Feeds:
Posts
Comments

Archive for the ‘guitar’ Category

SCORE!!! A Fernandes Late 80’s MIJ for $100!

Posted in buying gear, GAS, gear, gear find, gear reviews, guitar, guitar gear, guitar reviews, guitarists, Guitars, Music, musicians, new gear, tagged , , , , , , , , , , , , on June 22, 2009| 15 Comments »

There are some things in life that you just can’t pass up. About a week ago, my friend Jeff Aragaki of Aracom Amps mentioned people finding great vintage gear in pawn shops. I kind of stored that tidbit away for future reference, mainly because there aren’t any pawn shops really close to where I live. But today, I happened to park in front of a pawn shop (I work about 20 miles from where I live), and after lunch, on a whim, decided to go in. This was a little pawn shop that mostly specialized in jewelry, but they had a number of amps and guitars as well.

I wasn’t overwhelmed by the selection of gear; mostly no-name brands that I had never heard of, and as far amps were concerned, cheapo solid-state practice amps. But tucked in behind some guitars was a Fernandes Strat-copy that caught my eye. It had a nice, white finish with a maple neck (I LOVE maple necks), and it was obviously well-used from where I could see it. The shop owner walked up, and I asked to inspect the guitar. I was really impressed by the workmanship. I had heard of Fernandes guitars being very high-quality for a great price, but upon seeing the workmanship up close for the first time, I was very impressed. And even though this guitar was well-used, I could tell it was taken care of because of only minor scratches and dings on the body.

The tag on the guitar said it was for sale for $115 (sorry… if you came from the gear page, I mistakenly listed it at $125), and I asked if she’d take $100 including tax, and she agreed. Unfortunately, they didn’t take plastic in any form, so I had to decline on the guitar. But that was a good thing because it gave me some time to do some research. From what I could glean, this Strat-copy is a late-80’s (’86 and later) model of this guitar. What’s ultra-cool about this one is that it’s pure white. Almost all the pictures I saw today of late-80’s Fernandes Strat-copies were either tobacco burst or a solid that was other than white. This made the guitar a bit more unique. This was confirmed by a former Fernandes endorser that I hooked up with on The Gear Page.

In any case, I got this guitar for a steal!!! I’m going to fix it up, swap out pickups, give it a good cleaning and setup. Don’t know if I’m going to keep it, but no matter. It was a great deal!

So if you have a chance, take a peak into a pawn shop sometime. Oh wait! Another place you could look is at estate sales. A few years ago, I met an older gentleman and acoustic guitarist who SCORED a 1940’s Martin for a couple of hundred bucks at an estate sale, and had it appraised at around forty-grand! Amazing! Talk about a steal!

Read Full Post »

A VERY Cool Tool

Posted in announcements, guitar, guitar theory, guitarists, Guitars, jam, jam track, Music, music theory, musicians, tagged , , , , , , , , , , , on June 21, 2009| 1 Comment »

Jam Center

Wow! Amazing what taking a few days off can do! I spent last weekend in Las Vegas deflating from the rigors of everyday life, and when I came back, made a conscious effort to play as little guitar or writing as possible. Sometimes you just need to take a break. But I’m back now, refreshed, restored, and fully recovered.

So yesterday, not feeling like writing any music – actually not feeling very creative at all – I just picked up my guitar and started noodling. Within a few minutes, I wanted to play to something, so I did a search on “jam tracks” and the first search result was a link to a place called Jam Center. Intrigued, I clicked the link and was taken to the site.

There really wasn’t much there; just a navigation bar on the left that listed “Jam Machine Keys.” I clicked the Key of A, the page reloaded and the following “machine” appeared on the page:

jamcenter_player

Cool, I thought, this looks really promising. I clicked on “COOL” and was rewarded with a nicely produced jam track. I slung my guitar and started playing… Two hours later, I still hadn’t gone through all the keys and all the jam tracks, I was enjoying myself so much!

