Feeds:
Posts
Comments

Posts Tagged ‘fender’

Fender Champion 600 Re-issueI forgot how much fun this little 5 watter is to play! I just put in new tubes to make it have more headroom, as this is an incredibly pedal-friendly amp. The tubes I got were as follows: NOS JAN-Philips 12AT7 and a JJ 6V6. The idea behind this is that the 12AT7 has about half the gain of a regular 12AX7, so it won’t push the power tube as hard as a 12AX7. The JJ 6V6 has tons of gain, and is much harder to break up; thus, I hoped to attain more clean headroom with this combination.

While I like the breakup of the Champ 600, it’s a little weak, but the clean tone is spectacular with this amp. And hooking it up to a 1 X 12 extension cab really expands the depth of the tone it produces. Combine that with a couple of pedals, and the result is like candy to the ears.

Some people might frown upon this diminutive amp, but I used it throughout my first album, and for good reason: It’s so damn versatile! I can play pretty much any style with this amp, and miked properly, can make it sound much bigger than it actually is. And at $200 bucks (that’s what I paid for it), it was a total steal!

Here’s a simple clip I recorded using one of GarageBand’s “Magic Garage Band” backing tracks. It’s a slow blues in E. The first part of the song is played with the neck pickup of my Prestige Heritage Elite, into my Tone Freak Effects Abunai 2, into my Hardwire RV-7 Reverb, then into the Champ and out my custom Aracom 1 X 12 extension cab with a Jensen P12N (damn! that totally sounds like name dropping! Yikes!). In second half of the song, I switch to my bridge pickup and stack my Tube Screamer on top of the Abunai 2. Oh my freakin’ gawd! This was fun. In any case, here’s the clip:

Sorry for the mistakes. I actually didn’t care because I was having so much fun! And by the way, I played the lead parts with my brand-spankin’-new V-Picks Psycho pick, a 1 3/4″ wide, 5.85 mm thick monster of a pick. I’m in tone heaven right now! You just gotta check this pick out!

And I almost forgot! I just can’t believe who incredibly awesome these Wyres strings sound and play. They’re so pliable, so resonant, and they sustain so well that they send my inspiration through the roof! Like the Psycho pick, I just can’t enough of these absolutely wonderful strings!

Read Full Post »

Fender Hot Rod Deluxe
If you’ve had your ear to the ground about the oncoming Fender price hike well, it’s real, and it’s here. I was in a shop today, and a brand new Fender Hot Rod Deluxe – the exact same amp I own that I got for $599, for a whopping $839, with a list of $1200! For cryin’ out loud! This amp is NOT a boutique amp. While a tube amp, it has a solid state well, everything. All the electronics are on PCB boards, and the damn thing’s not even assembled in the USA!

If I was looking for my first tube amp, at these prices, I’d ignore Fender, and get something like an Orange Tiny Terror, or an Aracom RoxBox. The Tiny Terror costs $550 new, and RoxBox head is $895. I’ve played both, and they both sound way better (at least to my ears) right out of the box than the Hot Rod, which I had to spend even more money on mods and better tubes than the stock GrooveTubes that come with it.

Make no bones about it: Fender amps at this level ain’t boutique, not in the slightest, but they’re approaching boutique amp prices. Well, I guess it’s the sign of the economic times.

Read Full Post »

Fender Roadworn Strat

Fender Roadworn Strat

Ever since Fender announced the new Roadworn Series of guitars, I’ve been lurking the gear forums and googling for information about them and trying to get a feel for what people think about them. It’s still early in the game, but not surprisingly, opinions are fairly evenly split. Lots of people like them, lots of people don’t. I’m part of the latter crowd.

From my point of view, if I was going to play a beat-up-looking, “roadworn” guitar that’s broken in, I’d rather have done the breaking in myself, or have had it done by someone else – like my first electric guitar that my little brother gave me. It was an Ibanez Strat copy and it looked like a piece of shit! The paint was cracked and flaking in areas, the electronics were completely screwed up due to the jury-rigged wiring jobs my brother did on it. But when I had it working, that little bad boy could sing! Even my brother inherited from one his band mates. In other words, this guitar has a history, and it plays and feels like it has a history.

My problem with the Fender Roadworn series is that these are brand new guitars that are made to look like they have a history, but they’re fresh off a friggin’ production line! They have no history! Oh yeah, I can hear a Fender rep saying, “We ‘wore out’ some of the most common areas where guitars get worn, and added some other cosmetic blemishes to produce a guitar that looks and feels like its been played for 20 years.’” What a crock of shit! Sorry, not buying the rationale, nor the guitars. Besides, to me, it’s how the guitar sounds and plays whether it’s new or used that counts.

I suppose if you have to have a replica of a famous guitarists axe, hey! More power to you! But in the end, you’re the one playing it, and you ain’t gonna sound like the guitarist whom which the guitar was modeled.

Read Full Post »

« Newer Posts