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Archive for the ‘musicians’ Category

Over the weekend, and after a few years of owning it, I finally replaced the original speaker on my Hot Rod Deluxe with an Eminence Red Coat “The Governor.” I had already replaced the original tubes and had some other mods done to the amp to smooth out the drive channel, but there was always something missing, and that turned out to be the speaker. What a difference that has made! I feel like my Hot Rod is now no longer a Padawan but a true Jedi. 🙂

The Hot Rod was my very first tube amp, and when I bought it, I just loved the sound, but as time wore on and as I played some really great amps, my love for the amp faded, and while I’d use it for some applications, it just didn’t have a sound that I considered to be first class. With the new speaker, it is now – in my opinion – a first class sounding amp. The cleans are gorgeous and the overdrive tone is nice and open, but well-defined, with no flabby bottom end. I’m in love again! Now with my Aracom VRX22, I’ve got two great amps!

Here’s a clip I put together while playing around this evening that demonstrates how gorgeous the clean tones are:

I used my Strat for the rhythm part – amazingly in the middle pickup, which I’m really starting to love – and did the simple solo with my Prestige Guitars Heritage Elite with both pickups with about 60/40 mix of bridge and neck, respectively. The reverb you hear in the solo is the spring reverb in the Hot Rod. I have to say that Fender does reverb right. 🙂

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Creation Audio Labs Mk.4.23 Boost

Creation Audio Labs Mk.4.23 Boost

If you read this blog with any regularity, you’d know that I have this thing about overdrive and distortion pedals. Not that I’m a shredder or let alone a virtuoso at guitar. I just love tone, and there’s something about overdrive that never fails to bring a smile to my face. But ever since I started playing with some great amps, and now that I’ve got a great new speaker in my Hot Rod, I’ve been relying less on overdrive for my grind tone, and much more on the natural breakup of my amps. Enter the Creation Audio Labs Mk.4.23, what I consider to be the best clean boost on the planet.

A lot of pedal manufacturers claim to have transparent boosters, and I’ve tried several that come close, but the Mk.4.23 totally delivers true transparency. You get the natural tone of your guitar and amp – just a lot more input gain that will send your pre-amp tubes into saturation. Mm-mm-good! I already wrote a review of this pedal, but thought I’d do a follow-up on how I’ve been using it over the past few months.

I’ve been using the Mk.4.23 in a few different ways (in order of how much I apply it):

  1. First, I use it by itself with the volume dimed on the pedal into my drive channel to slam the front-end of the amp, and seriously overdrive it. In this mode, I usually don’t use any other effect in front of it, though I might use a compressor with my Strat to fatten up the tone. That way I know that I’m getting my guitar’s and amp’s true tone.
  2. Then I use it by itself to boost my clean channel when I need just a bit more volume when I’m doing a clean lead break to get over the band. In this mode, the volume’s set just past unity gain. I also set the volume knob on my guitar to about it’s midpoint so I can fine-tune the volume via my guitar.
  3. Finally, I use it in conjunction with one or more overdrive/distortion pedals to add even more gain to what the other pedals have to offer. Using it this way doesn’t really add any appreciable volume, but the effect is that the overdrive tone gets super thick and raunchy. It’s not all the pretty when playing chords, but single notes absolutely scream!

For such a simple pedal, the Mk.4.23 has really changed the way I approach achieving different tones. For more information, check out Creation Audio Labs’ web site!

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Late last night, I was lurking (and posting) on my favorite gear forum The Gear Page, when I ran across this thread: Stacking ODs? where a player was asking if anyone had stacked any overdrives. I’ve been doing this for years with different pedal combinations, sometimes successfully, sometimes not. Through my experiments, I found that stacking works best on amps that have a much more open distortion character; that is, the power tubes don’t compress too much. For instance, I tried this on an Aracom Custom 45R that KT-66’s in it, and the compression was so intense that it sucked away all the tone. When Jeff swapped out the tubes with 6L6’s, it was a totally different story. However, I’ve gotten the best results with amps based on either 6V6’s or EL84’s. These tubes don’t compress the signal as much when they saturate as their bigger siblings and maintain a much more open distortion character.

