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Posts Tagged ‘gear announcements’

Red Bear Trading Tuff-Tone Classic H

Red Bear Trading Tuff-Tone Classic H

I occasionally browse Red Bear Trading’s web site to see if Dave Skowron has come up with anything new, and much to my surprise, he has! Red Bear has come up with a new pick line called the Tuff-Tone line that apparently sound just as good as his originals. But the big difference is that these picks are made of a material that is much more durable than the Tortis material of the original Red Bear picks! Apparently, they also sound just as good as the originals. Could this be a death knell for Tortis? I doubt it. Dave’s Tortis picks are the absolute bomb, and the natural feel of the Tortis when you’re playing is absolutely to die for!

In any case, here’s an excerpt from the Tuff-Tone web page:

Are they tough enough? You bet. These picks aren’t going to warp or break on you anytime soon. They will pick up some discoloration from your guitar strings. When this happens, simply wash them with soap and water. Go ahead and run them through the washer and dryer! No problem! Keep them in your pocket full of change – see if we care! These picks are really tough!

Not only are the tougher, they cost half the price of a regular Red Bear pick at $10.00! This is something I’m going to have to check out – and soon! For more information, check out the Tuff-Tone information page at Red Bear Trading!

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It’s a huge step for that little shop in Fresno, CA called Saint Guitar Company. I’ve really gotten involved with Saint Guitars over the past several months, and I think Adam Hernandez on the verge of making the big time with his guitars. So to help him out, I asked Vinni Smith of V-Picks if he would do demo video of a Saint Guitar guitar to help get the word out, and he’s given it an absolutely glowing review! Check it out:

For more information go to the Saint Guitar Company web site.

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Orange Amps Limited Edition 2009 White FinishI love writing this blog. In order to keep my content fresh, I have to top into a lot of resources. No doubt, I get A LOT of announcements and stuff. Most of it I just let rot in my inbox, but there are some, like this press release from Orange that really catch my eye. Here’s the verbiage:

British amplifier manufacturer Orange, have for decades produced their instantly recognisable, brightly coloured Orange Amplifiers and picture-frame cabinets and more recently offered Black as a standard option. Their revolutionary styling, have not only set them apart, but literally helped guitarists the world over, stand out from the crowd.

Orange can now announce a ‘limited edition 2009’ white finish on their UK built, valve amps and cabs. The cabs have a stunning white finish, complete with black fittings and come with the classic Orange front grill cloth, Orange logo and crest. This finish has previously only been available for artist’s special orders and is now being offered as a special limited edition for the duration of 2009 and will cease to be obtainable thereafter.

The white finish has already been used by artists as diverse as Madonna, Monte Pittman and The View and following numerous requests, Orange are able to offer this for a limited period only at the same price as existing Orange amps and heads.

For further information contact:

UK and rest of world info@omec.com  and for the USA info@orangeusa.com

home


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SAINT Guitar CompanySaint Guitar Company just released its first set of inventory guitars to the public today on its site (http://www.stguitars.com)! OMG! These guitars are gorgeous! As I test guitars for Adam, I’ve had the privilege to play both Messengers (double-cut): the Vintage Metallic Green Messenger, and the Solid Walnut Baritone Messenger. Both of these guitars are just super sweet to play. The two Benchmark (single-cut) and the Green Messenger guitars actually hung on a rack at the Mesa Boogie store in Hollywood for a few months, but Adam decided to take them back for inventory to sell them directly from his site.

This is a huge step for Adam. For the last ten years, he’s been selling his guitars to individuals purely by word-of-mouth. With the new site, he’s opening up a whole new way to get these excellent pieces of playable art! I’m so excited for him.

In the next few days, Vinni Smith of V-Picks will be releasing a video review of one of Adam’s guitars. I’ll keep you posted!

For more information, go to http://www.stguitars.com!

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Brazilian Rosewood Tree

Brazilian Rosewood Tree

Important enough to use wood from an endangered species? Specifically, Brazilian Rosewood?

But let’s take this even a step further. How important is tone in general to you? Important enough to buy gear from manufacturers who use non-sustainable materials or do not practice environmentally-safe methods of construction and waste disposal?

I ran across an interesting thread on The Gear Page last night that really got me thinking. In that article, guitar builder Terry McInturff wrote that he lost a sale because he refuses to use Brazilian Rosewood – actually the article bothered me to the point that I decided to join in the call to action to not use Brazilian Rosewood (Click here to read the article – opens a new window).

