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Posts Tagged ‘new gear’

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I’ve talked about Guitar Affair before, announcing their arrival on the web a couple of months ago. After a few months of testing the service, Guitar Affair recently released a press release announcing the service’s general availability to the public. Folks, this is a VERY cool service in that it allows you to try out high-end mainstream and boutique guitars before you buy them. Or you can just use the service to rent these awesome guitars. Founded by Jim Basara of Guitar Jam Daily, the idea was to help guitarists have a chance to try high-end instruments to assist them in their evaluations, or be able to rent these high-end beauties for a time. The model is interesting because Guitar Affair really helps out business travelers who don’t want to lug a guitar while on trips, but still want to be able to play while away from home. In any case, here’s a copy of the press release:


An innovative online service that provides high-end guitars on a rental basis to customers in their homes or on business trips and vacations.

Dulles, Virginia (PRWEB) May 15, 2009 — Guitar Affair, an innovative online service that provides high-end guitars on a rental basis − shipped to wherever the customer happens to be − today announced general availability of its offering that has been in testing with select customers since January.

The new Guitar Affair service targets guitar enthusiasts who frequently travel for business as well as those who wish to demo limited availability guitars prior to purchasing them. Under the new program, customers can rent a variety of high-end and boutique guitars, and have them shipped to any location in the US; be it their residence, a hotel where they are residing for business, or a vacation location. In addition to well known guitars like Gibson and Fender Custom Shop guitars, Guitar Affair has struck dealer relationships with small and boutique manufacturers whose guitars are seldom seen in stores. For those who are trying a guitar prior to purchase, Guitar Affair rebates the rental fees when the customer elects to purchase a guitar. The new service allows guitar enthusiasts to enjoy high-end instruments wherever they are, and to demo boutique instruments that would often have to be purchased without trying them.

A new Guitar Affair customer recently related his experience with Guitar Affair, stating that “what I received was an exquisite instrument in mint condition, delivered quickly and with no question about its safety in shipping.” ‘It arrived humidity controlled with new strings, the best gig-bag I’ve ever seen and a strap so comfortable I’d like to make blankets out of it. I’m genuinely impressed and I suspect your other customers will be as well.’

‘This is a business that I sought for over 10 years, but could never find,’ states Guitar Affair owner and musician Jim Basara. ‘For over a decade, I managed small technology companies and was on the road constantly. Because of that travel, it was difficult to find time to practice and my playing suffered as a result. I always wanted to find a business that I could call to have a fine guitar waiting for me to get there, along with a headphone amp, cord, headphones and strap.’ This is essentially the business that Guitar Affair has launched, but with an added twist. Basara explains, “Especially in these economic times, it is incredibly challenging to drop $2,000 to $6,000 on a boutique instrument without having played one.” ‘You might have read about the Gigliotti that Joe Bonamassa plays, the Caleb Quaye signature guitar from Brazen, or that Saint Blues has released a line of hand-crafted USA made guitars, and you might hear people talking about how great they are. But pulling the trigger on a multi-thousand dollar order is still difficult because what people love about guitars is such a personal thing.’ With Guitar Affair, such a customer can demo one of their desired guitars in the privacy of their own home, on their own equipment, or try one during a business trip or vacation. ‘For some custom guitars, interested buyers can also get additional necks, each fretted differently with the most popular size fret wire, so that they can feel confident about their choice of neck profile and fret gauge.’

Manufacturers are also excited about the new Guitar Affair service. Brian Halley of St. Blues Guitar Workshop believes that Guitar Affair and its new business model is an invaluable partner for many reasons, most importantly it will allow the company to extend its reach for their new handcrafted Workshop Series guitars. ‘Although we are a brand with history going back 25 plus years, there are still players who will need to feel and hear the instrument prior to making a purchase. Guitar Affair allows interested players who may be on the fence about a brand they haven’t seen every day of their lives to try it for themselves in the comfort of their own home. Our target is the serious and committed player, and we know they take their investment in a new guitar seriously. Now in ’09, as the new St. Blues USA Workshop series guitars are available in very limited quantities, Guitar Affair allows us to reach out to these new St. Blues players by allowing them to play our high-end guitars wherever they want, at virtually no cost should they decide to purchase.’

The rental and demo service is currently available in the United States with plans to expand internationally in 2010.

