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Posts Tagged ‘jensen speakers’

You’ve probably figured out by now – if you’ve read this blog with any regularity – that I’m a huge fan of the Jensen Jet series of speakers. Apparently, I’m not the only one. Fender has just released the George Benson Twin Reverb, and he chose the Jensen Jet Tornado 12″ for his speakers. Wow! What an endorsement by such an icon of guitar! Here’s the press release that I just received:

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NEWS RELEASE February 2016

Jensen® Tornado is George Benson’s Speaker Choice for the Fender® GB Signature Twin Reverb® Amplifier

Inspired by one of the world’s foremost jazz guitarists, George Benson, Fender’s GB Signature Twin Reverb amplifier is an all-tube amp that produces rich, punchy tone with smooth attack and singing sustain. The GB Twin Reverb is an updated version of the venerable classic amplifier tweaked to satisfy Benson’s discerning ears.

Features include an 85-watt all-tube two-channel guitar combo amplifier, a pair of 12- inch, 100 watt, 8-ohm Jensen Jet Tornado speakers with neodymium magnets, two channels, — normal and tremolo; re-voiced low-gain normal channel — a solid pine cabinet construction, gray vinyl cover, silver sparkle grille cloth, a George Benson badge on the lower right of the front panel and a protective amp cover.

The tonal character of the Jensen Tornado is perfectly designed to give the clean, articulate tone many jazz guitarists favor with a classic full-bodied sound. The neodymium magnet design and characteristics resemble Alnico magnets, contributing to its distinct behavior and quality of tone. The frequency response is noticeably extended in the upper range, generating a sense of airy openness and definition, essential to deliver all the details and the harmonic complexity of jazz chord play, and all the dynamic nuances in the fastest single note runs.

The high headroom from the two Jensen Tornado 12-inch speakers (each at 100 watts), allows every bit of the 85-watt GB Twin Reverb to flow through clearly and dynamically.

The Jensen Tornado speaker weighs only 4.45 pounds – less than half an average comparable 12” ceramic speaker. Combined with the solid pine cabinet, the GB Twin Reverb is 13 pounds lighter than a standard Twin Reverb amp.

Jensen is proud of its contribution to the tonal delight all jazz players will experience when playing the new Fender GB Twin Reverb.

Jensen remains dedicated to working with all musicians in pursuit of their perfect tone!

jensentone.com

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Here’s the great George Benson talking about the construction of his signature amp:

To me, this is absolutely exciting! In the video GB talks about the headroom of the amp, and how he can play with the volume sweep a lot more than with his previous amp (which was a custom Fender Hot Rod Deluxe). One thing that has frustrated me about Fender amps is that they go from very low to very high volume in very little sweep. Mr. Benson mentioned that he’d have to play with the volume control and keep it between 2 and 3 to dial in the proper volume. I smiled when I heard this because that’s exactly my experience with my Hot Rod Deluxe, and it was the driving factor in me experimenting with attenuators so I could drive the amp more. So it looks like Fender has created a much more forgiving volume sweep with this version of the amp. I definitely will have to check this one out!

As far as the Jet Tornado speakers are concerned. Damn! What a sound! At 100 Watts, they are certainly all about clean headroom. And the sonic content in that video recording just affirmed my belief that Jensen was definitely onto something with the Jet Series of speakers. Originally, I thought that this was Jensen’s answer to lower-cost, entry-level speakers, since they were known for their superb vintage Alnico and Ceramic speakers.

But time and time again, I’ve been so pleasantly surprised by the performance of all the Jet Series speakers I’ve tried. Whichever one I’ve gotten, they’ve stayed in the cabs I’ve placed them in, and they aren’t coming out any time soon. They are that good.

So to have such a great player such as George Benson use a pair of Jet Tornados in his signature amp is a HUGE endorsement for this wonderful line of speakers. With the features this amp has, and the sound that it produces, I’m getting that old familiar feeling of GAS.

For more information on this amp, check out the Fender web site! And lest I am remiss about the crux of this latest entry, check out the Jensen Jet Tornado 12″ spec site!

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5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

Jensen Jet Nighthawk (P-A-C12-75NH)

Summary: As described by Jensen, the Nighthawk features fat lows, firm mids, smooth highs, and smooth overdrive. My experience in a band setting is fairly similar, but I would characterize the lows as more “full” rather than “fat,” which seems to imply almost overbearing; and the lows are not at all overbearing. Played with an American Strat Deluxe with Kinman HX pickups and a ’59 Les Paul replica with Wolfetone Dr. Vintage pickups, through a DV Mark Little 40, this “new” Jet series speaker creates super-rich tones with a wide frequency-range of lows that provide a gorgeous texture without sounding boomy.

