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Posts Tagged ‘Guitars’

Reason Amps BambinoWhat three word phrase begins with an “O” and ends with an exclamation mark (!)? You guessed it, OH MY GOD! That was my reaction when I first turned on the Reason Bambino I got for review today. For the unfamiliar, the Bambino is Reason’s brand-new entry into the sub-10 Watt amp market, and if this little monster doesn’t make a big splash, I’ll be very disappointed!

I won’t go in-depth into the features since I covered those in my recent pre-release announcement, but the Bambino is simply a miniaturized version of the Reason family of amps, sporting three modes: Normal, Bright, and Stack. Stack Mode ROCKS folks, as it runs the Normal and Bright channels in series, adds an extra gain stage, while retaining full EQ control over the individual channels. Can you say, “High Gain?” 🙂 The volume knob on Channel 1 is a push-pull fat booster, while the volume knob on Channel 2 is a treble booster to add top-end sparkle. And of course, the Bambino is powered by two 6AQ5 power tubes. But enough of the features…

I opened up the shipping box and pulled out the amp to find a Navy Blue Levant tolex-covered amp. I just smiled as that is the exact color of my Aracom Amps! Talk about matching a set (though I don’t get to keep this eval model)! I’ve been so excited to get this amp as I’ve known about it for months, and couldn’t say a word about it. So despite the fact that I just finished a 4-hour solo gig tonight, how could I not open it up and try it out!

So I checked the tubes to see if they got unseated during shipping (they were fine), hooked it up, plugged in my Strat, and being that it was 10:30pm, switched the amp to 1 Watt mode (it’s switchable between 7 Watts and 1 Watt). I put the amp in Stack Mode, cranked the two channel volumes, turned the amp on, and got the Stack Mode volume to a reasonable level; that is, loud enough to move a bit of air but soft enough so as not to wake the neighbors (my studio is in my garage).

I struck an A chord on the fifth fret, and almost jumped out of my shoes! I could not believe what I was hearing! As expected, like all Reason amps, the Bambino is brightly voiced. But the 6AQ5 has a sound all its own. The overdrive tone is sizzling, with a nice, open character, incredible touch-sensitivity and dynamics, but it’s amazingly smooth at the same time. I liken that type of overdrive to the way 6V6’s break up, but the Bambino with its 6AQ5’s has a tone that is wholly unique! I LOVE IT!!! I did a few legato runs, and tested out the sustain and feedback. All I can say is that I was totally blown away! And I got this tone running the amp at bedroom levels in ONE FREAKIN’ WATT MODE!!!

Now, before you go thinking that 1 Watt doesn’t seem like a lot. In amp vernacular, it’s not much at all. But from an audio perspective, a 1 Watt amp running through a 1 X 12 speaker is as loud as a jack-hammer! That’s where the Stack Mode Volume comes into play as it is a PPIMV (Post Phase Inverter Master Volume), which effectively controls the amount of signal going into the power amp. At the volume I was running at, I was probably down to 1/2 or maybe even a 1/4 Watt, and that was at about loud conversation level.

But the gain that I was getting in Stack Mode was plenty for my needs, and as a home studio recording amp, being able to get that kind of tone without needing an attenuator, is incredible! I do have to say, that if I really want to take advantage of the third gain stage, I’d have to run the amp through an attenuator. Even at 1 Watt, with Stack volume cranked, it’s very loud, and that’s a testament to Obeid Kahn’s genius with power management.

As far as cleans are concerned, from what I can perceive with my Strat, the tone sits between an EL-84 and a 6V6 clean tone. It’s not as glassy as an EL-84 clean, and not as rich as a 6V6 clean. But what I like is that the clean tone has a real nice three-dimensional quality about it. There’s nothing flat about the cleans this amp produces. Adding just a touch of reverb accentuates this quality. It’s pure ear candy. While I love high-gain, to me, the real test of the amp is how it sounds clean. From that perspective, the Bambino totally delivers!

It’s almost midnight, I’m incredibly exhausted, but I have to play a little more before I turn in. So, in summary, my first impression of this amp is that it KICKS F-IN ASS! I haven’t even begun to explore all its features like its balanced line out (can’t wait to re-amp this with my Aracom VRX22 or do direct recording). All I know is that this is one special amp, and one that I am definitely adding to my collection! It’s a no-brainer at $699 for a hand-wired, US-made amp. Like the Aracoms amps that I love so dearly, I’ll take this amp over any name brand boutique amp out there!