Yeah, there are lots of different sites offering jam tracks out there, but what I like about this particular site is that instead of just playing MP3s in another tab or window that eventually end, the jam tracks are arranged in a loop, and not only that, many of the jam tracks have two different “feels” to them. Usually, the first part of a track will have a mellower feel, then jumping into the second half of the track, the feel gets more intense. Having this type of variation makes you play differently. So not only can you practice your technique, you can practice changing your tones and attack. What I found very useful with having two different feels to a track was it allowed me to practice switching pedals and pickup selections. How cool is that!

One thing I forgot to mention was that when you click on a style on the machine, text appears on the machine suggesting the type of scale to play like “A Harmonic Minor” or “E Blues.” It’s a small thing yes, but it’s cool to have a starting place. For instance, in one of the tracks, the suggestion came up with “A Mixolydian.” I’ve never been that much into modes and such, even though I’ve studied them, but as an interesting and added value, the site has some great graphic examples of the different modes.

I looked up “A Mixolydian” and was greeted with the pattern, and started playing the pattern over the jam track. That was really cool; a way to immediately use a mode over a piece of music, as opposed to having to intellectualize. What that sparked was using different modes starting with different tonics or root notes over the different keys. Some didn’t work at all, but it sure helped me understand how modes can open up a whole different world when jamming.

Anyway, check this site out. It’s a great tool!

Read Full Post »

Your creativity is uh… Yours and yours alone… So…

Posted in guitar, guitar gear, guitar lifestyle, guitarists, Guitars, Music, musicians, tagged , , , , , , , , on June 16, 2009| Leave a Comment »

ignore

IGNORE EVERYBODY

I just finished reading Hugh MacLeod’s fantastic book, “Ignore Everybody,” recommended by my blog-buddy, Ig, of the now-defunct, but well-loved igblog. He said I would love it, and of course, I did. Thank you, Ig!

What’s it about? Mostly it’s about taking personal ownership of your creativity, wherever it comes from, and in whatever shape it takes. Everyone has some sort of creativity inside of them, being it writing, playing music, drawing, painting, what have you. The challenge in life as Hugh MacLeod asserts is owning that creativity, recognizing that it’s yours, giving yourself permission to express it, and not fall into the trap that your creativity should be directed towards what other people say it should be.

I know, it sounds a bit brash and slightly anarchistic, but that’s creativity. You own it. It’s yours. Hell, MacLeod made it big by writing cartoons on the back of business cards! People thought he was crazy, but that’s how he wanted to express himself.

The things MacLeod says in the book are practical; not pie-in-the-sky New Age, metaphorical, metaphysical bullshit. The advice is in your face, and with many of his cartoons interspersed throughout the book, incredibly entertaining.

I was just thinking, what does this have to do within the context of this site? Well, we gear sluts buy acquire as much gear as we do to feed our passion for tone. Guitar is our creative outlet. Reading Ignore Everybody has put an exclamation point on why I play guitar, why I write this blog, and why I spent the countless hours each week sifting through the Internet and trade rags in search of new, compelling gear. I can’t really explain why I love doing what I do. I just love it. And I want to share it.

I encourage you to get this book. It’s a quick read. I started reading it last night, and finished it about half an hour ago. I guarantee it’ll inspire you! And no matter what your particular form of creativity is, you’ll gain a lot of insight into expressing it.

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

Read Full Post »

A Totally New Take on Guitars and Tone: Internal Combustion Guitars

Posted in buying gear, GAS, gear, gear announcements, gear find, guitar, guitar gear, guitar reviews, guitarists, Guitars, inspiration, invention, Music, musicians, new gear, tagged , , , , , , , , , , on June 16, 2009| 1 Comment »

In my quest for gear to review, I literally spend hours each week poring over the Internet and trade rags, looking for cool, new stuff, and I get especially excited when I come across familiar gear that’s expressed in completely new ways, such as the Quantum Drive from Acoustic Imaginearing that uses quantum tunneling to provide distortion. But a couple of weeks ago, I ran across a brand-new guitar company up in Washington called “Woody B Internal Combustion Guitars,” that is doing something so totally unique it has the potential of completely changing how we as guitarists approach tone. I don’t say this lightly. What Woody has invented is nothing short of amazing, and I am extremely excited to have run across this new guitar.