Pros: This baby pushes air! My little Aracom custom 1 X 12 cab hooked up to my DV Mark Little 40 completely stomped the rest of the band, and I had to really be aware of my volume. Loved playing my Strat through this speaker as it provided a nice bottom-end that gave incredible texture to the single coil sound. With my Les Paul, which has a real high-mid tone, the added bottom-end help balanced out its tone as well.

Cons: My band mates would probably complain that I’m too loud. 🙂 But from my perspective, that’s a good problem to have!

Price: ~ $109 Street

Features:

  • Rated Power ~ 75W
  • Sensitivity (@ 1W,1m) ~ 98.8 dB
  • Impedance (as tested) ~ 8 Ohm
  • Magnet ~ Ferrite
  • Voice Coil Winding ~ Aluminum
  • Voice Coil Former ~ Fiberglass
  • Cone Material ~ Paper
  • Surround Material ~ Integrated Paper
  • Dust Dome Material ~ Non-treated Cloth
  • Basket Material ~ Pressed Sheet Steel

nh-frc

Tone Bone Rating: 5.00 ~ Every time I try a new Jensen Jet speaker, I fall in love yet again! There hasn’t yet been a Jensen Jet I haven’t absolutely loved, and I will freely admit that all my cabs now sport some form of Jensen Jet speaker.

Yeah, yeah, yeah… I know… This speaker came out in July 2015 and I’m only now getting around to writing a review. But if you’ve followed this blog for awhile, most of my writing about gear has been within the context of being in a band or recording. I haven’t been recording at all in the last year, and it wasn’t until recently that I was in a band. But with joining a new band, I have new inspiration, so I’ll probably be more active here in the months to come. Okay… now on to the review!

Don’t be fooled by the demos…

When I wrote my original announcement of the speaker, I included the sound clips that Jensen provides. I’ll just say it: While the playing was good, the sound was not at all representative of what this speaker is capable, especially with the Jazz clip. Jensen bills this speaker as a “warm” speaker, but that Jazz clip sounded like someone threw a thick, wool blanked over it. I will emphatically state that this was NOT my experience with this speaker.

A lot of factors go into dialing in a sound. Who knows how they set up the chain for the Jensen demos. As for me, I used my DV Mark Little 40 set up in a slightly “scooped” EQ and from the first chord I hit, I was in love with tones this speaker produces. It just goes to show that recorded demos don’t necessarily give you a good picture of a device’s capabilities, and can sometimes be detrimental if you don’t do ’em right.

Since I had no other reference to go on with the speaker other than Jensen’s demos, I didn’t go into rehearsal with my expectations. But that all changed once I started playing.

How it sounds

Even though the speaker is billed as “warm,” I found that using a scooped EQ configuration on my amp produced the best sound. The most apt description I can give for the speaker is that it has balls. Even clean, the tone was rich and full, and with its sensitivity and power rating, I had no problem cutting through the sound of the band, and in no way did it sound muddy. I think this may be due to the pronounced high-mid to high hump in the frequency response chart. This makes me think that setting my amp to a scooped tone probably served to emphasize the frequency response of the speaker. And playing clean lines up and down the neck, well, the sound was inspiring. So subtly complex, like a vintage fine wine.

As far as overdrive sounds were concerned… Wow! Smooth as silk! Whether I was overdriving from my amp, or using my EWS Little Brute Drive distortion pedal, there was absolutely nothing harsh about the overdrive of this speaker. Admittedly, I was little concerned with using the LBD with the speaker as it emphasizes the bottom-end. But used with my Strat, the sound was absolutely heavenly, and I didn’t lose the highs as I originally suspected might happen. With my Les Paul and using only amp overdrive, the tone was nice and crunchy for rhythm, and pushed into full overdrive, I just experienced simply heavenly tones. With a warm speaker, I was expecting a little less note separation, but that was not at all an issue with this speaker, and I didn’t have to adjust my EQ on either my guitar or amp unless I wanted to do it for effect. For instance, I like to do “woman tone” leads for some songs (turning the EQ all the way down on my neck pickup), and the speaker didn’t muddy up at all.