Check out my review of the Reason Amps Bambino

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Here’s a hypothetical situation we’re all familiar with…

Imagine your wife or significant other walking into your music room or space recently…

“Honey,” she said, “You have a studio full of gear, and from where I’m standing, I can see six amplifiers. Just how many do you need?”

“Just one more,” was my facetious reply.

“C’mon! You can’t possibly play all of those amps at once,” she retorted with a slightly annoyed tone at my sarcasm.

“I know, but when I need a particular sound for a track I’m recording, I can pick out one of these little babies, and get the tone I need,” I said.

“Oh yeah? What about when you gig? You usually only bring one amp with you. So Mr. Picky Tones, if you’re so sensitive about your tone, why don’t you lug a few amps with you?” she said with a smirk.

“That’s why I have these pedals!”

At that she rolled her eyes, gave me a stern look and said, “You’re absolutely hopeless.”

Yeah… that about sums it up…

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I like to keep track of where my visitors come from, and I was surprised to see a YouTube URL that was a referrer to GuitarGear.org. Curious, I clicked on the link, and lo and behold was a video demo of the brand-new Reason Amps Bambino! Check it out!

The guy on the guitar is none other than Obeid Kahn, the designer of the amp, and absolutely SICK guitarist in his own right. That dude can make a Strat do just about anything! What chops!

For more information, go to the Reason Amps web site!

I will be geting a Bambino in for a review in the next few days, so hang tight! Damn! Based on that video, I can’t wait to play it!

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Electro-Harmonix Riddle: Q-BallsQ-Balls, that is… Introducing the new RIDDLE: Q-Balls from Electro-Harmonix, an envelope filter for guitar. The RIDDLE also has a brother for bass called the ENIGMA: Q-Balls.

So what exactly is the RIDDLE? As EHX put it, the RIDDLE is an “envelope controlled filter for guitar.” Synthesizer players have long known the beauty of adjusting a signal’s envelope or volume profile by emphasizing or limiting certain frequencies to create wholly unique sounds. Now, apparently, that is available for guitar with the RIDDLE. Check out this very cool demo video:

Damn! He did all that with an acoustic guitar!

I’ve grown to appreciate EHX over the last couple of years as they’ve come up with some really cool, thinking out-of-the-box pedals, like the Q-Tron, and of course, the POG. Yeah, they have your basic overdrive, distortion, delays, reverbs, etc., but stuff like the RIDDLE that open up the tonal possibilities of your guitar are quite commendable.

I’m not sure if the RIDDLE is something I’d use, but I’m writing about it here just because of its cool factor. Maybe I’ll take some time this weekend to see if I can’t check it out at a store.

For more information on the RIDDLE, go to the EXH web site.

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WCR Godwood Pickups

Dammit! Every time I think I’ve covered all aspects of my tone, I come across or remember one more thing that ignites the GAS in me. This time it’s pickups; but not just any pickups. These are handwound pickups from WCR, a little company in Soulsbyville, CA, and owned by a guy named Jim Wagner. Jim has been winding his own pickups since the early 90’s, and has made a name for himself with the gorgeous tone his pickups produce. For Jim – according to his web site – it all started out with him searching for that classic PAF tone. But he was unwilling to pay the massive amounts of money for classic PAF’s, so he decided to make his own, and he has turned that into what appears to be a fairly successful business with a good following of artists.

I discovered WCR pickups awhile back when I was having one of my long gear conversations with Vinni Smith of V-Picks. In the conversation, he started talking about Schroeder guitars, and of course my curiosity got the better of me, so I looked them up. I discovered that Schroeder equips all their guitars with Jim Wagner pickups. Unfortunately, I only went so far with my surfing, and never went to his site until Vinni mentioned in a Twitter tweet (say that three times fast) that he was taking delivery of a brand-new Schroeder guitar. Curiosity got the better of me again, and I went back to the Schroeder site. This time though, I clicked through to WCR Pickups, and started listening to clips.

