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Posts Tagged ‘gear find’

WCR Godwood Pickups

Dammit! Every time I think I’ve covered all aspects of my tone, I come across or remember one more thing that ignites the GAS in me. This time it’s pickups; but not just any pickups. These are handwound pickups from WCR, a little company in Soulsbyville, CA, and owned by a guy named Jim Wagner. Jim has been winding his own pickups since the early 90’s, and has made a name for himself with the gorgeous tone his pickups produce. For Jim – according to his web site – it all started out with him searching for that classic PAF tone. But he was unwilling to pay the massive amounts of money for classic PAF’s, so he decided to make his own, and he has turned that into what appears to be a fairly successful business with a good following of artists.

I discovered WCR pickups awhile back when I was having one of my long gear conversations with Vinni Smith of V-Picks. In the conversation, he started talking about Schroeder guitars, and of course my curiosity got the better of me, so I looked them up. I discovered that Schroeder equips all their guitars with Jim Wagner pickups. Unfortunately, I only went so far with my surfing, and never went to his site until Vinni mentioned in a Twitter tweet (say that three times fast) that he was taking delivery of a brand-new Schroeder guitar. Curiosity got the better of me again, and I went back to the Schroeder site. This time though, I clicked through to WCR Pickups, and started listening to clips.

I shouldn’t have done that. 🙂

I randomly clicked on the various models of pickups Jim makes. Then my breath got taken away by the sound of his Godwood pickups. What tone! What clarity! What sustain! I HAD TO HAVE THESE!!! Listen to the clips, and you’ll see why I’m jonesing for these.

So now my GAS is fully ignited, and I’ll spend the next few months scraping together what little funds I have to get yet another piece of gear. I know, I’m incurable!

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Elite Tone Smooth BoostIf I’ve said it once, I’ll say it again. The market cannot have too many overdrive pedals. 🙂 As you know if you read this blog with regularity, I just love ’em. I know… there’s nothing like the sound of a cranked amp, yada-yada-yada… But to get to the type of amp drive that I like; that is, with both pre-amp and power tubes contributing to the distorted sound, the volume levels will make your ears bleed. Enter the overdrive pedal, which gives you that breakup tone at any volume level! And the reason I love OD pedals so much is because I personally haven’t come across any two from different makers that sound exactly alike. Sure, many cop the tone of some original design – can you say Tube Screamer – but even the “clones” have voices all their own as their manufacturers add features or make the original circuits more efficient.

The brand-new Smooth Boost from Elite Tone promises to be a VERY interesting take on the overdrive pedal. Don’t let the name fool you: This is not a pure booster pedal. Even Elite Tone categorizes it as a distortion/overdrive pedal. Here’s the description from their site:

Brand new offering from Elite Tone a simple subtle unique boost effect pedal. The Smooth Boost features a circuit architecture that supports, enhances and optimizes your existing tone with delicate transparency. This simple yet multifaceted effect, achieves hi fidelity tube like signal boost, compression, sustain, overdrive and even mild distortion. The smooth boost can also be adjusted remotely with guitar volume and produce a lush twangy tube like sound as the volume is rolled back. With the signal maxed it adds mild harmonic overdrive and a touch of distortion.

What really intrigues me about the pedal from the description is the phrase “The smooth boost can also be adjusted remotely with guitar volume…” Wonder if that’s actual mechanical control through a specific input, or it’s functioning like other OD pedals that respond to input gain. I’m going to have to do more research.

Holy GAS Attack, Batman!!! This handmade pedal only costs $99 direct!!!

Dammit! I wish I hadn’t gotten wind of this pedal. It’s bad enough that my natural curiosity makes me want to check this pedal out, especially with that “remote adjustment” bit. But that combined with the price is giving me a serious case of GAS! Crap! 🙂

Anyway, the Smooth Boost includes the following features (from the Elite Tone site):

  • Engineered and constructed all by hand
  • True bypass
  • Battery Included
  • 2.1 mm diameter DC jack adapter (like boss style, etc…)
  • Extremely low ambient noise ( Not audible with effect full on and strings muted in many cases)
  • LED On/Off indicator

Okay… I’m sold. Sight unseen, sound unheard. Well… I am a bit more reasonable than that, but this is VERY COOL! At the very least, I need to find out more about this pedal!