What makes these guitars so revolutionary is Woody’s invention: The Internal Combustion Drive System. This consists of a speaker transducer and special baffles and tone ports that direct added resonance to the strings and body. Essentially, the Drive System is a resonance chamber that builds up the guitar signal (with the help of a pre-conditioner that I’ll get into later) before it goes out to your main amp. According to Woody, whom I had the pleasure of speaking with for quite awhile yesterday, this is a guitar where you can feel your tone resonating throughout the guitar’s body.

So how does it work? Here’s a diagram. I’ll discuss it below:

internalcombustion

That signal is returned via a special plug that Woody provides that I assume returns the “conditioned” signal as a line-level output (though with a Cube, you should be able to use the Recording Out). The signal then passes into the Drive System, where it’s run through the speaker transducer and allowed to resonated withing the chamber. The signal is buffered, then sent out to your main stage amp.The way it works in principle is actually quite simple. You first send your output to a pre-conditioning unit. This could be a low-wattage solid state amp, or even a valve amp. This is also where you add effects, so you could run this into your pedal board, then into the low wattage amp. The net result is that the guitar outputs more energy than was put in, providing for what Woody calls a much fatter, fuller tone than you would get from other guitars.

In addition, adding to the natural resonance are copper bars that run through the body to the neck, creating a direct coupling between the neck and the guitar. Very cool. Woody B also uses very high-grade woods with four to choose from: Swamp Ash, Alder, Mahogany, and African Black Limba (I dig the Black Limba, myself).

For those of you “in the know,” you might ask, “Moog already did something like this.” Yes and no. Yes, from the perspective that the Moog guitar uses a pre-conditioner. But no from the perspective that Woody has taken a completely different approach to the electronics in the Drive System. First of all, where the Moog has around 3000 parts to produce its sound, and I believe requires external power, the ICG Drive System has only twelve parts. Furthermore, the Drive System is completely passive, not requiring any external power source. Finally, the Moog guitar costs in the neighborhood of $6000, whereas you can get into an Internal Combustion Guitar for as low as $1700. Woody is really trying to keep the price below or as close to $2000 so his guitars are attainable by a wider audience.

Here are some videos that Woody has put together:

Folks, this stuff is so awesome! I can’t wait to try one out! For more information, go to Woody B Internal Combustion Guitars.

Read Full Post »

Progress Report: Goldie Is Ready for Finishing

Posted in GAS, gear, gear announcements, goldie, guitar, guitar gear, guitarists, Guitars, Music, musicians, new gear, Saint Guitar Company, saint guitars messenger, tagged , , , , , , , , , , on June 12, 2009| Leave a Comment »

Talk about being blown away! I talked to Adam Hernandez of Saint Guitars the other day just to shoot the breeze and let him know I posted an announcement about his new web site. He in turn thanked me, then absolutely blew me away saying that Goldie was ready for finishing and would be done before the weekend! OMG!!! He sent me some progress pictures from just before finishing. BTW, the finish is vintage Les Paul gold…. Again, OMG!!!

In any case, here are pictures of my guitar right before it went into finishing. I just can’t wait to play her!

I know I probably sound like a broken record and maybe a walking billboard for Saint Gutiars, but these are special guitars. Anyone who has played one of these will attest to that. And to have one of my own is just incredible. Adam and Jon just rock the house with their guitars!

They are also coming up with a new “Vintage” model. I don’t know all the details, but it looks like a semi-hollowbody with a trapeze-style bridge. Very retro!

I just have to say this…

I know there are a lot of people out there who have lots of gear, and who trade their axes after a certain amount of time. That’s totally cool. I’ve spoken to some folks who are concerned about the resale value of these guitars. Because this is such a small company, there aren’t a lot of Saints out there, so there’s no price precedence. But in reply to that all I have to say is that from my perspective, Goldie isn’t a guitar that I’d ever consider trading away or selling. Why would I when she was made to my exact specifications?