About Guitar Affair
Founded in 2007, Guitar Affair offers high-end and boutique guitars on a rental basis to customers across the U.S. Using Guitar Affair’s online reservation system, customers can have a complete guitar package, including a top shelf guitar, headphone amp, headphones, cord, strap, and training DVD delivered to them while on business trips, vacations, or at home. Customers can also use the service to demo limited availability guitars before purchasing them, at which time rental fees are rebated.

Contact:
Jim Basara, Owner
www.guitaraffair.com

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breadwinner

As I’ve mentioned in the past, I dig writing this blog because I meet a lot of cool people; one of them is Phil Vickman of Fat Tone Guitars. I call him occasionally to hook him up with information on various gear manufacturers, and we end up talking about some kind of gear. Yesterday’s conversation ended with Phil mentioning that he just got the Eastwood Breadwinner in, and is really digging it! So I did a bit of poking around…

Since Eastwood Guitars opened their doors, they’ve created faithful reproductions of vintage guitars of yesteryear at a fraction of the cost of the actual vintage gear. That’s been their shtik from day one. Even though I have yet to purchase an Eastwood guitar, I have played a few, and the thing that I dig about that company is that their replicas aren’t of classic, mainstream guitars (can you say “Les Paul” and “Stratocaster”); rather, they’ve placed their focus on the more avant garde styles of vintage guitars.

Among them is their latest offering, the Breadwinner, introduced at the 2009 NAMM show. I’m usually not moved by avant garde guitar styles, but there’s something about this guitar that really speaks to me. The Breadwinner was originally produced by Ovation, and was their first foray into a solid body guitar. From what I’ve been able to glean about its history, this guitar’s shape was both for form and function, its ergonomic design shaped specifically for playing comfort. That’s totally cool!

This replica and update features some pretty cool things, among them switchable active/passive humbuckers, which give this guitar lots of tonal possibilities. The body is solid mahogany, with a bolt-on maple neck, and uses Gotoh hardware. Very nice.

For more information, check out the Eastwood Guitars web site! If you’re interested in buying the guitar, go to Fat Tone Guitars. Phil’s great to work with, and he’s really knowledgeable about the gear he carries!

Here’s a video demo of the guitar that I found. The guitar is played clean, and the sound quality of the demo is only okay, so I suggest you go to a local Eastwood dealer to see if you can play one of these bad boys…

[youtubehttp://www.youtube.com/watch?v=CZFoP8zQOnQ]

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Lovepedal has been around awhile, and has been known for creating some killer pedals; among them the awesome “Church of Tone,” Plexi-in-a-box drive box, and the Eternity drive, an incredibly versatile overdrive pedal. Just recently, Lovepedal released a line of four pedals that while diminutive in size, create huge tone. These are the Echo Baby, a nice straight-forward delay; the Amp 50, which is a miniaturized version of the Church of Tone pedal; the Pickle Vibe, a VERY nice vibe pedal; and finally, the Mini Buffer, a signal buffer to live on your pedal board to bolster and condition your signal chain. Each pedal measures 3 5/8″ long X 1 1/2″ wide X 1 1/4″ high. As Lovepedal puts it, these are small enough to fit on a keychain. 🙂 Of course, that’s a bit of an exaggeration, but that’s pretty small nonetheless. Check ’em out at lovepedal.com! Here’s a cool video to make you salivate a bit…

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Reinhardt Amps Willard Distortion Pedal

Just ran across this brand-new fuzz pedal from Reinhardt Amps, called the "Willard" distortion pedal. This pedal is pure 80’s fuzz, a sound that I came to love! From the video, it’s clear that this pedal is capable of producing some serious hair, but it also retains a lot of clarity. Built around a true NOS LM308N op-amp chip and based around a big-box Rat of that era, this is a very nice-sounding distortion box. Check out the video below:

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Electro-Harmonix Deluxe Memory Man Old and New

When I first saw the pictures of the new Deluxe Memory Man, I wasn’t too impressed only because I didn’t see the actual size difference between the old and the new version. But Electro-Harmonix has done it: They’ve made a DMM with a smaller footprint. I’ve played the DMM before, and really dug it. There is a certain mojo about this analog delay. But I never considered it because of the real estate it would require on my already space-starved board (though admittedly, it’s time to get a bigger board if I want all my pedals on a single board). Now, with it’s smaller size, this is definitely a pedal I’m going to consider – especially since I’m in the market for a good delay pedal. In any case, here’s the press release from EH:

The original Deluxe Memory Man is considered to be the finest analog delay ever designed. Organic and musical, it has been used by rock and Roll legends and countless musicians since its introduction in 1978. With the desire to make a flawless and smooth transition, Electro-Harmonix proudly announces the “new” Deluxe Memory Man in our rugged and pedal board friendly die-cast enclosure.

