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Posts Tagged ‘aracom amps’

New Song Idea: Before the Night Falls

Posted in guitar, guitarists, Guitars, Music, musicians, new song, songs, songwriting, tagged , , , , , , , , , , , , on April 22, 2009| Leave a Comment »

depression

Lindsay Buckingham of Fleetwood Mac once said (paraphrasing), “Ask any songwriter how music comes to them, and they’ll probably say, ‘I don’t know.'” This tune came to me several years ago during one of the darkest and bleakest points in my life. The market collapsed and I was out of a job, and couldn’t find one; I had been bitten by a poisonous spider that left me bedridden for months; my relationship with my wife was tepid at best. Then on top of that, I had a bad case of sleep apnea that hadn’t been diagnosed at that point. The net effect was that I was suicidal; or short of that, wishing my life would end.

In a particularly bleak moment, where I was contemplating ending my life, this tune came into my head, accompanied by a mental slideshow of images from my entire life: Growing up, my own family. It was if someone out there was using the tune and the images to show me what really mattered in life. Since I first heard the song in my head, it has never left. It pops up now and then, though the pictures have changed as I have changed and my kids are getting older. It’s both a reminder of how bad it was for me, but also a reminder of how good my life has been and still is.

Putting this song down – and mind you, it’s pre-pre-production right now – was very difficult because of the emotions that came with it. But I thought I’d finally lay it down to share it. Someone suggested adding words, but I think the only thing I’ll add is a clean guitar solo on top. By the way, the background sounds you hear on this version are from my three-year-old playing floor hockey in my garage/studio. 🙂 Without further ado, here’s the song:

Equipment Used:
Electric Piano
Prestige Guitars Heritage Elite (sounds acoustic on this song!)
Fender Hot Rod Deluxe (left)
Aracom VRX22 (right)

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GASSED OUT! Finally… for now…

Posted in amplifiers, amps, Amps/Amplification, GAS, gear, guitar, guitar gear, guitar lifestyle, Music, musicians, new gear, saint guitars messenger, tagged , , , , , , , , , , , , , , , , , on April 20, 2009| Leave a Comment »

For the last couple of years, I’ve had a serious case of GAS – not that I pulled the trigger and bought a bunch of stuff during that time – I did get a couple of pedals here and there to slake my appetite, but no major purchases until recently. Now I can say I’m gassed out – at least for now. If you’ve followed my blog for any amount of time, you’ll know what I’ve purchased, but I’ll recap the major purchases I’ve made in the last couple of months.

Aracom VRX22 Head with a custom Aracom 1 X 12 cabinet with a Jensen P12N

What an amp! I’ve shared with Jeff Aragaki, founder and designer of Aracom Amps, that the VRX22 is the perfect amp – at least to me. It’s a low power amp that packs a HUGE punch; both in tone and volume. It’s something I can use either in my home studio, or gigging. No matter what volume level I’m playing at, the VRX22 simply sounds awesome, never getting flabby in the low-end, and sporting what I consider to be the best Master Volume in the business.

For more information, check out the Aracom Amps web site.

Prestige Guitars Heritage Elite

The more I play this guitar, the more I fall in love with it. When I first got the guitar to evaluate it, I felt that all the adornments were a bit over the top. I’m a fairly uncomplicated guy, and I appreciate beauty in simplicity. But as time wore on, and I got to know this beauty queen better, the more she grew on me. So I decided to keep the guitar. Her new name is “Sugar” because amazingly enough, not only does she sound and play sweet, she actually smells like bubbling brown sugar! Could be because of the maple, but when I opened up the case for the first time, I was overtaken by the sweet smell of this guitar! So that’s how she got her name. She’s an incredibly expressive guitar, capable of producing gorgeous, ringing cleans to heavy grit. Brightly voiced, her tone just cuts through a mix like butter. I am really enjoying this guitar! Here’s a clip of both the VRX22 and the Heritage Elite:

For more information, go to the Prestige Guitars web site.