Now all that said, a comment our front man said after a song was that my sound was a bit too metal – as I said, this speaker has BALLS. And that became apparent as I experimented with pushing the speaker to see what it would be like at band volume and a lot of drive. For sure, it really wasn’t appropriate for the song, but it sure did RAWK! We all laughed at the comment, and I said that this speaker has a pretty full bottom end, so I backed off on the overdrive and all was well. After that exchange, our bassist asked me how I liked the speaker, and I replied, “I’m smooth as silk today, baby. It’s a keeper!”

Overall Impression

I have a tough decision ahead of me. I absolutely adore the Jensen Jet Falcon, which is great to cover a wide variety of styles. But the Nighthawk is simply so kick-ass that I don’t think I’ll be taking it out of my cab any time soon. It can rock and it can also play some very deep, clean tones.

A big test for me about how good some gear might be is its ability to get me into what I call the “inspiration zone.” And the sound that comes out of this speaker gets me there – and quickly. It certainly is worth checking out!

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I know, I usually do a gig report AFTER I write a review of a product, but I used the speaker in a gig yesterday, and had to write about it. First though, let’s go over some general stuff…

The Jet series from Jensen is a break from Jensen’s vintage roots to go after more modern styles of music. Having two of their Jet Falcon 12″ speakers, I readily concur. For a long time I was into vintage tone, but as the music I’ve been writing as of late has taken on a bit more of an edge, the warmth and general mellowness of Alnico just hasn’t done it for me, let alone my music. Going to speakers that have a bad-ass attitude has really helped me explore different musical depths.

When I first heard the Falcon, I absolutely fell in love with that speaker. It has a big, bold tone and is supposedly reminiscent of old “green backs.” I’ve never heard original green backs, but I do know one thing: For straight-up rock and roll, the Falcon excels!

Enter the Electric Lightning. I got an announcement from the Jensen distributor that the Electric Lightning 10 had just come out, so I asked him if I could do a review on it. He replied by sending me a speaker for review. He’s not getting it back (I’ll pay for it), and I’m going to order one more to create a 2 X 10, or maybe get a couple of more to build a 3 X 10.

If you read this blog with any regularity, you know I don’t bullshit when it comes to gear. Gone are the days when I buy something based on hype. I have to play it to see if I like it, and with the Electric Lightning 10″, I found a speaker that completely blows me away – enough so that I’m going to be buying it!

To test the speaker out, I installed it in my VHT Special 6, which has a pretty small cabinet, and I expected that the speaker would be pretty bright, considering the small resonating space, and the size of the speaker. I was completely wrong.

I happened to be working on a new song before I installed the speaker, so the I just grabbed the guitar I was using, which was my Yamaha APX900 acoustic-electric. I took one strum, and got a queer look on my face thinking, “Does it really sound that rich?” I couldn’t believe it! I started playing through a few different tunes, and I just couldn’t believe my ears! The lows that I was expecting to be subdued were big and bold, and not at all flabby or mushy. Mids were well-controlled and smooth, and the highs were nice and dynamic without being over-pronounced. Even with an acoustic-electric, the net result was that this speaker had lots of presence.

As you can see on the frequency response chart below, the graph supports what I described above:

The low-end response is nice and wide, with gentler mids, and with a sharp high-frequency peak to help round things out.

Of course, this speaker is touted as a speaker to be used for heavier music, and perhaps that wide bottom definitely supports that, but I then used the amp in my church gig yesterday to test the speaker out in a live setting. For the service, though I was tempted to bring a couple of guitars, I just brought my American Deluxe Strat.

In a word, the combination of the Strat with that amp and speaker was stupendous. I chose to use my Strat because I haven’t liked any single coil guitar with that amp since I got it. But the bottom-end on the speaker completely tones down the highs; though I do have to admit that the amp itself is pretty bright, so I turned the tone knob down to about 11am to roll off some of the real high-freq sounds that amp makes.

Did I mention that the speaker is loud? It really is. Even with a little 6 watt amp, that speaker is so efficient that it seriously moves air. Another guitarist in my band looked at the amp quizzically, to which I said, “Don’t sound like a 10″ speaker, does it?” He replied, “Well, not just that, I mean, look at the size of the cabinet it’s in, and it’s making that kind of tone and volume.”

That really just sums it up for the Electric Lightning. A 10″ speaker is not supposed to sound this big and loud; especially when it’s only being driven by a little 6 watt amp. It’s simply uncanny.

