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Archive for May, 2009

 

Aracom Amps VRX22 - First in the series

Aracom Amps VRX22 and Aracom 1 X 12 Mini-cab

I know, I know… I’ve been singing the praises of this amp and cab for the last couple of months since I got them. But folks, what Jeff Aragaki of Aracom Amps has put together in the VRX22 is simply magic. I just can’t say enough about how much I love this amp. It doesn’t matter what guitar I plug into it, the VRX22 delivers the goods.

A New Option for the VRX22

I have the standard production model, the first in the series. In its stock mode, I wouldn’t change a thing. But I know there are some vintage gear and tube amp buffs out there that would frown upon the fact that the VRX series in stock configuration has a solid state rectifier. For me, it makes not a bit of difference; I just love the tone.

But for those that require a tube rectifier, Jeff also offers an option of a GZ34 or 5AR4 tube rectifier in place of the solid state rectifier. An A/B test didn’t reveal a tonal difference, but for the purists out there (and by no means do I mean this derisively), this is certainly an option, and a reason why you should consider this amp in your amp evaluations. And here’s another consideration: All Aracom Amps are hand-wired, and cost FAR LESS than equivalent amps. For instance, the VRX line in stock configuration costs $895! That’s unheard of in the boutique market!

Have a Cab, Will Travel

But on top of all that, the 1 X 12 mini-cab that Jeff custom built for me is simply magical as well. Jeff went against the common wisdom of not using a cube shape and porting and such, and built a simple cube shape with a width that exactly matches the width of the amp (about 19″ wide). Amazingly, this cabinet is incredibly resonant. The reason for this is that instead of using 3/4″ board, Jeff opted with 1/2″ board. This resonates a lot more with the speaker, and provides a bass response that adds depth to the output. Granted, I also have an absolutely kick-ass Jensen P12N Alnico speaker, but that cabinet even sounds good with just about any speaker you put in it. Like I said, amazing.

To further demonstrate the versatility of the VRX22 and the Aracom 1 X 12 mini-cab, I recorded a short blues clip using three different guitars, all running straight into the VRX22 with no effects. There are to overlapping rhythm parts panned left and right, and a solo in the middle. For the left pan, I used my gorgeous Prestige Heritage Elite (“Sugar”) plugged into the VRX22. For the right pan, I used my Strat (“Pearl”) plugged into my Fender Champ 600 and ran the speaker out into the 1 X 12 (I didn’t think the Champ could sound this good wow!). For the lead, I used “Sharkie,” my PRS SE II Soapbar with P-90’s in the bridge position straight into the VRX22.

Sorry for the slight mistake in the solo; or as my buddy Phil calls it, a “clam.” But overall, I was just amazed how good Sharkie sounded on that clip. I added a touch of reverb to that track, but made no modifications to the guitar signal at all. It was the guitar plugged straight into the amp.

As I’ve said in the past, I’m not affiliated at all with Aracom. I’m just a faithful customer, and just can’t sing the praises enough for the job Jeff has done!

For more information, visit the Aracom Amps web site!

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breadwinner

As I’ve mentioned in the past, I dig writing this blog because I meet a lot of cool people; one of them is Phil Vickman of Fat Tone Guitars. I call him occasionally to hook him up with information on various gear manufacturers, and we end up talking about some kind of gear. Yesterday’s conversation ended with Phil mentioning that he just got the Eastwood Breadwinner in, and is really digging it! So I did a bit of poking around…

Since Eastwood Guitars opened their doors, they’ve created faithful reproductions of vintage guitars of yesteryear at a fraction of the cost of the actual vintage gear. That’s been their shtik from day one. Even though I have yet to purchase an Eastwood guitar, I have played a few, and the thing that I dig about that company is that their replicas aren’t of classic, mainstream guitars (can you say “Les Paul” and “Stratocaster”); rather, they’ve placed their focus on the more avant garde styles of vintage guitars.

Among them is their latest offering, the Breadwinner, introduced at the 2009 NAMM show. I’m usually not moved by avant garde guitar styles, but there’s something about this guitar that really speaks to me. The Breadwinner was originally produced by Ovation, and was their first foray into a solid body guitar. From what I’ve been able to glean about its history, this guitar’s shape was both for form and function, its ergonomic design shaped specifically for playing comfort. That’s totally cool!