Saint Guitars Goldtop Messenger

In answer to my wife’s latest question, “Honey, how many guitars do you need?” I use the standard answer, “Just one more…” This was the exchange we had when I told her I was having Adam Hernandez, a close friend and founder of Saint Guitar Company, build me a guitar. It’s a Goldtop with a twist: Instead of the classic single cut body, I’m having the goldtop done on a double-cut. The body back is solid walnut with a maple top, and rock maple neck topped with an ebony fretboard. I wanted to go for a totally non-standard mix of woods that would produce a very bright tone. The bright tone, combined with the super sustain of Saint guitars in general, promises to be one sweet sounding tone machine. Of course, time will only tell, but I have high hopes for this guitar!

This isn’t even mentioning the smaller things I’ve purchased, but at least for now, I’m GASSED out – I’m also broke – again. 🙂

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Gear Review: Aracom Amps VRX18 Head

Posted in amplifiers, amps, aracom amps, buying gear, EL84, GAS, gear, guitar, guitar gear, guitar reviews, guitarists, Guitars, Music, musicians, overdrive, VRX18, tagged , , , , , , , , , , , , , , , , , , on April 18, 2009| Leave a Comment »

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

Aracom Amps VRX18 18 Watt Head

Aracom Amps VRX18 18 Watt Head

 Aracom Amps VRX18 Watt Head

Summary: Based on the original “RoxBox” (no longer available), the VRX18 sports an improved master volume inherited from the VRX22, and a reworked, smoother overdrive profile.

Pros: As dynamic and expressive as its 22 Watt sibling, the VRX22, but oozing that bright, chimey EL84 goodness. When driven, produces a nice, tight overdrive.

Cons: None.

Price: $895 direct

Specs:

– (2) EL84 Power Tubes
– (2) 12AX7 & (1) 12AT7 Preamp Tubes
– S.S. Rectifier with “sag” circuit
– Hi/Low B+ voltage switch (18/9 watts)
– On/Off Switch
– Indicator Lamp
– Custom Heavy Duty Aluminum Chassis
– Custom Wound Transformers
– 4, 8, 16 ohm Speaker Jacks
– Custom Handcrafted
Turret Board
– Handwired
– Weight: ~35 lbs

Head Cabinet
Standard Tolex: Black Levant. See options below for other colors.
– Dimensions: 19″w x 8″h x 8.25″d
– Weight: 23 lbs

Also available in 1 X12 and 1 X 10 combos (or Jeff can custom build one to your liking)

Tone Bone Score: 5.0. When I can swing it, I’ll be getting this amp to complete the VRX Series!

Jeff Aragaki, founder and builder of Aracom Amps, always chuckles when I tell him that he’s onto something with his VRX (short for Vintage Rox) series amps. With the VRX22, he seemed to have stumbled onto a sweet spot that produced an amp that has an incredible and beautfully balanced tone that bring out the best tonal aspects of the 6V6 tube. He’s done it yet again with the updated RoxBox 18, now renamed the VRX18, but incorporating many of the same features he built into the VRX22.

I just purchased the VRX22, having fallen in love with the tone that it produces, and I’ve fallen love yet again, but now with the VRX18. I’m like a hopeless romantic that loves two women for their individual virtues, but in this case, the women don’t mind – they can co-exist with each other. Okay, bad analogy… 🙂

I originally reviewed the RoxBox 18 back in December. At the time, I totally dug its tone, but took marks off because of the mildly harsh breakup at lower volumes. There’s nothing harsh about the tone of this amp now – at any volume! It’s a great amp to play, and as expected, it’s pedal friendly, and responds really well to overdrive pedals. Also, I played four guitars through it, and it sounded incredible with all of them!