For sure, Goldie won’t be the last guitar I ever buy. I’m way too much of a gear freak, slut, maniac, what-have-you, to settle with my collection; it’s a living breathing thing. But Goldie will always be special because she’s the very first custom guitar I’ve ever had, but also she’s the very first Saint Guitar I’ve owned.

Read Full Post »

Site Announcement: Saint Guitars Has a New Site and Domain!

Posted in announcements, buying gear, custom guitars, GAS, gear, gear announcements, guitar, guitar gear, guitarists, Guitars, Music, musicians, Saint Guitar Company, Saint Guitars Benchmark, saint guitars messenger, tagged , , , , , , , , , , , , on June 10, 2009| 2 Comments »

Saint Guitar Company

The guys at Saint Guitar have been busy, and just this week did a “soft” release of their brand new web site, and the introduction of their new domain name (saintguitarco.com). “stguitars.com” still works, but they will be going with the new domain name going forward.

I’m so happy for these guys! Adam Hernandez has got to be one of the most talented young luthiers in the market today. Jon Peterson, who runs company operations is a great front-man. But as a company, and what really endears me to Saint Guitars is that this is something that started out as a dream between best friends, and they’re making it a reality. They’re doing it organically without investors or bank loans, spending all their available time and extra resources (read: money) building the company up, and producing what I think are the finest guitars on the planet. And guess what? Not too many people know about them!

I’m hoping that will change, and I, as a passionate supporter and customer will do my best to get the word out.

What’s so special about these guitars?

Like many other old-school style boutique guitars, these are completely handmade, built from a series of custom jigs and templates that Adam has designed and perfected over the last ten or so years. But that’s not differentiating at all. What is differentiating is the tone of these guitars. They’re on the bright side, but sustain for days. A lot of that sustain has to do with the neck joint that Adam has invented. These are the first guitars I’ve ever played where I can physically feel the sound waves resonate through the body. It’s subtle for sure, but it’s the first time I could really feel it.

As Vinni Smith of V-Picks put it, “[These guitars] have just about the best bridge pickup in the business.” Before I played a Saint Guitar, I was never big on the bridge pickup. But with Saint Guitars, I just love the bridge pickup. Adam really found a sweet spot with its positioning.

Other than that, there is a certain magic about the guitars from Saint Guitar Company. I’ve played some very high-end guitars that cost three to four times as much, and they’ve not really impressed me quite as much as what these guys are producing. Just think about this: The highest price you’ll pay for a Saint Guitar is around $4800. That’s full-gloss, nitro finish with top-of-the-line EVERYTHING. But they start at around $1800 for an open-pore, stain finish (which sounds just as good). That’s simply amazing to me. I’ve shared with Adam that his guitars are almost too affordable considering the quality compared to other custom guitars. I’d pit a Saint head-to-head with a high-end PRS any day. To me, it’ll play and sound just as well or even better and it’ll cost half as much. That’s a no-brainer for me.

In any case, I encourage you to check out their new site at: http://www.saintguitarco.com

Read Full Post »

Gear Announcement: Applied Microphone Technology Wi5G Wireless Guitar System

Posted in GAS, gear, gear announcements, gear find, guitar, Guitars, Music, musicians, new gear, playing live, tagged , , , , , , , , , , on June 8, 2009| Leave a Comment »

Applied Microphone Technology Wi5GI’ve been in the market for a wireless system for awhile, and there are lots of options out there. But one thing that has kept me from going completely wireless is that most wireless systems out there require the use of a beltpack. The AKG WMS40 is an exception to the rule, and from what I can tell, it’s a great solution for a great price (I have yet to try this unit out).