To hear what stacked OD’s sound like, here’s a clip I took out of a song I’ve been working on. Here’s the signal path:

Strat -> Tube Screamer -> Holy Fire -> Mk.4.23 Booster -> Reason SM25

The TS overdrive is set at about 2pm, the Holy Fire’s overdrive is set a 12, with distortion just past 2pm, and the Mk.4.23 booster is dimed for an extra 24db of boost. 🙂  The SM25 is StackMode (both channels run in a series with an extra gain stage), with gain at about 12. Here’s what it sounds like:

This is the raw, unmastered track. It’s really aggressive, but as you can see, it’s not super-compressed.

Update

I’m probably going to buy a Catalinbread Dirty Little Secret in the next couple of days. This pedal was made for stacking, much like the Creation Audio Labs Holy Fire. It’ll be interesting to see what it’s like on my board.

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Seymour Duncan Twin Tube Blue Image c/o Seymour Duncan

Seymour Duncan Twin Tube Blue Image c/o Seymour Duncan

Seymour Duncan is known for its outstanding pickups, and I’ve known they’ve made pedals for awhile, but haven’t really paid attention until they came out with the Twin Tube Blue (SFX-11). This is a very cool little preamp/overdrive box that sits – gain-wise – right in the middle between their Twin Tube Classic and their Twin Tube Mayhem.

Run by two 6111 mil-spec, USA Philips-Sylvania tubes, the Blue can get you some nice, pre-amp snap, to sweet, sustained gain. Here’s the description from the Seymour Duncan site:

Too often, inexpensive tube gear runs in “starved plate mode,” where the tubes function like clipping diodes and do not actually amplify. The Twin Tube Blue’s high-plate voltage and 100% vacuum tube signal path allows the tubes to operate at their fullest potential and provide maximum dynamic range. This means you get the most gain and all the smooth tone you expect from a high-quality tube preamp. Two channels provide versatility. Like all Seymour Duncan stompboxes, the Twin Tube Blue is true bypass and features a fully encapsulated toroidal transformer for quiet operation. Heavy duty steel chassis.

Sounds impressive, huh? Here’s a video:

At about $229 street, it’s a bit on the pricey side, but it sure sounds good. Check it out at Seymour Duncan!

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Imagine a TC Electronic pedal for under $200! That’s right! It’s the Nova Repeater Delay. It has the same great quality you expect from TC Electronic, but at a great price. As TC Electronic puts it, the Nova Repeater is a “no-frills-with-a-sound-that-kills” type of pedal. In other words, it doesn’t have a lot of bells and whistles. You dial in your settings and play. The most useful feature I dig is the tap tempo you can do strumming your guitar! You hold down the tap tempo button, strum your guitar, and the pedal picks up the tempo you strum! Very cool! When you hold down the tap tempo to set your tempo via your guitar, the pedal shuts off the signal to your amp, so you can set your tempo practically noiselessly. The TC Electronic dudes are awesome! Here’s a video:

I’ve been wanting to get a simple delay pedal for awhile now, and this one looks very promising. However, TC Electronic announced this pedal on March 27, 2009, and it hasn’t hit the stores yet! Damn! I was going to lay down the $149 for this sight-unseen! Oh well, guess I’ll have to wait, or get the Catalinbread Dirty Little Secret first… 🙂

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Guitar AffairActually, GuitarAffair.com has been around for a few months now, but I discovered it when it was still pretty new back in January of this year. GuitarAffair.com is a great take on “try before you buy” with high-end guitars. Owned and operated by Jim Basara (yes, that’s the same Jim Basara who does reviews for Guitar Jam Daily), the site is set up to let people rent high-end guitars for a period of time – but they can keep them if they like them (of course, they have to pay for them). Here’s an excerpt from Jim in an e-mail he sent to me:

There are two parts to my business.  One model is to rent  guitars to business travelers who are guitar enthusiasts and never get to play  because they travel a lot (I used to be one of these guys).  The other  is, of course, to sell guitars.  By targeting business travelers, my goal  is to get boutique instruments into the hands of people with the means to buy  them.  I ship all over the country, so it’s a fairly large pool.  For  the sales piece, if someone rents a guitar and then purchases one, I rebate the rental fee.  This turns the business into kind of a demo program for  those manufacturers I am a dealer for.  And on that note, as a custom  builder, you may be interested in what I’m doing for Gigliotti Guitars…   …for people who are interested in purchasing a Gigliotti,  but want to play one [before buying one outright], I send them a Gigliotti and three  additional necks with the more popular neck profiles.  Each of those  necks is fretted with three different sized fretwire.  This way, the  buyer gets to play the Gigliotti but also feel more comfortable about picking  the neck carve and fret wire…  …I’ve also had interest  from some tier-2 pros who don’t like the hassle of taking their guitars on  commercial planes all the time.

While Jim targets business travelers, the business is pretty much open to anyone who wants to try a guitar out before buying it – or just wants to be able to play some great guitars! Check out the site! It is very cool!

On a personal note, GuitarAffair is one of those ideas I wish I had come up with… I dig it when people latch on to a great idea and expand on it to make living out of their passion. That’s exactly what Jim hopes to do with GuitarAffair.com.

A note about Jim…

Jim BasaraJim has a long history with vintage guitars, having established himself as a vintage gear guru and technician, having learned the ins and outs of guitar tech at Fretworks. He has also been writing reviews for Guitar Jam Daily since day one, which is how I first encountered him. An avid player himself, he has played for several years, and loves to play so much taken guitars with him on trips the world over! The dude knows his stuff!

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My friend, Vinni Smith of V-Picks is an incredibly talented guitar player, and one of the things that has really sparked our friendship is our love of Peter Frampton’s music. It was hilarious to find out that his favorite guitar solo in the world is the middle lead break in the song “Do You Feel Like We Do?” from Frampton Comes Alive. It has been my all-time favorite guitar solo since I was in junior high way back when. Now, after all these years, Vinni shows how to play the middle and ending solos in the following clips:

In this next solo, Vinni is demonstrating his new pick, the Dimension, while playing with Saint Guitar Benchmark.

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VOX Tonelab ST

VOX Tonelab ST

I got my first introduction to VOX Tonelab boards when I saw a dude playing one direct into his PA at a casino a couple of years back. I was amazed at how awesome it sounded, and completely changed my opinion of using models in a live situation. Since then, I’ve played with some of the Tonelab series boards and Valvetronix amps, and have generally been pleased with them. But with the Tonelab SE, I think I’m going to take a really good look at this new offering from Vox.

  • First off, it’s nice and compact. It’s their smallest footprint yet!
  • 50 Presets and 50 User programs.
  • 33 amps and a 11 cabinets – more than you’ll ever need to customize your sound.
  • I’ve always dug the fact that it has an on-board expression pedal to adjust a bunch of different parameters – but most of all, to use as a wah (the wah is actually pretty sweet on these units).
  • Finally, at $199 (street), there’s tons of value in this little unit!

For more information, check out the VOX Tonelabe page.

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Red Bear Style "C"

Red Bear Style "C"

Imagine a pick shaped like the one to the left, but at 4 mm thick! That’s the Super Thick Gypsy Jazz Pick!