I won’t go into a lot of detail, since I already covered pretty much all the descriptive information I needed to in the original review, so I’m going to cover some important things I’ve learned about the VRX 18 and the VRX series in general. But first, as opposed to doing this last, here’s a short clip featuring the VRX18 to show you how kick-ass it sounds:

For this clip, I used a Strat with just the middle pickup, plugged directly into the VRX18. I just dig that EL84 grind! I had the Channel 2 volume dimed, and the master volume at halfway in full-power mode. It was very loud, much to the chagrin of my wife. 🙂 But I needed to capture at least some of that EL84 compression.

What’s cool about the EL84 is that it compresses nicely when pushed, but still seems to retain a certain openness in its overdrive. This is unlike something like a KT-66 that compresses so much when pushed you lose volume.

The Best Master Volume in the Business

I don’t say this lightly when I say Jeff has the best master volume in the business. I’ve played many amps. But when Jeff created the VRX22, he did something with the master volume that is pure magic. It has a nice, even volume sweep that seems to act independently of the channel volume. This means you can crank the channel volume to get some serious grind, but control the output via the master, and it won’t suck your tone! I’ve found this to be a real problem with other amps. That master volume is incorporated into the VRX18.

The Best Half-Power Switch in the Business

A lot of manufacturers use a pentode/triode switch to achieve half-power settings in their amps. I’ve played several amps with this feature. But in half power mode with the pentode/triode configuration, I’ve noticed a distinct tonal difference between the two modes in amps configured this way. It’s not that the tone is bad. In fact, many I’ve played around with sound great in half-power mode. But it’s like two different amps.

Jeff Aragaki takes a different approach and instead adjusts the B+ voltage to maintain the usage of all pins in the power tubes. I’m not an electrician, and can’t even begin to explain this technically, so I’ll just say it this way: When you switch to half-power mode in any Aracom Amp, the amp doesn’t change its tonal characteristics. It sounds and plays the same!

The Difference Between Old and New

In addition to the great master volume Jeff incorporated into the VRX18, the first thing I noticed was that it was nowhere near as easy to get this amp to overdrive in channel 2 as it was with the original RoxBox 18. This is not a negative thing at all because as I mentioned in my original review, the overdrive was pretty harsh at lower volume levels. I spoke to Jeff about this, and he said that based upon my original tests and review, he decided to mellow out the extra gain stage in the VRX18 so you could get a nice overdrive tone at any volume level.

You won’t get over-the-top gain with the VRX18. But for that, I have a simple fix-all: Get a great booster pedal like a Creation Audio Labs Mk.4.23 (again, the best booster on the planet), and SLAM the front-end of the amp. 🙂

But all that said, if you’re in a venue where you can dime both master and channel volumes, you will be rewarded with gorgeous harmonics and overtones and luscious feedback!

Overall Impressions

Like I said, this is my next amp… It just rocks the house! And at $895 for the head, you could get both the VRX22 and VRX18 for under the price of a single boutique amp! This isn’t a sales pitch. The value proposition of the VRX series is something that should be seriously considered. You’re not getting a production line amp that’s built overseas. With the VRX series of amps, you’re getting a US-made, handwired amp for under a grand!!!

Admittedly, I was a little skeptical when I first ran across Aracom Amps. But I’m now a believer, and a faithful customer!

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New Song: Running from the Future

Posted in amplifiers, amps, Amps/Amplification, aracom amps, fender, GarageBand, guitar, guitarists, Guitars, Music, musicians, prestige guitars, songs, songwriting, tagged , , , , , , , , , , , , , , , , , , , , , on April 14, 2009| 5 Comments »

runningaway

Ever been in one of those situations where you have to face up to something you’d said or done, but avoid it all costs because it gives you this feeling of impending doom? I was recently in a situation like this, and it wasn’t at all comfortable going through the emotional and psychic turmoil leading up to the conversation the ultimately resulted in – nothing. No slap on the wrist, no punishment. Just a good conversation where everyone involved learned from the experience.