But the Wi5G shows a lot more promise in that not only can it be used with an electric guitar, you can attach it to an AMT micro-equipped unit on your acoustic guitar. So in terms of versatility, this unit sound pretty cool. Here’s the press release:

The AMT Wi5G — Guitar Wireless System is a removable 16 selectable channel wireless setup. The Wi5G is intended to work with all types of electric guitars. The system allows players to perform wireless without being tied down to a belt pack or wires of any type. The Wi5G features a plug in play style transmitter that is very light in weight. The sound clarity and wireless reception are very high. AMT’s philosophy is to develop the highest sonic quality in there products, and the guitar system stays right in line.

The most impressive feature of the Wi5G Guitar Wireless System is its ability to convert / adapt to all AMT microphones as well. The Wi5G transmitter, by unplugging the included ¼ in adapter, can then plug directly into any AMT microphone with D.C.T. (AMT’s disconnect cable technology). This feature allows the player to use the Wi5G system with there electric guitar, unplug the transmitter from there electric guitar and plug it into an AMT S15G acoustic guitar microphone setup already in place on an acoustic rig. The Wi5G is the only system on the market with the ability to switch from an electric pickup to a high quality acoustic instrument microphone. Along with the ability to switch between 16 channels, this makes the Wi5G and a S15G a valuable set of tools for all guitar players.

The Wi5G wireless system has changed the way a guitarist can perform. By allowing total freedom from wires, a belt pack, and / or a preamp the performers are able to move freely around the performance area. This concept frees up the artist from standing in front of a guitar amp tied down with a cable. The Wi5G assures that every nuance of the performance is heard as the artist intended it to be heard without changing the sonic quality of there instrument rig. AMT has developed there name on this high quality hand made philosophy.

The Wi5G transmitter features an on / off and a mute switch along with a gain adjustment. An LED is featured to show on / off as well as a low battery indicator. One AAA battery is needed to power the transmitter. Designed to be used with either pedals or an acoustic guitar, the ZR series receiver comes with both a ¼ inch and XLR output. The receiver, with an optional rack mount kit, can be mounted in a rack, set freely next to your pedals, amp, or any where close by.

The Wi5G works with all types of electric guitars with the included ¼” jack, as well as AMT microphone models: LS, WS, TA2, Z1, P800, M40, S15G, VS, S25B, and the S18C. Microphones sold separately.

Sound interesting? I think so…

Read Full Post »

Top Dawg: Greg Koch

Posted in guitar, guitarists, Guitars, Music, musicians, top dawg, tagged , , , , , on June 5, 2009| 5 Comments »

If you’ve never heard of him, Greg Koch is one of the finest guitarists around. A Fender clinician, he spends much of his time extolling the virtues of Fender guitars. This dude can play! Amazingly enough, there doesn’t appear to be an arrogant bone in his body. Greg is really the consummate showman as you’ll see in the video below.

As I said, that dude can play! But as you saw in the video, he shows his skill in a completely non-arrogant way – it’s pure entertainment. That’s what makes Greg Koch a Top Dawg!

Read Full Post »

Low-wattage fun with the Fender Champ 600

Posted in 6V6, amplifiers, amps, effect pedals, Effects, fender, GAS, gear, gear reviews, guitar, guitar effects, guitar gear, guitar pedals, guitar picks, guitarists, Guitars, Hardwire, Music, musicians, overdrive, pedals, picks, plectrum, tagged , , , , , , , , , , , , , , , , , , , on June 4, 2009| 7 Comments »

Fender Champion 600 Re-issueI forgot how much fun this little 5 watter is to play! I just put in new tubes to make it have more headroom, as this is an incredibly pedal-friendly amp. The tubes I got were as follows: NOS JAN-Philips 12AT7 and a JJ 6V6. The idea behind this is that the 12AT7 has about half the gain of a regular 12AX7, so it won’t push the power tube as hard as a 12AX7. The JJ 6V6 has tons of gain, and is much harder to break up; thus, I hoped to attain more clean headroom with this combination.