I shouldn’t have done that. 🙂

I randomly clicked on the various models of pickups Jim makes. Then my breath got taken away by the sound of his Godwood pickups. What tone! What clarity! What sustain! I HAD TO HAVE THESE!!! Listen to the clips, and you’ll see why I’m jonesing for these.

So now my GAS is fully ignited, and I’ll spend the next few months scraping together what little funds I have to get yet another piece of gear. I know, I’m incurable!

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Goldie’s ready for her clear coat! OMG! I just can’t believe it! We are so close now! Had a bit of a setback because Adam, in addition to being a luthier is also a professional forest firefighter. What a guy! Anyway, enjoy the pics!

To see all the progress pictures, see my “Goldie” dedication page.

For more information about Saint Guitar Company, see their site! FYI, Adam’s come up with a Vintage series. I believe this is going to be a semi-hollowbody, with real classic styling.

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If you’re a visitor here, it’s more than likely that you suffer from an affliction commonly referred to as GAS or Gear Acquisition Syndrome, which is a uncontrollable urge to buy gear to affect your tone. Be honest, you know you have it. 🙂

This morning, in search of some new material to write about, I came across a new pedal from Elite Tone called the Smooth Boost. You can read the announcement here. What excited me about the pedal was that it’s a handmade pedal for $99! Damn! That got the GAS flowing. After I calmed down a bit, I sang to myself, “I feel some GAS a-comin’…” and that sparked off me humming Johnny Cash’s song “Folsom Prison Blues” playing in my head. Then I started laughing, and writing down some alternate lyrics to the song. After I was done I recorded the following tune:

This one was a lot of fun! I wanted to share it because I’m sure you can relate to the lyrics. By the way, here are the full set of lyrics:

The GAS Blues

I feel some gas a-comin’
It’s comin’ ’round the bend
I haven’t been GAS-less
Since I don’t know when…
I’d said that I am finished
My rig’s as full as it can be
But this new gear’s got me GAS-in’
The GAS keeps hauntin’ me…

When I was just a young man
I had just one guitar
Ole Betsy made me happy
She took me oh so far…
But then I went electric
and needed so much gear
to get that perfect tone now
that’s pleasin’ to my ears…

My wifey always asks me
Just how much do you need?
I look at her and tell her
just one more, don’t you see?
There’s nothing that’ll cure me
from this expensive disease
It’s a curse I’ll always carry
my GAS is never pleased…

I don’t know what to tell you
if you suffer from the same
affliction that I have now
My friends think I’m insane…
No one understands it
Look! There’s another axe!
And it just keeps on comin’
This thing we all know as GAS!

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Elite Tone Smooth BoostIf I’ve said it once, I’ll say it again. The market cannot have too many overdrive pedals. 🙂 As you know if you read this blog with regularity, I just love ’em. I know… there’s nothing like the sound of a cranked amp, yada-yada-yada… But to get to the type of amp drive that I like; that is, with both pre-amp and power tubes contributing to the distorted sound, the volume levels will make your ears bleed. Enter the overdrive pedal, which gives you that breakup tone at any volume level! And the reason I love OD pedals so much is because I personally haven’t come across any two from different makers that sound exactly alike. Sure, many cop the tone of some original design – can you say Tube Screamer – but even the “clones” have voices all their own as their manufacturers add features or make the original circuits more efficient.

The brand-new Smooth Boost from Elite Tone promises to be a VERY interesting take on the overdrive pedal. Don’t let the name fool you: This is not a pure booster pedal. Even Elite Tone categorizes it as a distortion/overdrive pedal. Here’s the description from their site:

Brand new offering from Elite Tone a simple subtle unique boost effect pedal. The Smooth Boost features a circuit architecture that supports, enhances and optimizes your existing tone with delicate transparency. This simple yet multifaceted effect, achieves hi fidelity tube like signal boost, compression, sustain, overdrive and even mild distortion. The smooth boost can also be adjusted remotely with guitar volume and produce a lush twangy tube like sound as the volume is rolled back. With the signal maxed it adds mild harmonic overdrive and a touch of distortion.

What really intrigues me about the pedal from the description is the phrase “The smooth boost can also be adjusted remotely with guitar volume…” Wonder if that’s actual mechanical control through a specific input, or it’s functioning like other OD pedals that respond to input gain. I’m going to have to do more research.