Anyway, last night I was noodling on my guitar; my eyes were closed, letting my emotions drive my playing. Then I remembered that situation, and came up with the rhythm track for the song. It’s all instrumental – it’s not something I would ever want to put to words, but I did want to convey the emotions. Give it a listen let me know what you think:

Gear Used:

Rhythm Guitars: Strat and Prestige Heritage Elite
Lead: Prestige Heritage Elite
Amps: Hot Rod Deluxe (Strat); Aracom VRX22 (Heritage)

For the rhythm parts, the Strat/Hot Rod is panned to the left of the mix, and the Heritage/VRX22 (clean channel) is panned to the right. The lead part sits dead center.

I’m particularly pleased with the Hot Rod’s tone. The clean tone with that awesome spring reverb is to die for (though I had the reverb down pretty low on it to give the Strat more presence). I’m also diggin’ the Prestige Heritage Elite; especially after I set it up. In particular, I adjusted the pickup heights to smooth out the treble pickup, and to get less boom from the rhythm pickup. It’s now very balanced; and played through the VRX22, it sounds just awesome. I played the lead part through the drive channel of the amp, and set the volume so that it was just on the edge of breakup, so if I dug in a bit, I’d get just a touch of overdrive. I wanted to create an effect of subdued aggression, and the VRX22 is so dynamic, I can achieve that easily.

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Falling in Love Again…

Posted in amplifiers, amps, Amps/Amplification, aracom amps, eminence governor, gear, gear reviews, guitar, guitar gear, guitarists, Guitars, Music, musicians, prestige guitars, Strat, tagged , , , , , , , , , , , , , , , , , , , on April 13, 2009| 3 Comments »

Over the weekend, and after a few years of owning it, I finally replaced the original speaker on my Hot Rod Deluxe with an Eminence Red Coat “The Governor.” I had already replaced the original tubes and had some other mods done to the amp to smooth out the drive channel, but there was always something missing, and that turned out to be the speaker. What a difference that has made! I feel like my Hot Rod is now no longer a Padawan but a true Jedi. 🙂

The Hot Rod was my very first tube amp, and when I bought it, I just loved the sound, but as time wore on and as I played some really great amps, my love for the amp faded, and while I’d use it for some applications, it just didn’t have a sound that I considered to be first class. With the new speaker, it is now – in my opinion – a first class sounding amp. The cleans are gorgeous and the overdrive tone is nice and open, but well-defined, with no flabby bottom end. I’m in love again! Now with my Aracom VRX22, I’ve got two great amps!

Here’s a clip I put together while playing around this evening that demonstrates how gorgeous the clean tones are:

I used my Strat for the rhythm part – amazingly in the middle pickup, which I’m really starting to love – and did the simple solo with my Prestige Guitars Heritage Elite with both pickups with about 60/40 mix of bridge and neck, respectively. The reverb you hear in the solo is the spring reverb in the Hot Rod. I have to say that Fender does reverb right. 🙂

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Gear That Kills

Posted in 6V6, amplifiers, amps, Amps/Amplification, aracom amps, buying gear, GAS, gear, gear reviews, guitar, guitar gear, guitarists, Guitars, inspiration, Tone, VRX22, tagged , , , , , , , , , , , , , , , , on April 11, 2009| Leave a Comment »

Aracom Amps VRX22 - First in the series

Aracom Amps VRX22 - First in the series

You ever play some gear that from the moment you start playing, you feel like you’ve died and gone to tone heaven? In the last few years, and especially in the last couple since I started writing this blog, I’ve literally played hundreds of different types of gear, covering the spectrum of all things guitar, from guitars to effects to amps. I don’t have enough time to write about all the things I’ve played, but to keep my content fresh, and to satisfy my overwhelming curiosity about different types of gear, I’m constantly trying stuff out.