A couple of weeks ago, I was having a conversation with Dave Skowron, maker of Red Bear Trading picks, and said, “You know Dave, I just dig this Gypsy Jazz thick pick that I just bought. But as you know, for electrics, I play with a V-Picks Snake because I love the 4.1 mm thickness.” As background, I had just purchased a standard GJ thickness to replace the Heavy that I gave to a friend so she could try it out. I continued, “Do you have anything that is even close to that thickness? I would love to have that kind of thickness for playing acoustic.”

Dave replied, “Yeah, I have a sheet of the Tortis material that is pretty close to that thickness at about 4 mm. I did something even thicker for a guy once.”

“No, no any thicker, Dave, and I think it would be too much. But if you have a 4 mm thick pick, I’m all over it!”

“Okay, I’ll make up a prototype and send it to you to evaluate.”

All I can say after playing with “the prototype” for a couple of days is I hope that pick goes out of prototype because it is an incredible pick! You know how I love the feel and sound of Tortis, especially on acoustic guitar. In fact, I love the sound of Tortis with acoustic guitar that I won’t play any other type of pick on my acoustic. On electric, I dig my V-Picks Snake for its speed, tone, and thickness. Put all that together in one pick, and what you’ve got is a “Super Pick!”

The thicker you go with picks, the deeper and richer the sound. It’s not that you lose the highs; you don’t. It’s just that the thicker picks also bring out the lows, so what you get in a nice, even tonal presentation. That’s why I dig thick picks! On top of that, there is something magical with the way a Tortis pick interacts with an acoustic guitar’s strings. With me at least, playing a Tortis pick on acoustic evokes a certain visceral feeling that makes me want to close my eyes and just soak up all the tonal goodness. Not only that, Tortis, being made of a natural material, just feels natural. It’s the perfect complement for playing acoustic guitar!

So what about this super-thick Gyspy Jazz gauge? OMG!!! I am in guitar-playing heaven with this pick! It has the thickness of my beloved V-Picks snake, but all the feel and tone that I’ve come to love with my Tortis picks! To just call it “awesome” would be a complete understatement.

I first played the “Super Thick” last Friday at a gig that was primarily acoustic guitar. It started with playing some dinner entertainment music before a re-enactment of Christ’s passion. I was playing my Ovation Celebrity directly into a Genz-Benz 100 Watt upright. When I struck the first chord of the opening song. I actually had to pause and let the chord just ring and hang in the air. It was quiet enough in the room where I was playing that I could hear my guitar, as the amp was there for simple sound reinforcement. I thought my original GJ as awesome at 2.3 mm. What this pick did to the natural tone of my guitar was otherwordly!

I spent most of the day yesterday playing guitar, much to the chagrin of my wife! It feels so incredible!

In any case, if you’re interested in getting one of these, contact Dave Skowron at Red Bear Trading. I’m sure he’ll make one for you. Mind you, this thickness of pick won’t be cheap, but it’ll be well worth the investment!

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup! If I could go higher, I would with this rating. But this pick gets my highest rating!

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5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

Red Bear Trading Tuff-Tone Classic H

Red Bear Trading Tuff-Tone Classic H

Red Bear Trading Tuff-Tone Picks

Summary:Made from an entirely new pick material, Tuff-Tone picks provide the same, high-quality sound you expect from Red Bear picks, but are much more durable than standard Tortis picks.

Pros: Get ’em wet, put ’em in your pocket with all your keys and change, put ’em in the washer and dryer. They won’t break or warp.

Cons: None.

Price: $10 direct from Red Bear Trading

Tone Bone Rating: 5.0 – The totally unique sound and feel of a Tuff-Tone pick makes it a winner in my book.

I love it when I get gear in the mail, and I especially love it when it’s a padded envelope from Red Bear Trading. I came home early from work yesterday afternoon to get ready to go to a gig in the early evening, and much to my extreme surprise and pleasure, a padded envelope from Red Bear Trading what waiting for me on the kitchen table. I immediately opened the envelope, poured out the contents into my hand and out dropped three pick packages: Two Tuff-Tone picks (a Tri-Tip and B-Style – both heavy gauge), and a super-super thick C Style Tortis measuring 4mm. I’ll be covering the Tortis in another review, so I’ll just mention it here.