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Fender Champion 600 Re-issueAs much as I have been ranting about Fender gear pricing as of late, and their latest “supposed” price drop (who knows for how long), my Champ 600 has been a tried and true companion in my studio ever since I got it. I’ve even used it at small venue gigs hooked to a 1 X12 cab, and it has performed wonderfully! This is a great amp!

Anyway, As I was doing a bit of research on the Fender price drop, I happened to go to GuitarCenter.com and couldn’t believe the pricing of the Champ 600 there! At $149, this is even cheaper than what I got it for two years ago!

Folks, this is phenomenal! While diminutive in size, this amp packs tone! You want classic Fender tone at a lower volume for home recording or just futzing around, this is the amp to get! And because it’s a low wattage amp, you can push it and not worry that your eardrums will start to bleed.

For my own purposes, this has been one of most pedal-friendly amps I’ve ever owned, so I retubed it with a NOS JAN-Philips 12AT7 and a JJ 6V6 to get maximum clean headroom out of the amp. Now, I have to open up the amp full to get even mild breakup. But that’s why I have my OD pedals. My thought behind this is that I want to get as pure character out of my OD’s as possible, so playing through a really clean amp will accomplish that.

So what’s the point of all this? As I mentioned above, this is a GREAT amp, and at $149, it’s a steal. Go get one at GC today!

Here’s a sample I recorded with the amp hooked up to my 1 X 12 extension cab:

Disclaimer: I’m not in any affiliate program with GC, so I get nothing out of announcing this. 🙂

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What’s handmade, black and gold, and has the potential to catapult you into tonal heaven without breaking the bank and more importantly busting your eardrums? Simple: The soon-to-be-released Reason Amps Bambino! This article is the first news glimpse of this brand-new 7 Watt amp from the Reason guys that has all the tonal goodness you expect from a Reason amp but at volume level that won’t make your ears bleed, and almost as importantly, is easily within the financial reach of most cash-strapped gear sluts.

Reason Amps Bambino
When I first reviewed the Reason SM25 and the Reason SM40, I knew that what I was hearing was something special. These amps weren’t clone designs, and didn’t sound like anything that I had played before. Yes, they were based on classic 6V6 and EL84 power tubes, but the thing with those amps was that the power handling was magic, and either of these amps sounded way louder than you would expect with low to medium wattage amplifiers. Make no bones about it, what Obeid Kahn has figured out in the power transformer section of his amps is totally proprietary and SICK! Even as well as I’ve gotten to know Anthony and Obeid, that’s a subject they hold close to their chests.

So imagine my excitement when they shared with me several months ago that they were coming out with a brand-new low wattage amp. I wasn’t allowed to say anything about it at the time because Obeid was still working out the design, and hadn’t decided on the power tube he was going to use. All they would tell me was that it would be a sub-$700 amp that would have all the tonal goodness you’d expect from a Reason amplifier. Yeah, really definitive… ☺

But as luck would have it, I happened to give the Reason guys a call to see how they were doing, and much to my extreme pleasure, Anthony mentioned that they were almost ready to release the new amp, and that they were calling it the Bambino. After Anthony described the amp’s features, I started salivating. I LOVE LOW-WATTAGE AMPS! And this amp’s features totally kick the shit out of a lot of the low-wattage amps on the market, boutique and production alike. So let’s go over the features, shall we?

Reason Bambino Specs

Preamp Tubes: Three 12AX7’s

Power Tubes : Two 6AQ5’s in a push-pull configuration.

Output Power: 7 Watts, switchable to 1 Watt

Channels:
Normal – British cleans to Vox-like top-end. Includes a “thick” setting via pull-switch to get thick “Beano-like” grind.

Bright – Very American, SoCal type of bright and scooped tone, with smooth overdrive when pushed. Bass knob scoops the mids when you dime it, and the pull switch will add extra shimmer to the top end.

StackModeTM – As with all amps in the Reason Amps family, the Bambino also sports StackMode, which runs Channel 1 into Channel 2 plus an extra gain stage in a series. Want to get over-the-top grind? StackMode is it!

Sounds basic enough, but wait! There’s more!