And in all that time, and through all that gear, I’ve only had some gear totally slay me once: That was when I played the very first prototype of the Aracom VRX22. The back story is pretty cool, so I’ll share it with you…

Several months back, Jeff Aragaki contacted me on my blog asking if he could buy ad space. I replied that I didn’t want to commercialize my site, but if he’d be willing to send me an amp to review I’d put his logo on my “The Dawg Digs” area if I really loved his product. Fortunately for both him and me, he only lives about 40 minutes away, so he delivered what was once called the “RoxBox,” an 18 Watt, EL84-based amp. I had this thing about EL84-based amps for awhile, and was really excited to try a non-brand-name amp; not to mention that I was entirely intrigued by the fact that that hand-wired head cost only $895! That evaluation turned into testing and reviewing several of Jeff’s amps over the next few months from heads to combos with different configurations. Talk about feeling lucky to have so much gear to play with!

Jeff and I have become fast friends. We’re contemporaries not only from our obsession with vintage gear (or any kind of gear for that matter), but we’re almost the same age, and are both local boys from the Silicon Valley. Jeff’s a great guy, and someone I really enjoy spending time with; plus he’s super smart, and I like to be around smart people. 🙂

Anyway, a couple of months ago, Jeff called me up and said, “Hey Brendan, I’ve been working on an experiment with the RoxBox, and popped a couple of 6V6’s in the amp to see what it would sound like.”

“Oh?” I replied, “That sounds quite interesting. I dig 6V6’s a lot. They have a sweet, open distortion when they’re saturated.”

“Yeah, they do,” said Jeff, “Anyway, I was wondering if you’d like to test it out.”

I immediately replied, “Need you ask? Bring it on over!”

A couple of days later, Jeff brought the amp over to the messy garage I call my home studio. We plugged it in, I hooked up my Strat, and Jeff switched on the amp. I took one test strum in the clean channel, stopped and asked, “What did you do? This f-in thing sounds incredible! Let me play a few licks…”

Jeff didn’t say anything. He just smiled, and let me play for awhile. After a few minutes he said, “Okay, try out channel 2, so you can hear the overdrive,” at which point he plugged me into the second channel, then cranked the volume.

The amp literally sang with this beautifully smooth overdrive tone, chock full of overtones and harmonics. The tone was on the bright side, similar to the Reason SM25 that I was testing, but was rich and thick, and ballsy. I just closed my eyes and smiled, luxuriating in pure tonal heaven!

When I came out of my trance, I looked at Jeff and said, “Dude, I think you’re onto something really special here. You know I’ve played tons of different amps, but this one’s special. It’s the best-sounding amp I’ve played of yours to date; and ranks very high on my overall list. Are you thinking of putting it into production?”

“Maybe. I wanted to get your feedback. I still have some stuff to do on it, but I’m really liking the tone of this amp,” Jeff replied.

“Yeah… You’ve just piqued my curiosity.”

Fast-forward a week and I get another call from Jeff. “Hey Brendan! I worked out the power handling of the amp. The one you tested wasn’t outputting at the full 22 Watts, so I made some adjustments and now it’s running at full power. To me, it sounds even better. Anyway, I’m going away on a business trip for a couple of weeks, and I’ll leave it with you to test.”

So Jeff dropped it off a couple of days later, and test it I did. I took it to gigs, recorded some clips with it, and fell in love with it even more. Jeff was right, the power handling adjustments he made turned that amp into a pure tone machine.

When Jeff got back from his trip, we met for lunch, so I could give the amp back, and give him feedback. He asked, “So how did you like the amp?”

I replied, “Uh… the word is love. I’ll keep on testing your other amps, but this is the amp I want to buy. Everything about it is perfect. The clean channel has oodles of clean headroom, and the sag you’ve built into the simulator makes it sound like the amp has a reverb. The drive channel is like nothing I’ve played before. Quite simply, Jeff, this is the perfect amp!”

Jeff just chuckled, and said a very understated, “Glad you like it.”