Holy GAS Attack, Batman!!! This handmade pedal only costs $99 direct!!!

Dammit! I wish I hadn’t gotten wind of this pedal. It’s bad enough that my natural curiosity makes me want to check this pedal out, especially with that “remote adjustment” bit. But that combined with the price is giving me a serious case of GAS! Crap! 🙂

Anyway, the Smooth Boost includes the following features (from the Elite Tone site):

  • Engineered and constructed all by hand
  • True bypass
  • Battery Included
  • 2.1 mm diameter DC jack adapter (like boss style, etc…)
  • Extremely low ambient noise ( Not audible with effect full on and strings muted in many cases)
  • LED On/Off indicator

Okay… I’m sold. Sight unseen, sound unheard. Well… I am a bit more reasonable than that, but this is VERY COOL! At the very least, I need to find out more about this pedal!

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Fender 60th Diamond Anniversary Stratocaster

I’m normally very methodical in my approach to writing music. But sometimes, I just get carried away with playing that I’ll just create a riff, and jam over it again and again until my fingertips are numb. Writing my latest instrumental was exactly that experience. I came up with a riff, added some bass and a basic drum kit loop to it, and spent the next several hours trying to cop my best SRV. 🙂 Believe me, no one can play like that dude! He was special.

But the point of this is that after hours and hours of playing, I really got inspired to not just let it be a jam track, especially after I came up with a phrase that felt like it could define the theme of a song. So over the next few days I tweaked with the song, and this is the final result. Note that I had a version of this up as of a couple of days ago, but I remixed it, added an echo part for the last section, and removed a bunch of layered on effects from the first cut. I ended up with a much more raw sound, which was really what I was after. Here it is:

All the guitar parts were played with “Pearl” my 60th Diamond Anniversary Strat. After playing ‘buckers for awhile, I forgot how fun it was to play my Strat! My amp, of course, was my ever versatile tone machine, my Aracom Amps VRX22. For effects, I used a Hardwire RV-7 Reverb, a Creation Audio Labs Mk.4.23 booster, and a Voodoo Lab MicroVibe.

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I was noodling around the other day, and came up with a riff. The riff turned into a jam track, then the jam track turned into a full song. I’m still working on the song, but thought I’d post it for folks to give it a listen. Here it is:

Here’s what I used:

  • Rhythm Part: Clean Strat in Neck/Middle position. My Aracom VRX22 in the Clean channel, with the Master cranked and volume at halfway. Used a Red Bear Trading Tuff-Tone pick to get that percussive sound out of the chords.
  • Part 1 Solo: Strat in Neck Position into my MicroVibe and the same amp settings. Also, used the Tuff-Tone pick to get a more percussive attack to the notes.
  • Part 2 Solo: Strat in Bridge Position into MicroVibe. Amp was set on Channel 2 with the Master dimed and volume at 6 for some nice, but not over-the-top breakup. I love that 6V6 breakup! Here I used my V-Picks Psycho to smoothen out the attack and give the bright bridge pickup a bit of extra oomph.
  • Part 3 Solo: Strat in Neck position, nixed the Vibe, into the clean channel with Master and Volume fully dimed. Used the Psycho here as well, but used a percussive attack.

In order to get those kind of high power settings from the amp, I used a soon-to-be-released Aracom attenuator that’s like NOTHING I’ve played through before! This thing is completely transparent because it maintains reactance between the amp and speaker; something that a lot of attenuators have a problem with (please don’t get me started on the UA, which I think is the biggest bunch of hype I’ve ever run across as far as attenuators go).

Another word about the VRX22. When the Master is fully open, and the power tubes are getting lots of juice, this amp just oozes all sorts of tone. And as the rectifier circuit kicks in, this amp feels as if it has built in reverb! As you can tell, I love this amp! Check it out at: http://www.aracom-amps.com.

I know that you might think I’m a bit nutso for using different picks; obviously in a live situation I’d probably only use one. But the in the studio where I can do pretty much anything I want, using different picks to affect my tone is totally cool. Check out Tuff-Tone picks at http://www.redbeartrading.com and the Psycho pick at http://www.v-picks.com. I swear by these two brands, and while I don’t work for either of these companies, like the Aracom Amps, they’ll always be part of my “rig.”

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