This replica and update features some pretty cool things, among them switchable active/passive humbuckers, which give this guitar lots of tonal possibilities. The body is solid mahogany, with a bolt-on maple neck, and uses Gotoh hardware. Very nice.

For more information, check out the Eastwood Guitars web site! If you’re interested in buying the guitar, go to Fat Tone Guitars. Phil’s great to work with, and he’s really knowledgeable about the gear he carries!

Here’s a video demo of the guitar that I found. The guitar is played clean, and the sound quality of the demo is only okay, so I suggest you go to a local Eastwood dealer to see if you can play one of these bad boys…

[youtubehttp://www.youtube.com/watch?v=CZFoP8zQOnQ]

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ValveTrain Amps Concord 6 Watt In addition to drive pedals, I love low wattage, single-ended amps, and there are lots of ’em out there. For instance, one of my favorite amps is my Fender Champ 600. I use it in my studio, but also gig with it in small venues – to be clear, I have to hook it up to an external cab to get some volume.

Just recently, I discovered the Concord from ValveTrain Amplification. This is a little 5 Watt amp based on a classic Fender 5 Watt design (I believe this is what Valve Train specializes in). It is a single-ended amp with a single 12AX7 and a 6V6 power tube; pretty similar to a Fender Champ 600. However, there is a difference… a huge difference between the Concord and the Champ.  The Concord is completely hand-wired. Not only that, this little hand-wired amp only costs $499 street!

That’s an incredible price, and something I definitely have to consider…

Here’s video of how it sounds:

[youtubehttp://www.youtube.com/watch?v=TkprPwSz7YY]

I’ve heard of some people buying this amp sight unseen, and not being satisfied with its overdrive tone. But make no mistake about an amp like this: The design was never made for tons of high-gain distortion. For instance, my Champ breaks up nicely when I have the amp open all the way, but it never gets over-the-top with the breakup. It’s just not meant to do that, and I suspect that it’s the same thing with the Concord. Furthermore, you just can’t expect to get that high-gain distortion with an 8″ speaker. 🙂

Anyway, for more information go to the Valve Train site.

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Lovepedal has been around awhile, and has been known for creating some killer pedals; among them the awesome “Church of Tone,” Plexi-in-a-box drive box, and the Eternity drive, an incredibly versatile overdrive pedal. Just recently, Lovepedal released a line of four pedals that while diminutive in size, create huge tone. These are the Echo Baby, a nice straight-forward delay; the Amp 50, which is a miniaturized version of the Church of Tone pedal; the Pickle Vibe, a VERY nice vibe pedal; and finally, the Mini Buffer, a signal buffer to live on your pedal board to bolster and condition your signal chain. Each pedal measures 3 5/8″ long X 1 1/2″ wide X 1 1/4″ high. As Lovepedal puts it, these are small enough to fit on a keychain. 🙂 Of course, that’s a bit of an exaggeration, but that’s pretty small nonetheless. Check ’em out at lovepedal.com! Here’s a cool video to make you salivate a bit…

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It’s hard to imagine that I’m actually having a guitar custom made for me from Saint Guitar Company, but it’s happening. This post will be a “sticky” post so you can follow the progress of the guitar with me. By the way, with this guitar, I’ve picked a fairly unconventional combination of woods: Walnut back, maple top, rock maple neck and ebony fretboard. Adam Hernandez and I are hoping the result will be a brightly voiced guitar that will have the incredible sustain Saint Guitars are known for.

Progress Report

May 4, 2009 – With the first set of pictures, the billets have been selected and cut, and the neck is being shaped. Forgot to mention that the headstock plate is koa. I know that I chose a bunch of woods, but I chose each wood to achieve a specific tone profile that I’m hoping the woods will produce, and this was done with literally a couple of hours of discussion with Adam. Working with Adam is just so easy. The cool thing is that he’s so open to exploring different things at this point in his luthier career, so it has been really fun discussing the building of the guitar with him.

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