 range. Most use USB, though FireWire is probably the optimum – it also costs more.

Microphones

Now this is just my opinion, but you’ll need at least two mics: One ribbon mic, and one dynamic mic. I have a Nady RSM-200 ribbon that cost me less than $200, and it works superbly! I also swear by my trusty Sennheiser 835 stage mic, which is a workhorse similar to the Shure SM-58, but I think it’s warmer and has a much flatter EQ response than the SM-58 which can get kind of boomy.

MIDI Controller

Being also a piano player – not nearly as good on this as I am on guitar – having a keyboard to trigger MIDI and add MIDI-based instruments is another essential. You can go the small route (2 octave) or go the full-size keyboard route. I use an M-Audio full-size stage keyboard myself only because it doubles as my MIDI controller as well as my gigging keyboard. It was also cheap at $300 new. Nice.

From my standpoint, this is all you need as far as essential equipment for recording. Now let’s get into some techniques and some nice-to-haves:

  1. Always record acoustic guitar using mics – and use two of ’em. Sounds obvious, doesn’t it? I’ve tried going direct into my computer, and the sound is horrible. But using two mics works great. I usually place my ribbon mic about six inches from the sound hole, then place my dynamic mic pointed at a 45 degree angle at about the 3rd fret to capture sounds coming off the neck. Also, to take advantage of the ribbon mic’s rear pickup, I have a board, or hard, reflective surface placed about two to three feet in front of me to reflect sound back. It gives just a sligh reverb effect that really fills out the recorded tone.
  2. If you can swing it, get a couple of low-wattage amps. In particular, I use a Fender Champ 600, which is a 5 Watt amp with an 8″ speaker. Another one I’ve used, but don’t own is the Epiphone Valve Jr.. What a nice little amp! Since you’re recording at bedroom levels, a small amp that puts out less volume works wonders. Now here’s the trick I’ve found to recording with these small amps. You can make that sucker sound HUGE by close-mic’ing the amp. I use a dynamic mic pointed at an angle along the cone of the speaker, and place it no more than 2″ away from the grille cloth. Then I use a variety of overdrive and distortion pedals to get grind or searing distortion, then in my software boost the low frequencies. The end result is that it sounds like I’ve just recorded a full-size stack! You have to play with your settings, but it’s definitely achievable. The other nice thing about using a small amp for recording is that the naturally bright voicing really works well in a digital recording environment.
  3. For vocals, always use a pop filter. I’m an experienced singer, and even though I have great mic technique, nothing is worse on a recording than picking up those oral transients that your mouth makes when making consonant sounds. Pop filters cost less than $20 and believe me they’re a life saver.
  4. While we’re on the subject of vocals… Avoid using a compressor on vocals as much as possible. When you’re singing a louder phrase, move away from the mic. It’s that simple. Compression is good to a point, but there’s a lot to be said about having volume dynamics in your vocals. You get a lot more emotion coming through when you have it. If volume is pretty much the same throughout a song, it’s well… boring in my opinion, no matter how good a singer you are.
  5. Avoid EQ as much as you can. Dial in the EQ on your instruments before you record, then only do wholesale volume adjustments later to make mix corrections. What you’re trying to do is capture the natural sound the instrument makes as closely as possible. The only exception I make to this is when I’m recording a low-wattage amp and want to boost the lows. Otherwise, I just do volume adjustments for the mix.

These are just a few things I’ve learned over the last few years of doing this. I’m sure I’ve missed some stuff, so if anyone else wants to add to this, please feel free!

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Insight: Playing Rhythm

Posted in guitar, guitar lifestyle, guitarists, Guitars, improvisation, inspiration, musicians, performing, playing live, rock star, style, tagged , , , , , , , , on December 14, 2008| 2 Comments »

playing inspiredIn last month’s issue of Guitar Player, Steve Cropper was spotlighted. Cropper was a great session guitarist for Stax records who wrote and played with the likes Otis Redding, and was arguably one of the great guitarists responsible for establishing the 60’s era soul sound. In the interview, he was asked what advice he’d give to aspiring rhythm guitarists. His reply was both amusing and incredibly insightful (I’m paraphrasing): “Pick the prettiest girl in the front row, look right at her, and play to her.”