Built-in Speaker Load Box Simulated Line Output with Level Control – The line output is not just another line output.  It starts with a fully inductive speaker impedance simulator, which then goes onto a complex frequency shaping network that simulates the sound of a classic 2×12 speaker cabinet.  The fully balanced TRS ¼” connection allows for connection to any recording devices or slave amplifiers. Can you say “re-amp” anyone? ☺ You can also use this output to perform true silent recording. Of course, nothing beats a speaker moving air, but when you need a straight guitar sound to record, now you have it.

Separate Headphone Output – Want to practice and not wake up the significant other? No problem, mahn!

If you’ve followed this blog for awhile, you know how much I love Reason Amps! They don’t pay me anything for telling their story – all you have to do is play a Reason Amp and you’ll be hooked! And at the price-point that the Bambino is coming in at, there is NO reason (excuse the pun) that you shouldn’t seriously consider this amp when it’s ready for shipping!

Not Your Daddy’s Oldsmobile

It would be so easy to dismiss this amp as yet another boutique amp. But you’d be wrong. One of the reasons I dig Reason amps so much is because they have a sound all their own. It’s also the reason I dig Aracom Amps so much. Manufacturers like these don’t settle for making copies of classic designs. They’re true innovators, taking the classic designs, improving on them, and adding their own special touches. The net result is that you get amps that have tones that are uniquely theirs.

And on top of that, Obeid Kahn is one of the leading amp designers around, the meticulous care and innovative spirit he has put into his designs is evident in the amps he has produced over the years, and with Reason Amps, that skill and innovation are at their paramount. These amps are special!

Stay tuned for more! I hope to get a test amp when they have one available! But for now, check out the Reason Amps site for any updates.

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There are some things in life that you just can’t pass up. About a week ago, my friend Jeff Aragaki of Aracom Amps mentioned people finding great vintage gear in pawn shops. I kind of stored that tidbit away for future reference, mainly because there aren’t any pawn shops really close to where I live. But today, I happened to park in front of a pawn shop (I work about 20 miles from where I live), and after lunch, on a whim, decided to go in. This was a little pawn shop that mostly specialized in jewelry, but they had a number of amps and guitars as well.

I wasn’t overwhelmed by the selection of gear; mostly no-name brands that I had never heard of, and as far amps were concerned, cheapo solid-state practice amps. But tucked in behind some guitars was a Fernandes Strat-copy that caught my eye. It had a nice, white finish with a maple neck (I LOVE maple necks), and it was obviously well-used from where I could see it. The shop owner walked up, and I asked to inspect the guitar. I was really impressed by the workmanship. I had heard of Fernandes guitars being very high-quality for a great price, but upon seeing the workmanship up close for the first time, I was very impressed. And even though this guitar was well-used, I could tell it was taken care of because of only minor scratches and dings on the body.

The tag on the guitar said it was for sale for $115 (sorry… if you came from the gear page, I mistakenly listed it at $125), and I asked if she’d take $100 including tax, and she agreed. Unfortunately, they didn’t take plastic in any form, so I had to decline on the guitar. But that was a good thing because it gave me some time to do some research. From what I could glean, this Strat-copy is a late-80’s (’86 and later) model of this guitar. What’s ultra-cool about this one is that it’s pure white. Almost all the pictures I saw today of late-80’s Fernandes Strat-copies were either tobacco burst or a solid that was other than white. This made the guitar a bit more unique. This was confirmed by a former Fernandes endorser that I hooked up with on The Gear Page.

In any case, I got this guitar for a steal!!! I’m going to fix it up, swap out pickups, give it a good cleaning and setup. Don’t know if I’m going to keep it, but no matter. It was a great deal!

So if you have a chance, take a peak into a pawn shop sometime. Oh wait! Another place you could look is at estate sales. A few years ago, I met an older gentleman and acoustic guitarist who SCORED a 1940’s Martin for a couple of hundred bucks at an estate sale, and had it appraised at around forty-grand! Amazing! Talk about a steal!