But after a lot of troubled thought last night, I decided to make an environmental support statement of my own that not only includes Brazilian rosewood, but extends to other issues as well. Don’t get me wrong, I’m not a tree hugger, but I believe that as the highest-order intelligence inhabitants of this planet, we all have a responsibility to act as stewards of the Earth to protect and preserve its resources for the enjoyment and enrichment of the people of this world, now and in the future.

What troubled me last night is the fact that as a tone freak, my beloved instrument is often constructed of exotic woods, and often painted using dangerous and environmentally unsafe materials and disposal methods. There’s nothing I can do about guitars have already been built, but there is something I can do about the ones that haven’t, and lots I can do personally to not support deforestation of exotic woods and environmentally unsafe construction methods.

Why am I making this appeal here? Because I believe that we guitarists have a huge collective voice that will be heard if we take a stand together. Please don’t read this wrong: I’m not saying we should be militant and go out and commit some violent act to prove a point. That’s just plain stupidity and acting on rage. No one wins with that kind of behavior. Instead, I’m going to make what I’ll call my “Green” statement:

Brendan’s “Green” Guitar Statement

  1. I will only purchase guitars that are made with non-endangered species of wood.
  2. I will only purchase guitar gear from manufacturers who practice environmentally safe methods of construction and waste disposal.
  3. I will take the time to research companies’ practices before making a decision.
  4. I will encourage my fellow guitarists in making a “Green” stand.

This is a statement of passive resistance, and a refusal to be part of things that will have a deletrious effect on the Earth. I’m sure there will be those who will call me names, and who really don’t give a shit about any of this. I can’t control that, but neither will I judge them back. Everyone has a choice. I get that. I’m just taking public stand that I will do my best to contribute to the health and not the harm of our planet. If it makes me unpopular, so be it. But if I don’t have my principles, then what do I have?

I also realize that this eliminates a fairly wide range of gear builders, especially the big brands, who have fairly large facilities overseas where environmental controls are much more lax than in the States. It also means that I will probably have to pay a higher price for gear that abides by the stand I’m taking. Again, so be it. What’s the price to my children in the future if I don’t act responsibily about our Earth now?

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Amplitube Fender EditionIf you’ve read this blog for any length of time, you’d know that I’m into tube amps – real tube amps – and I typically eschew modeling amps or modeling anything because they’re well, models. But I’m VERY intrigued by IK Multimedia’s Fender Edition. Thanks for this information goes to John over at Gear4Music in the UK for bringing this to my attention.

I will share a video demo in a bit, and based upon the videos and clips I’ve seen and heard, I’m incredibly impressed! Here are the amp models that this edition portrays:

  • ’59 Bassman® LTD
  • ’65 Twin Reverb®
  • ’57 Deluxe™
  • ’65 Deluxe Reverb®
  • ’64 Vibroverb™ Custom
  • Vibro-King® Custom
  • Champion™ 600
  • Super-Sonic™
  • MH-500 Metalhead™
  • Pro Junior™
  • Bassman® 300
  • TBP-1 Bass Preamp

I’ve used AmpliTube with ProTools in the past, but I had just the simple plug-in that came bundled with the LE version. IK Multimedia has really made huge leaps forward with these models. Check out a video:

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Prestige Heritage - Lite Sunburst

Prestige Heritage Elite - Lite Sunburst

You gotta love Canada. You just gotta. In addition to being the country that brought us my favorite sport, hockey (Go Sharks!), Canada is now raising the attention of guitarists. The first Canadian manufacturer that caught my attention was Godin guitars. I first played a Godin at a local shop, and was really impressed by them.

But I recently caught wind of another Canadian manufacturer – Prestige Guitars – that is making me raise my eyebrows – A LOT! Granted, it took me reading about them in Guitar World mag, but that brief review article of the Prestige Heritage Hollow compelled me to do research on Prestige and see what’s so special about them.

From what I can tell, these are production guitars with TONS of boutique accoutrements. Click on the picture to the left to see what I mean. This guitar, replete with abalone binding and intricate mother of pearl inlays on the fretboard sells for CAN $1800! That is roughly US $1450!

Here are specs for the Heritage Elite:

  • 24 3/4” scale length
  • 1 11/16” nut width
  • Abalone bound mahogany body
  • Carved AAA Grade quilted maple top
  • One piece mahogany neck
  • Abalone bound rosewood fingerboard
  • Floral vine fingerboard inlay
  • Mother of pearl prestige logo & decal
  • Seymour Duncan SH1-59 (neck) SH4-JB (bridge) Humbucker pickups
  • 2 Vol. / 2 Tone / 3-way toggle controls
  • Tune-o-matic bridge & stop bar
  • Grover tuners
  • All gold hardware
  • Available in natural sunburst & ebony finishes

What a price point for these kinds of features! An equivalent boutique guitar will sell for three to four times as much, and here’s this Canadian company providing the same kinds of features for so much less! YOU GOTTA DIG IT! YOU JUST GOTTA!

