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Posts Tagged ‘custom’

goldtop

Saw this on Facebook and had to share it. Here’s the accompanying blurb:

Gibson Custom has reformulated its Goldtop finish to match the original’s deep, dark, gold luster. The Goldtop’s back is also reformulated to match the original from the 1950s.

In the case of the updated Gold, you will notice a deeper, richer finish with a slightly “greener” caste. On the guitar’s back, you will see a noticeable increase in the visibility of mahogany grain and a more severe effect on the final color that comes from the wood’s individual personality. As it was in the 1950s, each guitar back results in a very individual look, based on the use of vintage finish formulations and application techniques, and the characteristics of each individual piece of wood.

That’s pretty awesome if you’re into Les Pauls, and a part of me is saying, “Oooh. I want one.” But the more pessimistic side of me is peaking out and saying, “Nice. Now let’s see what surcharge they’ll apply to these…”

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Just read this in today’s Gibson email feed in my inbox. Great story behind the history of this particular guitar. In any case,  the custom shop has made three versions of this guitar, which you can view here. There will be 50 hand-aged and signed guitars, then 100 hand-aged guitars, and 150 VOS models. Oy-vay! That’s a pretty guitar. Prices seem to be around $13k for the aged/signed, $10.3k for the aged, and $7.3k for the VOS. Hmm… a bit better priced than the Jimmy Page #1 re-issue that I saw in a shop for $27k. Oh well, wtf… I don’t think I’d ever spend that kind of money on a guitar even if I had it. I’m not a collector. But it’s sometimes okay to just drool… 🙂

My ’59 replica is finished with a “Perry-burst,” plus has a similar grain pattern to the plain top. Despite the fact that I’d never buy a real Joe Perry, I can attest to the fact that it is a great-looking guitar. The “Perry-burst” is not quite as blonde as a standard tobacco finish. It has a bit of an orange hue to it. Quite lovely.

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Saint Guitar Company

The guys at Saint Guitar have been busy, and just this week did a “soft” release of their brand new web site, and the introduction of their new domain name (saintguitarco.com). “stguitars.com” still works, but they will be going with the new domain name going forward.

I’m so happy for these guys! Adam Hernandez has got to be one of the most talented young luthiers in the market today. Jon Peterson, who runs company operations is a great front-man. But as a company, and what really endears me to Saint Guitars is that this is something that started out as a dream between best friends, and they’re making it a reality. They’re doing it organically without investors or bank loans, spending all their available time and extra resources (read: money) building the company up, and producing what I think are the finest guitars on the planet. And guess what? Not too many people know about them!

I’m hoping that will change, and I, as a passionate supporter and customer will do my best to get the word out.

What’s so special about these guitars?

Like many other old-school style boutique guitars, these are completely handmade, built from a series of custom jigs and templates that Adam has designed and perfected over the last ten or so years. But that’s not differentiating at all. What is differentiating is the tone of these guitars. They’re on the bright side, but sustain for days. A lot of that sustain has to do with the neck joint that Adam has invented. These are the first guitars I’ve ever played where I can physically feel the sound waves resonate through the body. It’s subtle for sure, but it’s the first time I could really feel it.

As Vinni Smith of V-Picks put it, “[These guitars] have just about the best bridge pickup in the business.” Before I played a Saint Guitar, I was never big on the bridge pickup. But with Saint Guitars, I just love the bridge pickup. Adam really found a sweet spot with its positioning.

Other than that, there is a certain magic about the guitars from Saint Guitar Company. I’ve played some very high-end guitars that cost three to four times as much, and they’ve not really impressed me quite as much as what these guys are producing. Just think about this: The highest price you’ll pay for a Saint Guitar is around $4800. That’s full-gloss, nitro finish with top-of-the-line EVERYTHING. But they start at around $1800 for an open-pore, stain finish (which sounds just as good). That’s simply amazing to me. I’ve shared with Adam that his guitars are almost too affordable considering the quality compared to other custom guitars. I’d pit a Saint head-to-head with a high-end PRS any day. To me, it’ll play and sound just as well or even better and it’ll cost half as much. That’s a no-brainer for me.

In any case, I encourage you to check out their new site at: http://www.saintguitarco.com

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