Exactly the same components are used in order to maintain the superior analog sound with exactly the same performance qualities. In this case, downsizing to a more rugged chassis was important and only second to maintaining the legendary sound. The exact same sound!

The original Deluxe Memory Man will still be available for a limited time. Musicians in the US and UK can now choose to get the new Deluxe Memory Man, or opt to get the classic. Musicians in the EU can now choose to get the classic original (as right now they only get the die-cast)

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For the last couple of years, I’ve had a serious case of GAS – not that I pulled the trigger and bought a bunch of stuff during that time – I did get a couple of pedals here and there to slake my appetite, but no major purchases until recently. Now I can say I’m gassed out – at least for now. If you’ve followed my blog for any amount of time, you’ll know what I’ve purchased, but I’ll recap the major purchases I’ve made in the last couple of months.

Aracom VRX22 Head with a custom Aracom 1 X 12 cabinet with a Jensen P12N

What an amp! I’ve shared with Jeff Aragaki, founder and designer of Aracom Amps, that the VRX22 is the perfect amp – at least to me. It’s a low power amp that packs a HUGE punch; both in tone and volume. It’s something I can use either in my home studio, or gigging. No matter what volume level I’m playing at, the VRX22 simply sounds awesome, never getting flabby in the low-end, and sporting what I consider to be the best Master Volume in the business.

For more information, check out the Aracom Amps web site.

Prestige Guitars Heritage Elite

The more I play this guitar, the more I fall in love with it. When I first got the guitar to evaluate it, I felt that all the adornments were a bit over the top. I’m a fairly uncomplicated guy, and I appreciate beauty in simplicity. But as time wore on, and I got to know this beauty queen better, the more she grew on me. So I decided to keep the guitar. Her new name is “Sugar” because amazingly enough, not only does she sound and play sweet, she actually smells like bubbling brown sugar! Could be because of the maple, but when I opened up the case for the first time, I was overtaken by the sweet smell of this guitar! So that’s how she got her name. She’s an incredibly expressive guitar, capable of producing gorgeous, ringing cleans to heavy grit. Brightly voiced, her tone just cuts through a mix like butter. I am really enjoying this guitar! Here’s a clip of both the VRX22 and the Heritage Elite:

For more information, go to the Prestige Guitars web site.

Saint Guitars Goldtop Messenger

In answer to my wife’s latest question, “Honey, how many guitars do you need?” I use the standard answer, “Just one more…” This was the exchange we had when I told her I was having Adam Hernandez, a close friend and founder of Saint Guitar Company, build me a guitar. It’s a Goldtop with a twist: Instead of the classic single cut body, I’m having the goldtop done on a double-cut. The body back is solid walnut with a maple top, and rock maple neck topped with an ebony fretboard. I wanted to go for a totally non-standard mix of woods that would produce a very bright tone. The bright tone, combined with the super sustain of Saint guitars in general, promises to be one sweet sounding tone machine. Of course, time will only tell, but I have high hopes for this guitar!

This isn’t even mentioning the smaller things I’ve purchased, but at least for now, I’m GASSED out – I’m also broke – again. 🙂

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Roland Cube 80x

This is actually kind of exciting news: Roland has just released its most powerful Cube amp, the Cube 80x. Sporting 80 Watts of power through a 12″ speaker, this amp is poised to pack a serious punch. The Cube 60 has been quite successful since its inception a few years ago. Hell! Even I have a Cube 60 and I love it! The Cube 80x while being more powerful, also has some new features that are sure to turn heads (taken from the Roland web site):

* Powerful 80-watt output into a high performance 12″ speaker
* 10 COSM® amp models including new DLX Combo model
* Two channels: Clean and Lead plus new SOLO memory function
* New Spring Reverb modeling for vintage reverb sounds
* Easy to use Looper for unique live performance
* Convenient built in chromatic tuner
* Aux input for connecting MP-3 players or other audio sources

The Cube series amps have been known for their versatility. They sound great a pretty much any volume level, and they have enough features packed into them to make it easy to just pack the amp, a guitar and go. I have a couple of friends who use Cubes for club gigs!