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In my quest for gear to review, I literally spend hours each week poring over the Internet and trade rags, looking for cool, new stuff, and I get especially excited when I come across familiar gear that’s expressed in completely new ways, such as the Quantum Drive from Acoustic Imaginearing that uses quantum tunneling to provide distortion. But a couple of weeks ago, I ran across a brand-new guitar company up in Washington called “Woody B Internal Combustion Guitars,” that is doing something so totally unique it has the potential of completely changing how we as guitarists approach tone. I don’t say this lightly. What Woody has invented is nothing short of amazing, and I am extremely excited to have run across this new guitar.

What makes these guitars so revolutionary is Woody’s invention: The Internal Combustion Drive System. This consists of a speaker transducer and special baffles and tone ports that direct added resonance to the strings and body. Essentially, the Drive System is a resonance chamber that builds up the guitar signal (with the help of a pre-conditioner that I’ll get into later) before it goes out to your main amp. According to Woody, whom I had the pleasure of speaking with for quite awhile yesterday, this is a guitar where you can feel your tone resonating throughout the guitar’s body.

So how does it work? Here’s a diagram. I’ll discuss it below:

internalcombustion

That signal is returned via a special plug that Woody provides that I assume returns the “conditioned” signal as a line-level output (though with a Cube, you should be able to use the Recording Out). The signal then passes into the Drive System, where it’s run through the speaker transducer and allowed to resonated withing the chamber. The signal is buffered, then sent out to your main stage amp.The way it works in principle is actually quite simple. You first send your output to a pre-conditioning unit. This could be a low-wattage solid state amp, or even a valve amp. This is also where you add effects, so you could run this into your pedal board, then into the low wattage amp. The net result is that the guitar outputs more energy than was put in, providing for what Woody calls a much fatter, fuller tone than you would get from other guitars.

In addition, adding to the natural resonance are copper bars that run through the body to the neck, creating a direct coupling between the neck and the guitar. Very cool. Woody B also uses very high-grade woods with four to choose from: Swamp Ash, Alder, Mahogany, and African Black Limba (I dig the Black Limba, myself).

For those of you “in the know,” you might ask, “Moog already did something like this.” Yes and no. Yes, from the perspective that the Moog guitar uses a pre-conditioner. But no from the perspective that Woody has taken a completely different approach to the electronics in the Drive System. First of all, where the Moog has around 3000 parts to produce its sound, and I believe requires external power, the ICG Drive System has only twelve parts. Furthermore, the Drive System is completely passive, not requiring any external power source. Finally, the Moog guitar costs in the neighborhood of $6000, whereas you can get into an Internal Combustion Guitar for as low as $1700. Woody is really trying to keep the price below or as close to $2000 so his guitars are attainable by a wider audience.

Here are some videos that Woody has put together:

Folks, this stuff is so awesome! I can’t wait to try one out! For more information, go to Woody B Internal Combustion Guitars.

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Wyres Strings

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!Up until recently, I had never heard of Wyres Strings until I was in a nostaligic mood, and looked up the great French acoustic guitarist, Pierre Bensusan, went to his site, and saw this page, where he was endorsing Wyres Strings. Intrigued, I looked up the Wyres string company on the web, and looked at the various pros who are using them to get an idea of what kind of musicians have used these strings. What I discovered is that the range of musical styles where these strings are used is very wide, ranging from acoustic to hard rock. That was a good sign. I’ve found other “specialized” string companies who only have appeal in a specific genre of music. Not so with Wyres.

Emboldened with this knowledge (and my incessant curiosity), I contacted Nick Walton, owner of Wyres strings to get his story and to see if I could review some strings. I already believed them to be great strings if the great Pierre Bensusan was endorsing them (and according to Nick, this wasn’t due to some “pay me and I’ll endorse your strings” type of deal. Here’s Pierre’s testimony:

Dealing with strings has generally been for me a source of compromise and often frustration. For more than 30 years, I have been waiting for the right medium, embracing top quality but also longevity, fluidity, touch and beauty of-sound. I came across Wyres Strings and found the answers to all my concerns. These strings are just phenomenal, they are handmade, sound extremely well, feel great under the fingers, allow for an extensive use of their sustain to “work” the touch, the tone and the history of the note, they do not break and, icing on the cake, thanks to a very subtle coating which doesn’t not take any harmonics away, they last for ever ! I feel completely relieved and will always remain really impressed with this performance.