I haven’t been able to find any sound bites the web, otherwise I’d list some, but I’m going to do some research, and I’m definitely going to see if I can somehow play one of these!

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Big Bad Wah by VOX and Joe Satriani

Big Bad Wah by VOX and Joe Satriani

Ever since I tried out the VOX Satchurator a few months ago, I’ve been waiting for the this wah pedal to arrive. If it is anything close to the quality of sound that the Satchurator produces, I know that this is going to be a great pedal. The pedal features two modes: Mode 1 is classic VOX wah; while Mode 2 features the ability to variably adjust the gain and voicing profiles of the wah to dial in a variety of tonal possibilities.

One thing I take note of when evaluating pedals is if I can reproduce the manufacturer’s or endorser’s claims about a particular feature. For instance, when Satch touted the “More” switch on the Satchurator, during my tests, I was expecting more volume when my amp was clean, and more balls when my tubes were saturated. The pedal definitely lived up to that claim.

With the Big Bad Wah, VOX states, “Designed to Joe Satriani’s custom specs is the design of the pedal pot itself, delivering a smooth, musical tone throughout the entire sweep of the pedal.” This is huge, because I’ve found in my evaluations of different kinds of wah pedals that when you back off the pedal, your output becomes a bit muddy, so you end up never fully backing off because the wah will just suck your tone. Or seemingly to protect against this, manufacturers will narrow the sweep range, so the wah becomes much less dramatic. I found this to be the case with Morley Steve Vai Bad Horsie, which was very musical throughout its sweep range, but overall, didn’t have that dramatic of a sweep as compared to others I tried. So I ended up just getting a Dunlop Cry Baby, and despite its shortcomings, I’ve come to love it.

But I’ve always loved Satch’s wah tone, not because I want to necessarily sound like him, but because it’s just a killer tone, and highly expressive. And as with the Satchurator, Joe was involved in every aspect of the design process, so the Big Bad Wah promises to be of the exacting standards for which Professor Satchifunkilus is known. Once the Big Bad Wah is available in stores, which should be soon, considering the announcement of its release was made at NAMM, you can be assured I’ll be running down to the local shop to try one out!

Some online retailers like Sweetwater, are doing pre-orders for $219. That’s not a bad price to pay, especially for a signature pedal. And I dig the fact that Joe really wanted all his signature pedals to be affordable and within the reach of a wide range of people. In any case, all this combined makes for me taking a serious look at the Big Bad Wah

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Back in the early 1990’s, Jeorge Tripp started Way Huge and created a line of pedals starting with the “Fuzz Box” that for all intents and purposes started the whole boutique pedal movement. Later in the decade, he decided to go on to other stuff (I believe he went to Line 6). I didn’t play much electric guitar back then, but I do remember a couple of guys I knew who used to rave about Way Huge pedals. I had never heard of them, and as a primarily acoustic guitar player, didn’t really pay too much attention because distortion was not part of my tonal palette. That all changed when I started focusing on electric guitar a few years ago. I’d visit forums and lurk discussions about how people were paying hundreds (never saw any go for thousands, but apparently some did) for these rare pedals. I was amazed. These pedals must’ve been something special if they were in such high demand.

Then a few weeks ago, I had heard that Jeorge Tripp struck a deal with the Jim Dunlop company to resurrect Way Huge. I did a google search to see if I could find any info, and came up pretty empty-handed. Even the Way Huge site had no information – until I did another search about ten minutes ago, and saw that a search on “way huge” produced the result “Jim Dunlop – Way Huge” as a search result. Naturally, I had to click the link, despite the seemingly sexual undertones the link title might have implied.

To my everlasting surprise, the Way Huge site was completely transformed from the comic book-like line drawing theme into a real site, replete with Flash graphics! But to be clear, the fact that it’s Flash did not get me excited. It was the fact that it was a real site. You have to check it out!

Featured on the site are the three pedals Way Huge is offering right now: The Swollen Pickle Mk II, The Fat Sandwich, and the Pork Loin. The Swollen Pickle is a pure Fuzz machine, while the Fat Sandwich and Pork Loin are soft-clipping overdrive pedals. Each has a very unique voice. The sound samples really display the capabilities of each pedal, so I encourage you to check ’em out.

Personally, I’ve never been much of a fuzz guy, but I do love soft clipping pedals. So naturally, I gravitated toward the Fat Sandwich and Pork Loin pedals. Very nice sounds indeed!

Visit Way Huge at http://www.wayhuge.com

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