I’ve been anticipating receiving these Tuff-Tone picks ever since I spoke to Dave Skowron – maker of Red Bear Picks – about them a few weeks ago, after I saw the announcement on his site. Rather than have me paraphrase the announcement, here’s an excerpt:

After a few years of research and development we have finally come up with a material which is an alternative to our standard pick material. The requirements we sought for this new line of picks were simple – deliver the same great tone and have the same comfortable feel as or regular picks while possessing unbeatable strength and warp-resistance. We feel that we have found that material. After months of beta-testing by some of the industry’s top players, we are ready to roll out the new line. The tone and feel have been confirmed in our tests. These picks are as good sounding as our standard line. They last and last, and are basically worry-free. In blind tests they were indiscernible from our standard line.

I have to disagree with Dave on the last line of the paragraph. To me at least, they aren’t indiscernible from the standard line. They’re similar in tonal response, in that they produce sound very quickly, but they are resoundingly not the same. I’ll get into more detail about this in just a bit. Where they are indiscernible is in their build quality. One of the things that has always impressed me about Red Bear picks is Dave’s attention to detail with respect to the build quality of his picks. To date, I have never received a single pick from Red Bear with any flaws. The bevels have always been perfect. Dave takes quality seriously, and all the picks I’ve had and evaluated have been flawless…

What about the sound?

In a word, awesome! But as I mentioned above, Tuff-Tones aren’t tonally indiscernible from the standard Tortis picks. Frankly, to me at least, they have a sound all their own. The material is much harder than Tortis, and to me sound just a bit brigher tonally. Or maybe I shouldn’t say brighter. The tone they produce is much more “chimey.” They produce the same rich tone you’d expect from standard Tortis, but I believe they bring out the high frequency tones much more than Tortis picks. If I were to make a comparison, tonally they sit right in the middle between a standard Tortis Heavy and a V-Picks heavy; the V-Picks heavy being the bright side.

But even then, these picks are tonally distinct, and no recording is going to capture the sound properly. I actually tried this morning, and it just didn’t work, probably due to my microphones, which double as stage mics, so the EQ tends to stay in the midrange. I could hear the differences in my amp, but just couldn’t capture the sound – sorry. You’ll have to buy a couple to see what I’m talking about. 🙂 Which you should – these picks rock!

How they feel…

Make no bones about it; not only are they tonally distinct they have a totally unique feel. Unlike Tortis or V-Picks picks, these aren’t glossy at all. They have a flat finish, and a rougher, almost tackier feel. But they feel so good! When I first held one of the Tuff-Tones I got, I was a little doubtful about them because of how they felt. I was wondering if they’d be slower. I’ve been so used to playing gloss-finish picks, that these were like sandpaper by comparison (mind you, that’s just flowery language – they actually have a smooth finish). But all my concerns were laid to rest when I started to play. Like Tortis and V-Picks picks, they just glide across the strings. I really love how they feel!

Even at the heavy gauge, which is 1.7mm, these have got to be the most rigid picks I’ve ever played. I love that about these picks. They really don’t give, so they give you immediate tactile feedback while you’re playing.

Overall Impressions

Talk about being torn! I love these picks. I kind of lean towards brighter tone, and these totally give it to me. But I also love the super-rich tones of my Tortis picks, and the chimey tones that my V-Picks Snake gives me. I’m chuckling right now because I would have never thought I’d look at a pick as a tone-shaping device. Most people just use a single pick – I was the same until I discovered the virtues of using high-end picks. But the thing with high-end picks is that they each bring something different to the table with respect to tone and feel, helping you dial in just the right kind of tone for the song you’re playing. I now look at picks much like a painter looks at brushes. I now have yet another brush to add to my collection of tone “brushes.”

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