Wyres Strings surpass any other brand on the market today! I am proud and honored to collaborate to a Signature set with Nick Walton and his company. A dream came true.

Note that Pierre wasn’t prompted or coached to say what he said. Coming from a master composer and guitarist such as Bensusan, that is quite and endorsement! Okay, let’s get into details, but first, let me say this:

These are hands-down the best guitar strings I have ever played!!! The sound, feel, and playability are amazing! Like Bensusan, I will never use another string manufacturer. I love these! I know, people swear by pure nickel, and admittedly, they are fine strings, but they are also expensive. As a gigging musician with a family to feed, pure nickels are a luxury I can’t afford, but I can afford to spend a few bucks more on high performance strings. And the fact that they’re coated and will last longer than a normal string makes them even more economical. But that’s not my main motivation. These strings sustain for days, and they have tons of tone – but I’m getting ahead of myself.

Handmade and Coated, And They Feel FANTASTIC!!!

All Wyres strings are handmade and hand-wound by skilled craftsmen. They come in both coated and uncoated versions, but the coated are by far their best sellers. Coating is done with a special process that actually lubricates the string as you play, which apparently results in a longer lasting string from both a mechanical and tonal perspective.

Personally, I’ve never been a fan of coated strings. I’ve always found them to be very brittle feeling and over-bright. I tried Elixirs a few times, and couldn’t stand the sound, plus, I felt as if they were cutting into my fingertips because they feel sticky. Wyres feel that way at first, but after a just a short while, the coating starts working into the pores of the strings, and your fingers just glide.

I gigged with these strings last night for the first time, actually playing a bit of roulette by stringing up with these never-before-played strings right before I left for my gig. As expected, when I first put them on, they were as bright-sounding as any new string. But the thing I immediately noticed was that they were very full-sounding as well. I knew that these were very special strings. I was very excited to play with them.

I strung the strings tighter than standard tuning so they’d be stretched by the time I started my gig. By the way, the strings I played are the 12 – 54 version, hence the model TP1254 – they’re equivalent to “lights”). And once I got to my gig and tuned up, and struck my first chord, a huge smile just formed on my face. They sounded absolutely incredible (which I’ll get into), but almost more importantly, they had a great feel, despite the fact that I could still feel the coating. After a few numbers – I set up my opening set list so that I’d play songs that ensured I’d play up and down the fretboard, either with a capo or barre chords – the strings started to settle, and feel really good. I found that I didn’t have to dig in hardly at all to get notes to resound, and doing little runs with subtle microtonal bends was a breeze! The strings felt almost like electric guitar strings. They were pliable and incredibly resonant – the feel of these strings really got me into a groove!

How They Sound

I guess the proof is in the pudding. I’ve played great feeling strings that just sounded dead. But these strings produce gorgeous tones, and as I mentioned they’re incredibly resonant. The sustain from these strings is like nothing I’ve experienced, short of really expensive sets I’ve tried in the past that cost an arm and a leg. In my solo gig, I play a variety of styles from jazz standards to claw-and-hammer fingerstyle songs. No matter what style I played, these Wyres were the best sounding guitar strings I’ve ever played. It’s no small wonder why Pierre Bensusan endorses these strings (though he plays with a set of 13’s, which I’ll review once I wear this current set of 12’s out).

Overall Impression

Obviously, the 5 Tone Bones I assigned to these strings speaks to how much I love them! For me, I won’t be using any other strings from now on. Like Bensusan, I’ve found my string of choice. Now get this: These strings go for $14.95 to $17.95; about the same as what you can get a set of Elixirs for. But these strings kick the shit out of Elixirs, hands down – at least for me. And considering that these strings are nowhere near the brittleness of Elixirs, and they’re handmade, I’ll go with these, thank you. No more machined strings for me!

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Line 6 JM4 Looper

I suppose in a response to the VOX’s JamVOX, Line 6 recently released the JM4 Looper. This is one cool box. All the included recordings were done by actual session musicians, so you’re playing to real instruments. You can even record and store up to 24 minutes of loops, and with an SD card, you can store up to 2 GB extra of loops. I’ve used Line 6 gear in the past, and it’s top notch. Click here to check out the specs.