Since then, I’ve purchased the amp – I got the very first in the series! And while I realize that my excitement about this amp is purely subjective, other people who’ve played this amp – WAY, WAY better guitar players than me – have been just as blown away by its tone. The other day, Jeff asked me to meet him over at Gelb Music in Redwood City to show Jordan, the guitar department manager, my VRX22 (Gelb carries Aracom Amps on consignment – for now 🙂 ). I just chuckled when he plugged a guitar into the drive channel, cranked it up, and let it rip. He didn’t play more than 30 seconds before he said, “This amp rocks! It’s real ballsy and has tons of harmonics. Wow!”

Jordan had to help customers on the floor, so he gave the guitar over to another customer named Chris with whom Jeff and I had been chatting while waiting for Jordan. Chris sat down, and started to rip it up! He played with this hybrid picking technique that was just amazing to observe, and he made the VRX22 absolutely sing! I knew it sounded good, but in the hands of a truly gifted player like Chris, it was other-worldly!

Jordan returned a few minutes later to listen to Chris play. Mind you, it was loud. Chris was plugged into a 65 Amps 2 X12 cabinet and had the amp cranked. Jordan turned to me, and with a quizzical look on his face asked, “This is YOUR amp?”

I just laughed because I knew what he was thinking – he was hoping that it was an inventory amp so he could buy it himself. I said, “Yup. You thinking about getting one for yourself?”

Jordan just smiled and nodded his affirmative. We finally had to turn down the amp, and Jeff and I had to go, and as we were leaving, Jordan asked Jeff, “So what’s the turnaround time for when we order?”

Jeff said, “Between two to four weeks.”

“Cool. That’s just about right. Hey! Thanks for bringing the amp over, guys! Man that thing has f$ckin balls…” with a huge grin on his face, “That’s all we ask…” and he laughed.

I laughed with him. Jordan is a real bad-ass player himself, and when he has this type of reaction, I know he thinks it’s special. I told Jeff he better build two: One for the store, and one for Jordan.

Folks, I realize you might think I’m full of it when I say that the VRX22 is the perfect amp. But Jeff is really onto something with this amp. I’d put it head to head against a Dr. Z MAZ or a Buddha any day. I actually played a Dr. MAZ the other day. It’s a great amp. But guess what? The VRX22 is only $895 for the head! That’s almost half of what other hand-wired, boutique amps cost! Yeah, it doesn’t have a tube rectifier – the VRX22 is designed with a solid state rectifier for extra punch and it has a sag circuit to provide the vintage vibe. And in case you’re concerned that a solid-state rectifier means lower quality, I just have one thing to say: So what? Lots of vintage amps such as classic Marshall Plexi’s and many Fender amps use solid-state rectifiers. Besides, it’s the tone that matters, and compared to the MAZ, which is really nice, expressive amp, the VRX22 has a much bigger sound.

Fantastic sound for an unbelievable price? SOLD!

Disclaimer: I want to make it absolutely clear. Jeff doesn’t pay me to do reviews or pay me to give nothing but positive feedback. He calls me up to say he’s got some gear for me to test, and I test it, then write a review. To date, I haven’t received any bad gear from him, so I haven’t given his gear a less than stellar review. You might think this from the rave reviews I’m giving the VRX22, but just to alleviate any concerns about me having an affiliation with Jeff other than being a friend, remember that I clearly stated that I bought the amp. What I’m sharing is my excitement. And showing it to the folks at Gelb? That was purely a favor. I simply had the fortune of being able to play with the prototypes. It is truly a magical amp!

Click here for more information on the VRX22 and other excellent Aracom amps!

Share your slayer experience!

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Gear Review: Jensen P12N 50W Speaker

Posted in amplifiers, amps, Amps/Amplification, aracom amps, buying gear, GAS, gear, gear reviews, guitar, guitar gear, guitarists, Guitars, speakers, tagged , , , , , , , , , , , , , , , , , on March 26, 2009| 6 Comments »

Jensen P12N 50 Watt Alnico Speaker

Jensen P12N 50 Watt Alnico Speaker

Wow! I can’t believe that in all this time, I haven’t reviewed a speaker! I’ve focused so much on amps and guitars, and pedals, and other kinds of gear, yet I haven’t even touched upon this particular subject. I suppose it’s because a speaker isn’t something you actually see – it’s a part. Now I’ve made mention of how much I like particular speakers in a combo or a cab, but never a speaker itself. I’m going to remedy that now.

