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Posts Tagged ‘cabs’

Like I have been doing practically every morning for the last few years, I peruse my favorite gear forums and came across this thread discussing whether or not 4 X 12 cabinets are a dying breed. There were lots of responses both pro and con, but a sidebar discussion ensued about loudness; specifically SPL (sound pressure level) and perceived loudness. So that got me thinking about the mechanics behind loudness and that led me to the title of this article. So how can a 1 X 12 be louder than a 4 X 12? Well it has to do with a combination of several things, but at least from what I understand, you can boil it down to two things: Speaker efficiency and frequency response. In any case, I found a great article that discusses this subject in detail here. It has some good technical information while maintaining a chatty, conversational tone. It’s a good read, and actually explains how a 1 X 12, given the right combination of amp, speaker sensitivity and frequency response can be louder than a 4 X 12. Pretty cool.

But all this ruminating on loudness also got me thinking of how I got pissed at one of the guitarists in my church band who kept on stepping on everyone this past weekend with the volume of his amp. It got to the point where I finally said, “Look! I’ve had it with your volume; either turn it down or I’ll turn it off.” Thinking back on that situation and the information that I read this morning, I realized that the frequency response of the speaker of his amp – a California Blonde – is probably heavy in an area where he can’t hear it, so he cranks it up so he can. Plus, its spread is really narrow and as he has the amp right in front of him, he probably can only hear only a slight portion of the volume that amp can produce (I have one as well, and that amp really projects). The point to bringing this up is that perceived volume also has to do with where you are in relation to the front of the speaker, and that frequency response plays a huge role. If your speaker produces lots of sound in an area that’s not or less perceptible by the human ear as compared to other frequencies, you’ll perceive it to be not as loud.

For myself, I’m pretty sensitive about the frequency response of my speakers because as the lead guitarist, I need to cut through the mix. The interesting thing about this is that I don’t have to be loud to hear myself as my tone tends to be on the bright side – though I will admit that I like to be loud just because there’s nothing like SPLs. 🙂 However, that said, as of late, I’ve been much more sensitive to my stage volume, so I’ve reined in the volume a bit. My thinking is that as long as I can hear myself through the mix, it’s all good.

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Aracom Amps VRX22 - First in the series

Aracom Amps VRX22 and Aracom 1 X 12 Mini-cab

I know, I know… I’ve been singing the praises of this amp and cab for the last couple of months since I got them. But folks, what Jeff Aragaki of Aracom Amps has put together in the VRX22 is simply magic. I just can’t say enough about how much I love this amp. It doesn’t matter what guitar I plug into it, the VRX22 delivers the goods.

A New Option for the VRX22

I have the standard production model, the first in the series. In its stock mode, I wouldn’t change a thing. But I know there are some vintage gear and tube amp buffs out there that would frown upon the fact that the VRX series in stock configuration has a solid state rectifier. For me, it makes not a bit of difference; I just love the tone.

But for those that require a tube rectifier, Jeff also offers an option of a GZ34 or 5AR4 tube rectifier in place of the solid state rectifier. An A/B test didn’t reveal a tonal difference, but for the purists out there (and by no means do I mean this derisively), this is certainly an option, and a reason why you should consider this amp in your amp evaluations. And here’s another consideration: All Aracom Amps are hand-wired, and cost FAR LESS than equivalent amps. For instance, the VRX line in stock configuration costs $895! That’s unheard of in the boutique market!

Have a Cab, Will Travel

But on top of all that, the 1 X 12 mini-cab that Jeff custom built for me is simply magical as well. Jeff went against the common wisdom of not using a cube shape and porting and such, and built a simple cube shape with a width that exactly matches the width of the amp (about 19″ wide). Amazingly, this cabinet is incredibly resonant. The reason for this is that instead of using 3/4″ board, Jeff opted with 1/2″ board. This resonates a lot more with the speaker, and provides a bass response that adds depth to the output. Granted, I also have an absolutely kick-ass Jensen P12N Alnico speaker, but that cabinet even sounds good with just about any speaker you put in it. Like I said, amazing.

To further demonstrate the versatility of the VRX22 and the Aracom 1 X 12 mini-cab, I recorded a short blues clip using three different guitars, all running straight into the VRX22 with no effects. There are to overlapping rhythm parts panned left and right, and a solo in the middle. For the left pan, I used my gorgeous Prestige Heritage Elite (“Sugar”) plugged into the VRX22. For the right pan, I used my Strat (“Pearl”) plugged into my Fender Champ 600 and ran the speaker out into the 1 X 12 (I didn’t think the Champ could sound this good wow!). For the lead, I used “Sharkie,” my PRS SE II Soapbar with P-90’s in the bridge position straight into the VRX22.

Sorry for the slight mistake in the solo; or as my buddy Phil calls it, a “clam.” But overall, I was just amazed how good Sharkie sounded on that clip. I added a touch of reverb to that track, but made no modifications to the guitar signal at all. It was the guitar plugged straight into the amp.

As I’ve said in the past, I’m not affiliated at all with Aracom. I’m just a faithful customer, and just can’t sing the praises enough for the job Jeff has done!

For more information, visit the Aracom Amps web site!

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Blues Jack 112 - Studio

Blues Jack 112 - Studio

Recognize the cabinet? It looks an aweful lot like a Reason Amps cabinet, doesn’t it? That’s because the one of the founders of Reason Amp, Anthony Bonadio, also owns a cabinet making company called Stage Craft Gear, a not very widely known cabinet maker – at least among consumers. They’ve actually made their start as an OEM cabinet supplier for a lot of amp companies through their parent company, Rhyme Musical Enclosures LLC. But as an OEM, they don’t get their logo on the cabs, and believe me, there are some heavy hitters who use their stuff.

In any case, they’re launching a brand new site at http://www.stagecraftgear.com – very soon – like today or the next! I’ve seen the look of the new site, and it totally kicks the shit out of the old one! Their designers did a great job!

Get a Free Cabinet!!!

I don’t have all the details around this, but Anthony did tell me about a cabinet giveaway that they’re having. You’ll have to go to the site and sign up. I only saw some sub-pages when I went to the site that have the new look, and the home page hadn’t been updated yet – I imagine the giveaway ad will be there.

Okay, let’s get down to business…

Yeah, it’s great that Stage Craft Gear has a new site, and even better that they’re giving one away (I hope I’m the lucky winner 🙂 ), but that’s just airy-fairy stuff, in my opinion. What’s really important about Stage Craft Gear is the fact that they make the cabs for Reason Amps. It’s amazing how you read a lot about amps, but IMO, there’s just not enough attention paid to the cabinet. It’s the resonance chamber for the speaker, for chrissake! And it can make or break an amps’s sound!

My personal experience with the SM25 112 Combo is that it’s sound is “open.” It’s not a tight-sounding amp at all, which is a really good thing when you’re on stage, and a lot of that has to do with the cabinet. It’s tall, and not very deep, but it projects a gorgeous, bright tone that really complements the big sound that comes out of the standard Eminence Governor that’s installed in the cab. The Governor works AWESOME in that cabinet. On the other hand, I used a Governor in a deeper, heftier cabinet (made by another manufacturer), and it sounded like shit! Way too tight, and high-mid to high-freq tones were really subdued.

The point to this is that my experience with a single Stage Craft cabinet leads me to believe that these guys make very special cabinets. It’s no surprise that several boutique amp manufacturers use them. They kick ass!

Ensuing Cab Review

I’m going to be reviewing a cabinet from Stage Craft really soon. Check back here. If my previous experience is any indicator, this cab promises to be very special. Stay tuned!

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