On the surface, that may sound a little chauvinistic, but there’s an incredible amount of truth in that. As performers is to, well, perform. No matter how we perform, it’s always an outward facing activity. And from my standpoint, there’s nothing better at inspiring me to create on the than when I’m playing for someone, and shape my playing to describe what emotions are stirred by the thought of the person for whom I’m playing.

Mind you, it’s not a sexual thing. It’s about playing against the images that crop up when you look at someone. For instance, the restaurant that I play at every week is a nice, family-oriented restaurant. During my set, parents will bring their children to where I’m playing, to show their kids the “music man.” Seeing the smiles and faces full of wonderment is really inspiring to me, especially as I’m a father myself (of eight kids!), and I almost always change the way I’m playing when kids come to see me play. I’ll even do special kids songs just for them at times, and let them strum my guitar.

The point to all this is that when you’re playing inspired, you draw your audience in. As a performer, there’s nothing worse to me than being mechanical. The music comes out dry and worse yet, seemingly contrived. And people pick up on that. But play inspired, and you take your audience on your emotional journey.

So take Steve Cropper’s advice, and find someone in your audience who’ll inspire you. I guarantee you’ll like the results!

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Got a Facebook? Join The Guitar Life Group on Facebook!

Posted in guitar, guitar gear, guitar lifestyle, guitarists, Guitars, inspiration, Music, musicians, tagged , , on August 27, 2008| 3 Comments »

If you’re a member of Facebook, I’ve just created a new group called “The Guitar Life” to share experiences of living the guitar life. This is a totally open group, and I like to invite everyone to join and share!

Click here to join!!!

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New Song: RESOLUTION

Posted in GarageBand, guitar, guitarists, inspiration, Music, songs on May 22, 2008| 2 Comments »

This is an instrumental that evolved out of an acoustic guitar groove I came up with years ago. Recently, a friend of mine shared what he was going through with me, and how he came to resolution with what he was facing. It inspired me to put this instrumental-only song together called, RESOLUTION. Give it a listen:

RESOLUTION (This will take you to iCompositions)

It’s interesting how this song finally came about. It was a really organic process. As I mentioned, I came up with the acoustic guitar groove years ago, and had it sitting in my head until a few weeks ago, when I decided to lay down some tracks. About a week ago, I was playing around with my ES-335, just jamming along with the groove, when out of the blue I started playing the arpeggios on top of the groove. So I layered those on top of the groove. Then when my friend told me what he was going through, I got the idea of doing the song as an instrumental-only song as he had expressed awhile ago that he’d like to hear me do an instrumental song featuring my guitar playing.

After he told me his story, I came home, sparked up my amp, strapped on my Strat, and started experimenting with different melody lines. In the end, I want to do harmonizing guitars with some free-form improv between. The result is RESOLUTION. It’s both sad and hopeful. Hope you like it!

Gear Used:

Ovation Elite Acoustic – recorded live through a Nady RSM-200 and a Sennheiser e835 stage mic :
Gibson ES-335 – provides the arpeggios
Fender Strat – voicing for all leads.

Absolutely no pedals were used to record the electric guitars. I added some gentle reverb on the guitar tracks and that was it. They sounded so good just by themselves, I didn’t feel the need to add any compression or chorus – that might’ve ruined their tone.

Amp: Fender Champ 600 15W – close-mic’d using the Nady RSM-200 to provide some depth. I just love the natural tone from this amp. When close-mic’d it sounds so much bigger than its little 6″ speaker! 🙂

Recorded everything in GarageBand on my Mac.

