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Posts Tagged ‘guitar construction’

Just got these pics in. Goldie is really starting to take shape now. Adam took a couple of weeks for the glue to cure between the mohagany and maple top and the ebony fretboard and maple neck, which explains the temporary hiatus of pictures on the build progress. I am SO amazed about how it’s looking!

I really love the first shot where you can see how the body was cut from the mahogany and maple billets. I’m so stoked about this!

For more information on Saint Guitars, check out the web site!

Note that I am not affiliated with Saint Guitar Compay, but I have gotten to know both Adam and Jon (who runs their ops), and they’re a great couple of guys who are totally passionate about what they do. Be sure to drop them a line!

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Wow! Goldie’s, my Saint Guitars Goldtop Messenger is really starting to take shape. In this next set of photos, Adam has cut and shaped the general profile for the Goldtop’s neck, and the neck is ready for final shaping. As the pictures progress, the neck curve is really becoming evident. As far as the neck profile is concerned, the radius at the nut is 12″. Adam typically uses a wide profile, but as my fingers are kind of short, playing up high on the neck can be difficult. So to compensate, Adam will gradually tapered the neck curve to be a flatter C near the body than at the nut. By the way, the wood here is rock maple.

Every time I see pictures of the progress of this guitar, I start to salivate in anticipation.

For more information on Saint Guitars, go to the Saint Guitar Company web site!

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It’s hard to imagine that I’m actually having a guitar custom made for me from Saint Guitar Company, but it’s happening. This post will be a “sticky” post so you can follow the progress of the guitar with me. By the way, with this guitar, I’ve picked a fairly unconventional combination of woods: Walnut back, maple top, rock maple neck and ebony fretboard. Adam Hernandez and I are hoping the result will be a brightly voiced guitar that will have the incredible sustain Saint Guitars are known for.

Progress Report

May 4, 2009 – With the first set of pictures, the billets have been selected and cut, and the neck is being shaped. Forgot to mention that the headstock plate is koa. I know that I chose a bunch of woods, but I chose each wood to achieve a specific tone profile that I’m hoping the woods will produce, and this was done with literally a couple of hours of discussion with Adam. Working with Adam is just so easy. The cool thing is that he’s so open to exploring different things at this point in his luthier career, so it has been really fun discussing the building of the guitar with him.

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