While I like the breakup of the Champ 600, it’s a little weak, but the clean tone is spectacular with this amp. And hooking it up to a 1 X 12 extension cab really expands the depth of the tone it produces. Combine that with a couple of pedals, and the result is like candy to the ears.

Some people might frown upon this diminutive amp, but I used it throughout my first album, and for good reason: It’s so damn versatile! I can play pretty much any style with this amp, and miked properly, can make it sound much bigger than it actually is. And at $200 bucks (that’s what I paid for it), it was a total steal!

Here’s a simple clip I recorded using one of GarageBand’s “Magic Garage Band” backing tracks. It’s a slow blues in E. The first part of the song is played with the neck pickup of my Prestige Heritage Elite, into my Tone Freak Effects Abunai 2, into my Hardwire RV-7 Reverb, then into the Champ and out my custom Aracom 1 X 12 extension cab with a Jensen P12N (damn! that totally sounds like name dropping! Yikes!). In second half of the song, I switch to my bridge pickup and stack my Tube Screamer on top of the Abunai 2. Oh my freakin’ gawd! This was fun. In any case, here’s the clip:

Sorry for the mistakes. I actually didn’t care because I was having so much fun! And by the way, I played the lead parts with my brand-spankin’-new V-Picks Psycho pick, a 1 3/4″ wide, 5.85 mm thick monster of a pick. I’m in tone heaven right now! You just gotta check this pick out!

And I almost forgot! I just can’t believe who incredibly awesome these Wyres strings sound and play. They’re so pliable, so resonant, and they sustain so well that they send my inspiration through the roof! Like the Psycho pick, I just can’t enough of these absolutely wonderful strings!

Read Full Post »

Gear Review: V-Picks Psycho

Posted in GAS, gear, gear reviews, guitar, guitar gear, guitar picks, guitarists, Guitars, picks, plectrum, V-Picks, tagged , , , , , , , , , , , , on June 4, 2009| 1 Comment »

5 Tone Bones - Gear has stellar performance, value, and quality. This is definitely top of the class, best of breed, and it's a no-brainer to add this to your gear lineup!

V-Picks Psycho

 V-Picks Psycho

Summary: It’s big. It’s fat. It’s humongoid! And it has TONS of tone!

Pros: Just a joy to play with! You can get big fat tones out of this, but its slightly pointy tip and sharp edges produce subtle harmonics that make notes ring.

Cons: None

Price: $20 (but it’s $10 right now as the June special!)

Specs:

  • 1 3/4″ wide
  • 5.85 mm thick
  • Slightly pointed tips and sharp edges

Tone Bone Score: 5.0 – With each new V-Pick I play, I fall more in love with them. This is by far my most favorite V-Pick to date – I even dig this one over my beloved Snake! That says a lot!

Just when I thought I found the perfect pick in the V-Pick Snake for playing electric guitar, I tried out the V-Pick Psycho. I must be psycho myself for loving a pick this big and fat, but I do! I’ve only played with it for a very short time, but I’m a believer! The big but ringing tones this pick produces are amazing. This is just perfect for playing leads, with incredible note articulation and clarity due to it’s pointy tips and sharp edges. Now you might think that would produce a fairly bright tone; it does, but the thickness of the pick also brings out the bottom end to bolster that brightness. The net result is a very balanced tone.

I’ve gotten used to playing super-thick picks, but this pick is a completely different story. It’s thicker than anything I’ve ever played before! But the pointy tip makes precision an absolute breeze. I’ve only clocked a couple of hours with this pick, and I only stopped because I had to write this review to share how much I just LOVE this pick!

The Psycho is CRAZY HUGE, but it’s by far the best pick I’ve ever played! I never thought I’d say that, considering I said the same thing about the Snake, but it looks like I’ve got a new favorite.

Yeah, I must be psycho to love a pick this huge, but I am after all, GoofyDawg, and I just dig goofy, crazy things! 🙂 And when it’s crazy, insane tone we’re talkin’ about, no way can I avoid it! I’m going back to playing right now!

Read Full Post »

« Newer Posts - Older Posts »