The cool thing about testing gear for someone, namely Jeff Aragaki of Aracom Amps is that in order to effectively give feedback on the gear you’re testing, you have to play it in different configurations. I’ve played a lot of Jeff’s amps through various combos and cabinets to get a feel of how his amps sound.

When I was testing the Aracom VRX22 prior to its release, Jeff installed a Jensen P12N in a cabinet for me to try out. In short, it was love at first strum! The P12N has to be one of the most musical speakers I’ve ever played through. It has a real punchy midrange that is balanced by a real smooth low-end response. The highs are present, but not overdone. The tone is – for lack of a better word – versatile.

To me, that versatility is its strength. The cleans are pure and chimey, whether you’re playing single coils or humbuckers, and the overdrive tone, again, at least to my ears, is to die for.

The P12N is actually a re-issue of the famed P12N from back in the ’60’s. Some claim that it’s shadow of the original with respect to tone, but tone is such a subjective thing. For instance, there are those that rave about the Celestong Blue. I’ve played through that speaker, and frankly wasn’t all that impressed by it. It could’ve been the amp/cabinet/speaker combination just didn’t work very well. In spite of that, it was nice, but just not all that special to me.

On the other hand, the P12N in the custom cabinet I got from Aracom sounds so incredibly smooth and lustrous. Granted, it helps that before Jeff installed it in my cabinet, it had already seen many hours of use: About two weeks straight from me alone, and several test runs from a variety of guitarists playing everything from blues to modern alternative rock. In short, the speaker cone was already somewhat broken in. As an aside, I hate breaking in new speakers. To me they’re all harsh-sounding out of the box. But I can tell that with my P12N, if it sounds sweet now, in a few months to a year, it’s going to sound even better!

How It Sounds

In a closed back cabinet, the bass response really shines, but never overpowers. And with an overdriven amp through a closed back cabinet, the distortion is tight and ballsy, yet not so thick that you lose clarity. In my custom Aracom 1 X 12 cabinet, when it’s closed, sometimes I think I’m playing through a much bigger amp. The tone is just so tight and well-defined. And for rockin’ songs, the P12N in a closed cab well, rocks!

With an open back cabinet, the P12N brings on the chime, especially with single coils. It’s 11:15 right now, and I actually started writing this article around 10pm. But I kind of got carried away jamming on my Strat with the back opened on my cabinet. The tone was so voluminous; much more open, and it was like each note just kind of hung in the air. The overall tone also brightens up significantly, with a definite emphasis on the midrange, which I love.

So which do I prefer? Closed back or open back? Actually, neither. Each brings its own unique qualities to the table, which now obviates the need for me to get a second cabinet from Jeff so I can play both simultaneously, which would sound totally awesome. 🙂

But, be aware that this speaker is not cheap. At retail, the lowest I’ve seen it is $220. But I do have to say that it is worth every single penny! Mind you, that is with the bell cover. I’m not sure about the tonal differences between having a bell cover versus not having one. All I know is that the P12N with the bell cover sounds absolutely dynamite!

Here’s a clip that I recorded to demonstrate the VRX22, but the P12N was used in all guitar parts. The rhythm parts were played through an open-back 1 X 12 cabinet, while the lead was played with the back of the cabinet closed:

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

For how awesome this speaker sounds, it gets a 5 Tone Bones! For more information, visit the Jensen site.