There are a few of standout features that really pique my interest: 1. The ability to hook up an MP3 player to the amp to practice with; 2) The looper function, and finally; 3) The built-in chromatic tuner. This amp is made for gigging, and with the line out, you can go right into a board – which I’ve done many times with my Cube 60.

If you’re looking for a great, versatile amp, you can’t go wrong with a Cube. Just pick the one that suits the volume level you need (or the features you want), and you’re good to go!

For more information, visit the Roland Web Site!

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5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

Aracom Amps VRX18 18 Watt Head

Aracom Amps VRX18 18 Watt Head

Aracom Amps VRX18 Watt Head

Summary: Based on the original “RoxBox” (no longer available), the VRX18 sports an improved master volume inherited from the VRX22, and a reworked, smoother overdrive profile.

Pros: As dynamic and expressive as its 22 Watt sibling, the VRX22, but oozing that bright, chimey EL84 goodness. When driven, produces a nice, tight overdrive.

Cons: None.

Price: $895 direct

Specs:

– (2) EL84 Power Tubes
– (2) 12AX7 & (1) 12AT7 Preamp Tubes
– S.S. Rectifier with “sag” circuit
– Hi/Low B+ voltage switch (18/9 watts)
– On/Off Switch
– Indicator Lamp
– Custom Heavy Duty Aluminum Chassis
– Custom Wound Transformers
– 4, 8, 16 ohm Speaker Jacks
– Custom Handcrafted
Turret Board
– Handwired
– Weight: ~35 lbs

Head Cabinet
Standard Tolex: Black Levant. See options below for other colors.
– Dimensions: 19″w x 8″h x 8.25″d
– Weight: 23 lbs

Also available in 1 X12 and 1 X 10 combos (or Jeff can custom build one to your liking)

Tone Bone Score: 5.0. When I can swing it, I’ll be getting this amp to complete the VRX Series!

Jeff Aragaki, founder and builder of Aracom Amps, always chuckles when I tell him that he’s onto something with his VRX (short for Vintage Rox) series amps. With the VRX22, he seemed to have stumbled onto a sweet spot that produced an amp that has an incredible and beautfully balanced tone that bring out the best tonal aspects of the 6V6 tube. He’s done it yet again with the updated RoxBox 18, now renamed the VRX18, but incorporating many of the same features he built into the VRX22.

I just purchased the VRX22, having fallen in love with the tone that it produces, and I’ve fallen love yet again, but now with the VRX18. I’m like a hopeless romantic that loves two women for their individual virtues, but in this case, the women don’t mind – they can co-exist with each other. Okay, bad analogy… 🙂

I originally reviewed the RoxBox 18 back in December. At the time, I totally dug its tone, but took marks off because of the mildly harsh breakup at lower volumes. There’s nothing harsh about the tone of this amp now – at any volume! It’s a great amp to play, and as expected, it’s pedal friendly, and responds really well to overdrive pedals. Also, I played four guitars through it, and it sounded incredible with all of them!

I won’t go into a lot of detail, since I already covered pretty much all the descriptive information I needed to in the original review, so I’m going to cover some important things I’ve learned about the VRX 18 and the VRX series in general. But first, as opposed to doing this last, here’s a short clip featuring the VRX18 to show you how kick-ass it sounds:

For this clip, I used a Strat with just the middle pickup, plugged directly into the VRX18. I just dig that EL84 grind! I had the Channel 2 volume dimed, and the master volume at halfway in full-power mode. It was very loud, much to the chagrin of my wife. 🙂 But I needed to capture at least some of that EL84 compression.

What’s cool about the EL84 is that it compresses nicely when pushed, but still seems to retain a certain openness in its overdrive. This is unlike something like a KT-66 that compresses so much when pushed you lose volume.

The Best Master Volume in the Business

I don’t say this lightly when I say Jeff has the best master volume in the business. I’ve played many amps. But when Jeff created the VRX22, he did something with the master volume that is pure magic. It has a nice, even volume sweep that seems to act independently of the channel volume. This means you can crank the channel volume to get some serious grind, but control the output via the master, and it won’t suck your tone! I’ve found this to be a real problem with other amps. That master volume is incorporated into the VRX18.