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Guitar Dad: What Makes It All Worth It

Posted in guitar, guitarists, Guitars, inspiration, Music, musicians, tagged on April 10, 2008| 5 Comments »

My son Owen As a guitar player and singer/songwriter, nothing brings me more joy than to see my kids enjoying my music. But what really makes it all worth the effort is a conversation I just had with my son Owen a few minutes ago. I was in my home studio, mixing a song, and my son (he’ll be 3 at the end of July) walked in, had me pick him up, and said (in his slightly slurred two-year-old voice), “Daddy, I wanna play guitar?”

I replied, “Really? You want to play guitar?”

“Yeah, Daddy, just like you.”

Okay, I admit, I got real teary-eyed when he said that, and just held him and hugged and kissed him for his sweetness, and I thought to myself that even though I experience lots of joy recording and performing, and make a decent amount of money doing it, none of that comes close to bringing me the joy I just experienced with those simple words.

I knew he liked my music, because he sings my songs to himself all the time. More often than not, he’s sitting down in my studio while I record songs – he loves the process – and loves to be around music! But to hear him say something like that was really overwhelming for me; not only as a parent, but as a musician.

Just thought I’d share that. Any of you axe-slingers have similar experiences? I’d love to hear ’em!

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Breaking Through…

Posted in GarageBand, guitar, guitarists, Guitars, inspiration, Music on April 2, 2008| 2 Comments »

healsun-rays.jpgI was conversing with a friend of mine who just received his conditional black belt in Tae Kwon Do this past weekend – very great accomplishment. During the course of our conversation, he said the one missing ingredient in his study of martial arts is developing his “chi.” He believes in chi, but is having a hard time grasping what it is all about. Chi is a Chinese word that describes the natural energy of the universe. For sci-fi folks, it’s the equivalent of the Force in Star Wars. Without going into detail, the development of chi is at the heart of martial arts, though it is downplayed in the US because we live in such an empirical society where everything needs to be explained. In any case, my friend wanted to know more about developing his chi. We’ve had previous conversations about this subject, and I’ve related how I developed my chi over the years, so I showed him some techniques. But that’s really not what this blog entry is about…

During our conversation, I said something that compelled me to think about my guitar playing [actually, I’m surprised I even said it]. It was simply this: “Sometimes, in order to even start a journey, you have to give yourself permission.” For quite a while now, I’ve experienced a bit of a block in regards to improvising, admitting that I can’t do it, or saying that I’m purely a rhythm guitarist. Even the solos in the songs that I’ve recorded are the result of countless takes, where I’ve memorized the lead. That’s not so bad, Brian May talked about doing this on some Queen records back in the day. But for me, I realize now that it was fear that was blocking me; my fear of people thinking I sounded bad.

But something changed in me this past weekend. I wrote a new song for Church and I only had an hour or so to lay down tracks so my band had an idea of how I wanted it to sound when we performed it. So I open GarageBand, picked out a click track, laid down the keyboard and bass parts, then laid down the two rhythm guitar parts, then finally added the vocal parts. Realizing that I wanted a bit of solo at the beginning of the song, I quickly recorded a solo in the first 16 bars of the song. I did a quick mix and master, output the song, and wrote it to a CD.

On the way to Church, I listened to what I recorded, then realized I did every single part in one take each – even the solo. I know it’s not a very sophisticated solo, but it was the first time I just put something down without thinking about it. That really inspired me for the service where we were going to do a couple of songs that would require some instrumental interlude.  To make a long story short, when it was my time to solo, I just – did it. I told myself, “Don’t think about what you’re going to do, you know the fretboard well enough now. Just feel the music.” After Mass, someone came up to me and said they really enjoyed the music, and the way I expressed myself on the guitar. How’s that for affirmation? Admittedly, I was somewhat nervous because all my solos had been fairly calculated in the past – I had a pretty good idea of what I was going to do, and how I was going to do it. This time, I was on a bit of shaky ground because the only thing I started out with was the key of the song.