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Important Lesson: Amp/Speaker Placement

Posted in amplifiers, amps, Amps/Amplification, aracom amps, gear, guitar, Tone, tagged , , , , , , , , , , , , on March 24, 2009| Leave a Comment »

I learned a really important lesson yesterday while I was recording some ideas in my studio: Where you place your amp; specifically, the speaker cabinet is very important. I never placed too much thought into this until I got my new amp. I had always had combos, and they just sat on the floor, so I never noticed the difference between having the amp on the floor and elevating it. But with my new amp, an Aracom VRX22, I got it as a separate head and 1 X 12 combo. Last night, I put the cabinet on top of a couple of PA speakers to prop it up, and I couldn’t believe how bright it sounded. Then I remembered Jeff saying that the bass response would be way better with the cab on the floor. He wasn’t kidding! Later this evening I’ll have some sound samples to prove the point.

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Gig Report: Aracom Amps VRX22

Posted in 6V6, amplifiers, amps, Amps/Amplification, aracom amps, GAS, gear, gear reviews, guitar, guitar gear, guitarists, Guitars, Music, musicians, playing live, Strat, tagged , , , , , , , , , , , , , , , , , , , , , , on March 22, 2009| Leave a Comment »

Yeah, yeah, I know… My last few posts have pretty much centered around this amp, but hey! I just can’t contain my excitement about how good it sounds! This afternoon, I brought it to my weekly church gig to try it out in a live situation. I already loved it in my little home studio, but you just don’t get to really know what am amp can do until you play it live.

Today was one of the first days that I didn’t use my pedal board all that much. In fact, I only used my chorus on one soft song, and then only used my booster at the very end of last song to throw the gain over the top to finish off the service. Other than that, I just played the amp straight. Most of the songs I played were through Channel 1, and with my Strat, the VRX22 delivered gorgeous, bell-like tones that seemed to hang in the air, with so much presence that you could almost touch them – it doesn’t even have presence knob to up the mids and highs! Switching over to Channel 2 for a couple of numbers, I was rewarded with layers of open and complex overdrive that were so very smooth; none of that phasing in and out that you often get with lesser amps at high gain. It stayed nice and even. And the sustain and touch sensitivity at high gain was just to die for – all on a Strat, no less!

When I slammed the front-end with my booster pedal, I was in compression heaven! But luckily the 6V6’s don’t compress so much that they make the amp lose volume. The compression is noticeable, but the gain tone stays fairly open. It tightens up, but not too tight.

I’ve tested several Aracom amps, and they’re all very sweet sounding. But the higher wattage amps need tons of volume before they really start sounding good. The VRX22 is so versatile. With a 1 X 12 cabinet, it can be used with ease in small to medium-sized venues, like clubs and small halls. For larger venues, a bigger cab will get you the volume you need. On top of that, both the amp and cabinet are pretty light in weight, making lugging to and from a gig real easy!

All in all, I’m just tickled to death with this amp! You gotta check this amp out at the Aracom site!

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Quick Review: Aracom VRX22 – I’m Lovin’ This Amp!!!

Posted in amplifiers, aracom amps, buying gear, GAS, gear, gear reviews, guitar, guitar gear, guitarists, Guitars, Music, musicians, tagged , , , , , , , , , , , , , , , on March 22, 2009| Leave a Comment »

Aracom Amps VRX22 - First in the series

Aracom Amps VRX22 - First in the series

Just got my brand-spankin’-new Aracom VRX 22 amp, and I’m just lovin’ it! The blue tolex is absolutely gorgeous, and the amp sounds freakin’ fantastic through my 1 X 12 cabinet with a Jensen P12N speaker!

Yesterday, I wrote about how I was anticipating the delivery of my amp, and I have to tell you that there’s nothing like having the real thing sitting in front of you! I was so inspired after Jeff Aragaki dropped of the amp that I re-recorded the sound bite I originally created, to demonstrate just how good the amp sounds!

In the new clip, I recorded my Strat and Saint Guitars Benchmark through Channel 1 and panned the Strat to the left and the Benchmark to the right to isolate their individual clean sounds. Then I recorded the Benchmark wailing out of Channel 2, with the Volume at about 8, and the Master right in the middle. I closed up the back of the cabinet completely to get more bass response as well. Anyway, here’s the clip:

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