With a street price of $329.99, it’s not cheap, but you get A LOT of bang for the buck. I guess this is Line 6’s answer to the JamVOX, which is also very cool – and a bit more versatile with respect to being able to play all sorts of media. But the JM4 seems to concentrate on musical styles as opposed to just jamming to songs, and with their Endless JamTM technology, Line 6 has added a great twist on jamming. Here’s their explanation:

The Endless Jam Engine is a simple arrangement system that we developed to get great mileage out of the jam tracks. It breaks each jam track into sections, arranging everything between the intro and outro into an Endless Jam, creating jam tracks that can go on forever without getting boring or overly repetitive.

How cool is that? Very, in my opinion…

For more information, go to the Line 6 JM4 Looper page.

For an absolutely great demo of this pedal, I found a YouTube video of this excellent guitarist showing off the various styles of music included in this box. The dude’s a great guitarist to boot, and gives a fantastic demo of the JM4 Looper. Check it out!

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breadwinner

As I’ve mentioned in the past, I dig writing this blog because I meet a lot of cool people; one of them is Phil Vickman of Fat Tone Guitars. I call him occasionally to hook him up with information on various gear manufacturers, and we end up talking about some kind of gear. Yesterday’s conversation ended with Phil mentioning that he just got the Eastwood Breadwinner in, and is really digging it! So I did a bit of poking around…

Since Eastwood Guitars opened their doors, they’ve created faithful reproductions of vintage guitars of yesteryear at a fraction of the cost of the actual vintage gear. That’s been their shtik from day one. Even though I have yet to purchase an Eastwood guitar, I have played a few, and the thing that I dig about that company is that their replicas aren’t of classic, mainstream guitars (can you say “Les Paul” and “Stratocaster”); rather, they’ve placed their focus on the more avant garde styles of vintage guitars.

Among them is their latest offering, the Breadwinner, introduced at the 2009 NAMM show. I’m usually not moved by avant garde guitar styles, but there’s something about this guitar that really speaks to me. The Breadwinner was originally produced by Ovation, and was their first foray into a solid body guitar. From what I’ve been able to glean about its history, this guitar’s shape was both for form and function, its ergonomic design shaped specifically for playing comfort. That’s totally cool!

This replica and update features some pretty cool things, among them switchable active/passive humbuckers, which give this guitar lots of tonal possibilities. The body is solid mahogany, with a bolt-on maple neck, and uses Gotoh hardware. Very nice.

For more information, check out the Eastwood Guitars web site! If you’re interested in buying the guitar, go to Fat Tone Guitars. Phil’s great to work with, and he’s really knowledgeable about the gear he carries!

Here’s a video demo of the guitar that I found. The guitar is played clean, and the sound quality of the demo is only okay, so I suggest you go to a local Eastwood dealer to see if you can play one of these bad boys…

[youtubehttp://www.youtube.com/watch?v=CZFoP8zQOnQ]

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ValveTrain Amps Concord 6 Watt In addition to drive pedals, I love low wattage, single-ended amps, and there are lots of ’em out there. For instance, one of my favorite amps is my Fender Champ 600. I use it in my studio, but also gig with it in small venues – to be clear, I have to hook it up to an external cab to get some volume.

Just recently, I discovered the Concord from ValveTrain Amplification. This is a little 5 Watt amp based on a classic Fender 5 Watt design (I believe this is what Valve Train specializes in). It is a single-ended amp with a single 12AX7 and a 6V6 power tube; pretty similar to a Fender Champ 600. However, there is a difference… a huge difference between the Concord and the Champ.  The Concord is completely hand-wired. Not only that, this little hand-wired amp only costs $499 street!

That’s an incredible price, and something I definitely have to consider…

Here’s video of how it sounds:

[youtubehttp://www.youtube.com/watch?v=TkprPwSz7YY]

I’ve heard of some people buying this amp sight unseen, and not being satisfied with its overdrive tone. But make no mistake about an amp like this: The design was never made for tons of high-gain distortion. For instance, my Champ breaks up nicely when I have the amp open all the way, but it never gets over-the-top with the breakup. It’s just not meant to do that, and I suspect that it’s the same thing with the Concord. Furthermore, you just can’t expect to get that high-gain distortion with an 8″ speaker. 🙂

Anyway, for more information go to the Valve Train site.

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