Another thing about this speaker is that it is very well-behaved with overdrive and distortion. Before our service I cranked up the amp to really drive the speaker so I could get some speaker distortion, and the sound that speaker made was heavenly. Then I cranked up my EWS Little Brute Drive distortion pedal, and it took it with ease. No matter what type of drive/distortion I threw at it, note separation and clarity was fantastic!

As for cleans, if you’re into that scooped clean sound, this is your speaker. The wide bottom-end really helps give clean notes lots of oomph, while the high-freq spike provides for warmth and sparkle.

All in all, I’m totally impressed with this speaker! I’ll be doing a review with sound clips in the near future, so stay tuned! I know, there’s not much information on the speaker on the Internet right now, but there are some decent sound clips and videos that can be found.

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It seems like the answer to that question should be obvious, right? It’s important. But let’s take a step back for a moment, shall we and ask, “Why is a speaker important?” Again, on the surface there is an obvious answer: The speaker is what produces and projects your tone. But there’s so much more than that!

After I wrote my review of the Jensen P12N, I asked myself why I had never really written any speaker reviews, or why you don’t actually find that many speaker reviews out there relative to other sorts of gear. I alluded to that in my review – I’d suspect that the reason you don’t see too many reviews on speakers is because a speaker is considered a “part.” Let’s be honest, a speaker is just a noise-making device without a cabinet to provide some resonance. And that’s really the root of the problem in reviewing speakers.

You see, you can do all sorts of tests and analysis on speakers, as Ted Weber has. If you click this link, you’ll be taken to a directory listing of various HTML pages named after speaker models like, “c10q.htm.” Open up a few and you’ll see EQ charts for different kinds of speakers. It’s actually a pretty cool thing that could point you in a particular tonal direction. And if that’s not enough, here’s a great review from 10 years ago by GuitarPlayer mag that does a faceoff of 15 vintage speakers. Both of these have been especially helpful in pointing me in a direction of choosing a speaker – but they’re still not enough!

Until you drop that speaker into a cabinet, you’ll really never know how good -or- bad it sounds, and the cabinet you use plays a HUGE role in the speaker you choose. For instance, the Reason SM25 sports an Eminence Red Coat “The Governor,” which is a nice, midrange-priced ceramic speaker, that has a nice, bright presentation. In the SM25’s cabinet, it sounds absolutely sweet: Bright, but with a full midrange that really bolsters what could be a tinny tone. But I had a Governor put in a smaller cabinet that I was testing, ran the SM25 into the smaller cab to test the difference, and it sounded like shit!!! All the tonal complexity that the SM25’s taller and wider cabinet provided was completely lost in the smaller cabinet. And mind you, it wasn’t the cabinet. I had a Jensen P10R mounted in that same cabinet, and it was so musical and pleasing to the ears that I almost cried!

So you see what the crux of the problem in evaluating speakers is? That’s right: It’s the combination of speaker and cabinet that counts, not just the speaker alone. You can pore over schematics and graphs and various analyses, but in the end, until you put that speaker in a cabinet and listen to the combination, you really will never know how it truly performs. To put it another way, a great speaker in a cabinet that it’s not suited for will just sound bad.

So here are some words of advice if you’re speaker shopping:

  1. Find EQ graphs of the speaker you’re interested in, and look at its patterns. Do you want more midrange? Do you want a more scooped tone? Do you want a real even EQ response? This is step 1, and it’s important because it’ll point you in a tonal direction.
  2. Next, think about the cabinet you’re dropping the speaker into. One thing I’ve learned is that speakers need some room to breathe. Drop a 12″ speaker into a cabinet that’s more well-suited for a 10″ speaker, and chances are that you won’t like the sound. A big speaker in a small cabinet simply projects sound and doesn’t resonate to provide more tonal richness.
  3. The thickness of the wood in cabinet plays an important role as well. I like 1/2″ ply or board myself because it resonates well. 3/4″ works as long as the cabinet it big enough to allow for some vibration. I recently tried out a prototype cabinet with a 12″ speaker that was constructed of 3/4″ board. I forget what the dimensions were, but the enclosure was not much bigger than the speaker itself. So not only did the speaker not have much room to breathe, but the thickness of the wood prevented much resonance. The resultant tone was dry – very dry.
  4. Finally, try out a bunch of speakers. But make sure they’re in cabinets! If the place you’re evaluating speakers at doesn’t have this capability, you’re only at step 1.

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