The Best Half-Power Switch in the Business

A lot of manufacturers use a pentode/triode switch to achieve half-power settings in their amps. I’ve played several amps with this feature. But in half power mode with the pentode/triode configuration, I’ve noticed a distinct tonal difference between the two modes in amps configured this way. It’s not that the tone is bad. In fact, many I’ve played around with sound great in half-power mode. But it’s like two different amps.

Jeff Aragaki takes a different approach and instead adjusts the B+ voltage to maintain the usage of all pins in the power tubes. I’m not an electrician, and can’t even begin to explain this technically, so I’ll just say it this way: When you switch to half-power mode in any Aracom Amp, the amp doesn’t change its tonal characteristics. It sounds and plays the same!

The Difference Between Old and New

In addition to the great master volume Jeff incorporated into the VRX18, the first thing I noticed was that it was nowhere near as easy to get this amp to overdrive in channel 2 as it was with the original RoxBox 18. This is not a negative thing at all because as I mentioned in my original review, the overdrive was pretty harsh at lower volume levels. I spoke to Jeff about this, and he said that based upon my original tests and review, he decided to mellow out the extra gain stage in the VRX18 so you could get a nice overdrive tone at any volume level.

You won’t get over-the-top gain with the VRX18. But for that, I have a simple fix-all: Get a great booster pedal like a Creation Audio Labs Mk.4.23 (again, the best booster on the planet), and SLAM the front-end of the amp. 🙂

But all that said, if you’re in a venue where you can dime both master and channel volumes, you will be rewarded with gorgeous harmonics and overtones and luscious feedback!

Overall Impressions

Like I said, this is my next amp… It just rocks the house! And at $895 for the head, you could get both the VRX22 and VRX18 for under the price of a single boutique amp! This isn’t a sales pitch. The value proposition of the VRX series is something that should be seriously considered. You’re not getting a production line amp that’s built overseas. With the VRX series of amps, you’re getting a US-made, handwired amp for under a grand!!!

Admittedly, I was a little skeptical when I first ran across Aracom Amps. But I’m now a believer, and a faithful customer!

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Seymour Duncan Twin Tube Blue Image c/o Seymour Duncan

Seymour Duncan Twin Tube Blue Image c/o Seymour Duncan

Seymour Duncan is known for its outstanding pickups, and I’ve known they’ve made pedals for awhile, but haven’t really paid attention until they came out with the Twin Tube Blue (SFX-11). This is a very cool little preamp/overdrive box that sits – gain-wise – right in the middle between their Twin Tube Classic and their Twin Tube Mayhem.

Run by two 6111 mil-spec, USA Philips-Sylvania tubes, the Blue can get you some nice, pre-amp snap, to sweet, sustained gain. Here’s the description from the Seymour Duncan site:

Too often, inexpensive tube gear runs in “starved plate mode,” where the tubes function like clipping diodes and do not actually amplify. The Twin Tube Blue’s high-plate voltage and 100% vacuum tube signal path allows the tubes to operate at their fullest potential and provide maximum dynamic range. This means you get the most gain and all the smooth tone you expect from a high-quality tube preamp. Two channels provide versatility. Like all Seymour Duncan stompboxes, the Twin Tube Blue is true bypass and features a fully encapsulated toroidal transformer for quiet operation. Heavy duty steel chassis.

Sounds impressive, huh? Here’s a video:

At about $229 street, it’s a bit on the pricey side, but it sure sounds good. Check it out at Seymour Duncan!

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Imagine a TC Electronic pedal for under $200! That’s right! It’s the Nova Repeater Delay. It has the same great quality you expect from TC Electronic, but at a great price. As TC Electronic puts it, the Nova Repeater is a “no-frills-with-a-sound-that-kills” type of pedal. In other words, it doesn’t have a lot of bells and whistles. You dial in your settings and play. The most useful feature I dig is the tap tempo you can do strumming your guitar! You hold down the tap tempo button, strum your guitar, and the pedal picks up the tempo you strum! Very cool! When you hold down the tap tempo to set your tempo via your guitar, the pedal shuts off the signal to your amp, so you can set your tempo practically noiselessly. The TC Electronic dudes are awesome! Here’s a video:

I’ve been wanting to get a simple delay pedal for awhile now, and this one looks very promising. However, TC Electronic announced this pedal on March 27, 2009, and it hasn’t hit the stores yet! Damn! I was going to lay down the $149 for this sight-unseen! Oh well, guess I’ll have to wait, or get the Catalinbread Dirty Little Secret first… 🙂

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