The point to all this is that in giving myself permission to solo, I was able to just do it. Did I make mistakes? Sure I did, but nothing glaring. For the very first time in my life, I was able to just let loose and express a message using my guitar. After Mass, I realized that I could probably have done this for a long time, but my fear of soloing kept me from doing it.

So give yourself permission to pursue your dreams and goals.  Like me, you will be pleasantly surprised by what you can accomplish.

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Got Inspiration?

Posted in guitar, guitarists, Guitars, inspiration, Music, musicians on March 28, 2008| 6 Comments »

People get inspired by lots of things: Pictures they see, songs they hear, conversations they’ve been in; lots of things. Over the course of my life, like others, I’ve gotten inspired by lots of different things, but certain wise words I’ve heard from various people have probably inspired me the most. Not surprisingly, these have mostly been things people have said to me in the context of me being a musician. I’d like to share them with you here.

“There’s always room in this world for people who are good.”

The Dean of my college said this to me during a meeting where he was deciding whether to let me back into my major, which was Biology. I was asked to take a break for a year to “evaluate” my college career. It wasn’t that my grades were bad, but I was taking under the minimum number of courses and making very little progress that year. I was just focused on ballet and playing my guitar, and didn’t really feel up to pursuing a career in a lab or going to medical school. My Dean felt that my calling was in the performing arts (I didn’t know that he was a fan at the time). As he explained to me, people who are good at what they do get noticed, so if my concern was supporting myself, as long as I put my talent out there, I wouldn’t have to worry about getting gigs.

It took me a long time time – almost 20 years – to actually heed that advice, but I took the plunge and started playing at small gigs a few years ago. I started with just a few, but now I do about 30-40 gigs a year all over my local area. I don’t get paid much, maybe a few hundred a gig, but I totally love it!

“Focus on the goal, and let the universe take care of the details…”

These are very wise words from my friend and mentor, Dan Retuta. Dan is a medicine man as well as being a 5th level black belt in Aikido. Right before I decided to start pursuing music more, I was in a discussion with Dan about the logistics of doing music as well as supporting my family. When Dan said these words, I paused because they really struck a chord in me. The point of these words is that when you focus your energy on achieving a particular goal, you will place yourself in the right situations to achieve that goal. Not only that, you will then become aware of the opportunities that have always been around you to help you achieve your goal. Very cool words…

“We’ve all entered this world with certain talents… …our particular challenge in life is step out of the way to let our talents come through.”

I actually said these words to a bunch of teenagers at a retreat, but I’ve heard them said in a variety of ways by a variety of people. The point of this particular saying is that there are so many people who have never discovered their talents, whatever they may be, because they get caught up in the ways of the world, with the chaos of life, with misconceptions and preconceptions of how their world should be. We all fall prey to this. But if we just quiet our minds, and stop trying to analyze all the minutiae, we’ll discover those talents.

From another perspective, there are those, like myself, who have had to overcome their fears in order to fully discover their talents. Again, all it takes is to step out of the way and let your talents through.

“Wanna make God laugh, tell Him about your plans…”

I forgot where I got this one from, but I look at it as a corollary to my friend Dan’s saying, and also a corollary to my own. Don’t get caught up in planning your life to the letter. Prepare for the future, yes, but always be flexible because you never know what circumstances may arise that will shatter your plans. In other words, live the “NOW.” Be aware of your past, and look ahead to your possible futures, but live NOW! There are things you have to deal with NOW! What’s past is past, and the future is never certain. The only things you truly know are what you know NOW.

So how does all this relate to playing guitar? For me personally, these sayings have served as guides to keep me centered while I pursue my musical career. My goal is to have music (and ministry) be my main source of income within the next few years. I’m taking steps towards that now, but most importantly, I’m keeping my eyes open to opportunities. And let me say that I’m not going to be shattered if it remains that I support my music through another job. I love what I do as a successful engineer. I’m building cool stuff that has an impact on people’s lives, and that’s really cool to me.

In any case, rock on!

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